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    Live Music Now

    Here are the 6 best concerts in Houston this week

    Johnston Farrow
    Johnston Farrow
    Dec 12, 2018 | 9:02 am

    Holiday shopping is such a drag — the traffic, long lines, and Instead of presents that loved ones will surely forget by the end of January, give them the gift of music. It's scientifically proven to help one live a longer life - something that can't be wrapped in a bow.

    Take a break from the holiday stress and maybe take in one of the following shows. Here are CultureMap's best, biggest, and notable shows for the week:

    CultureMap show of the week: Brian Setzer Orchestra
    The annual holiday tradition returns to Houston as former Stray Cats star Brian Setzer and his orchestra will showcase holiday tunes set to a swinging beat at Jones Hall as part of his Christmas Rocks! tour. Setzer first made his name during the new wave era with the Cats, bringing a swing strut to punk rock that recalled a lighter version of The Clash.

    After that band broke up, he made an even bigger impact with his new gig as leader of the Brian Setzer Orchestra in the late-'90s at the forefront of the swing revival that earned him more notoriety and millions of album sales as a new generation discovered the fun in dressing up in flapper dresses and zoot suits, dancing to old-timey tunes, especially his "Jump, Jive & Wail." While the neo-swing era dissipated, Setzer created a cash cow by taking his band on the road to perform traditional holiday tunes in the key of swing. Not too bad, daddio.

    The Brian Setzer Orchestra performs at the Jones Hall for the Performing Arts, located at 615 Louisiana St., on Wednesday, December 12. Tickets start at $35 plus fees. Show starts at 7:30 pm.

    CultureMap recommends: Hayes Carll at Heights Theater
    Revered Americana singer-songwriter and Houston native Hayes Carll has been building quite the reputation over the past 10 years, garnering Grammy nominations, winning Americana Music Association awards, and releasing really good music. His new album, What It Is, is out in February, songs which will no doubt be featured at his headlining slot at the Heights Theater this week.

    He was recently announced as one of the performers at the Old Settler's Festival in Tilmon, Texas in April, so call this a preview of bigger shows to come. The best part is your ticket will buy you an opening set from the great Houston rock band, Vodi.

    Hayes Carll plays the Heights Theater, located at 339 W 19th St., on Thursday, December 13. Local act Vodi opens. Tickets start at $26 plus a $6 service fee. Doors open at 7 pm.

    Ministry at HOB
    It's hard to overstate how important Ministry and songwriter Al Jourgensen has been on industrial and synth-based music. Ministry got progressively harder and downright weirder over the years, but when the band first started in 1981 in Chicago, they were much closer to Depeche Mode than heavy metal. Hits such as "Everyday is Like Halloween," "The Nature of Love," and later, "Jesus Built My Hotrod," and "N.W.O." paved the way for acts like Nine Inch Nails and White Zombie to thrive in the '90s.

    Ministry headlines House of Blues, located at 1204 Caroline St., on Thursday, December 13. Carpenter Brut and Alien Weaponry open. Tickets start at $35 plus fees. Doors open at 6:30 pm.

    '90s buzz bin returns: Fastball
    Fastball is considered by most to be a one-hit wonder, but what a hit it was. "The Way" was one of the best rock songs of the '90s: a catchy AF tune that might be about running away from the daily grind, dementia in a pre-amber alert era, or a take on the Bonnie and Clyde story. But the three-piece that incorporated a healthy dose of Beatles melody, Texas blues, latin rhythms, and rock licks into their upbeat sound had been grinding it out on the Austin scene as a great live act for years.

    They hit it huge with the aforementioned song from their album, All the Pain Money Can Buy, which went platinum in an era when alternative acts could make money. They will celebrate the 20th anniversary of that album with an intimate show at the Dosey Doe.

    Fastball performs at the Big Barn at Dosey Doe, located at 25911 I-45 North, The Woodlands, on Friday, December 14. Tickets start at $28 plus fees - includes a three-course meal. Doors open at 6:30 pm.

    Jason Mraz
    Jason Mraz, the soft butter of pop-rock, will bring his chill vibes to Sugar Land for what is billed as an intimate acoustic concert (isn't this his thing?). "The Remedy (I Won't Worry)" singer will be joined by percussionist Toca Rivera. Mraz is touring behind his latest, Know, which has been garnering decent reviews from the music press. Fans of Dave Matthews Band, Jack Johnson, and other similarly so-so music will surely love this.

    Jason Mraz headlines the Smart Financial Centre at Sugar Land, located at 18111 Lexington Blvd. in Sugar Land, on Friday, December 14. Tickets start at $34.50 plus fees. Show starts at 8 pm.

    Sleep at White Oak
    Stoner rock fans, rejoice! California band Sleep, pioneers of the sludgy, grungy, Black Sabbath-indebted sound that influenced dozens of bands, including Queens of the Stone Age, are back with the critically acclaimed 2018 album, The Sciences, their first in 15 years.

    Loud, methodical, and high as a kite, Sleep are the definition of stoner rock — a band for metal heads that enjoy some herbal relaxation instead of leather pants and Jack Daniels. Sleep first broke up in 2003, but not before they launched countless acts aping their sound. Bring your earplugs to this one.

    Sleep is at White Oak Music Hall, located at 2915 N Main St., on Saturday, December 15. Pinkish Black opens. Tickets start at $25 plus fees. Doors open at 8 pm.

    Pop-rocker Jason Mraz performs at Smart Financial Centre at Sugar Land on Friday, December 14.

    Jason Mraz
    Photo by Jen Rosenstein
    Pop-rocker Jason Mraz performs at Smart Financial Centre at Sugar Land on Friday, December 14.
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    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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