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    New Traditions

    Naughty 'n' nice new holiday plays and musicals spice up the season

    Tarra Gaines
    Dec 2, 2013 | 2:25 pm

    Aww, the holidays, the most wonderful time of the year. . .unless you’re a Houston theater-lover like myself. In that case, Christmas time might be the most dreaded time of the year because while following traditions can make the season richer, seeing the same holiday show for the tenth year in a row has become akin to receiving that perpetually regifted fruitcake. You know it was probably delicious once, but now it’s gone a bit stale.

    But don’t despair, this year many local theater companies are giving us some fresh, original tales to satisfy the grinch-iest of us all. With a regional and even three world premiere musicals, there are theatrical presents for audiences looking for spiritual, comic or even cynical shows. If you too are bah humbugging the glittering tradition fare, here’s my list of the naughty and nicest new plays, to help enrich your celebration of the old year with theater.

    But don’t despair, this year many local theater companies are giving us some fresh, original tales to satisfy the grinch-iest of us all.

    Ensemble Theatre presents Djembe and the Forest of Christmas Forgotten (runs until Dec. 22)

    The first of our world premieres, Djembe is a contemporary musical fairytale, by Ensemble favorite Carlton Leake, which contains many of the elements of classic myths. There’s a exiled king, his seemingly evil sister, two spunky heroines, who are spiritual twins, and a magical kingdom dying because the people have forgotten the meaning of Christmas. Everyone, including the mistletoe sings and dances and always looks fabulous in costume designer Reggie Ray’s creations.

    Ensemble artistic director Eileen J. Morris was thinking big when the company commissioned Djembe for The Ensemble Theatre. She told CultureMap she wanted to develop a production “with an African American perspective, not only for the Greater Houston Community, but as a contribution to the global repertoire of theatre productions.”

    Stages Theatre presents Panto Goldilocks (runs through Jan. 5)

    When Stages first brought British Panto to Houston several years ago and gave it a Texas twist, artistic director Kenn McLaughlin knew he had found a way to combine one of the oldest forms of traditional holiday theater with the American love of all things new and shiny. Each year, the company tackles a brand new musical with an irreverent, sometimes slightly naughty take on an old fairy or folktale. This year’s Panto Goldilocks by actress and screenwriter Genevieve Allenbury harkens back not just to the most famous home invasion in literature but to '60s James Bond flicks. While there are usually bawdy jokes for the adults embedded in the comic chaos, they’ll whoosh right over most of the little kids’ heads, even as they’re called on stage to participate in the fun.

    Theatre Under the Stars presents Elf-The Musical (runs Dec. 6-22)

    Like many hit Broadway plays, Elf first came into existence as a movie, a Will Ferrell Christmas vehicle about Buddy, an orphan boy accidentally picked up by Santa during his world rounds on Christmas Eve. Raised by elves, Buddy grows up thinking he’s just had a bigger growth spurt than most of his North Pole community. Once he learns the truth, that he’s Elf in spirit, but not in ethnicity, Buddy makes a journey to New York to find his birth father.

    The 2003 movie was adapted into a Broadway musical in 2010, and now Buddy is popping up throughout the country, with TUTS presenting the only Texas production this season. TUTS is labeling the show PG, but with only a few “hells” and and an odd “screw you,” it’s probably a show the whole family can enjoy.

    Stages presents The Great American Trailer Park Christmas Musical (runs until Dec. 29)

    When you’re ready to ditch the whole family for some good ole fashion holiday sex, drinking, and rock n roll time, head back to Stages for their other world premiere of the season, the mildly sacrilegious Christmas sequel to one of their most successful productions, The Great American Trailer Park Musical.

    All is not well two weeks before Christmas in the Armadillo Acres Trailer Park, where residents Pickles, Lin, and Betty, are set on winning a ten thousand dollar prize for having the best decorated trailer park in Florida. Only the park’s Christmas curse, in the form of grouchy Darlene Seward and her breastaurant entrepreneur boyfriend Jackson can stop them.

    The plot is about as heavy as fake, decorative snow, and just as intentionally tacky, but those with some world literature knowledge might catch nods to the classics like a Christmas Carol parody, the trailer park version of a Greek Chorus and even a little deus ex machina plot resolution, or in this crazy play (spoiler alert) deus ex Christmas tree.

    Main Street Theater presents A Civil War Christmas (runs until Dec. 22)

    For a much more weighty and yet sometimes transcending experience, head to Main Street for the regional premiere of Pulitzer Prize winning playwright Paula Vogel’s attempt at creating an American Christmas Carol. I saw the play opening night and believe she achieves that goal.

    A runaway slave and her young daughter, a dying Jewish Union soldier, Abraham Lincoln, Walt Whitman, Mary Todd Lincoln and Elizabeth Keckley, a Virginia farm boy determined to runaway and become a Confederate soldier, and a black Union sergeant will all meet, just miss meeting, and unknowingly save each others lives on the banks of the Potomac on the coldest of Christmas nights in 1864. Vogel melds history and imagination to create a Christmas story of our country’s greatest sins and triumphs. At its center, reverberates the Henry Wadsworth Longfellow words from “Christmas Bells,” “God is not dead, nor doth He sleep; The Wrong shall fail, The Right prevail, With peace on earth, good-will to men.”

    Main Street’s last theatrical present is this holiday message we can keep safe in our hearts well into the New Year.

    Stages Repertory Theatre presents The Great American Trailer Park Christmas Musical

    Stages Repertory Theatre presents The Great American Trailer Park Christmas Musical
    Photo by Amitava Sarkar
    Stages Repertory Theatre presents The Great American Trailer Park Christmas Musical
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    Movie Review

    Rachel McAdams goes feral in Sam Raimi's gory new comedy Send Help

    Alex Bentley
    Jan 29, 2026 | 2:30 pm
    Rachel McAdams in Send Help
    Photo by Brook Rushton
    Rachel McAdams in Send Help.

    Director Sam Raimi has gone through different phases as a filmmaker, including leading the first Spider-Man trilogy and joining the MCU with Doctor Strange in the Multiverse of Madness. But he first gained notice with the gory and funny Evil Dead movies, a sensibility he’s returning to with his latest film, Send Help.

    Linda Liddle (Rachel McAdams) is a meek and eccentric middle manager at a financial firm that’s just named Bradley Preston (Dylan O’Brien) as its new nepo CEO. Bradley’s dad had promised Linda a promotion to vice president, but she gets passed over in favor of one of Bradley’s frat buddies, sending her into a mild rage. Still, she gets invited along on a planned business trip to Thailand, during which she hopes to prove her worth.

    Unfortunately for most of the passengers on the private plane, it crashes into the ocean, leaving only Linda and Bradley alive on a deserted island. Linda, who has privately developed survival skills, adapts quickly to the forbidding environment, while Bradley tries to revert to bossing her around. But Linda quickly understands the power dynamic has shifted, and she uses this knowledge to try to keep Bradley in line, turning their stranding into a battle of wills.

    Directed by Raimi and written by Damian Shannon and Mark Swift, the film is the classic “so bad it’s good” kind of experience. McAdams, inarguably an attractive and charming person, is given stringy hair, an antisocial personality, and quirks like eating tuna fish at her desk to make her as off-putting as possible. Bradley, along with almost everyone else at her office, is stereotyped just as hard in order to set up the twist of fate.

    When the action shifts to the island, things get even more over the top. The audience has already been primed for Linda to demonstrate her survival expertise, but the film does way more than just show her making fire. Whether it’s flawlessly building a shelter or hunting a wild boar, everything Linda does is portrayed in a slightly off-kilter manner. Then they turn everything up to 11, indulging in gore that is so unnecessary that you can’t help but laugh.

    The filmmakers prove they’re in on the joke the rest of the way, including a variety of preposterous but hilarious scenarios that would cause massive eyerolls if they were actually trying to take the film seriously. While they do a great job of showing Linda’s ability to handle herself in the wild, they also show that she is somehow the only person in the world who could get a glow up after a plane crash and weeks living in nature.

    McAdams, an Oscar-nominated actor for Spotlight, is way too high class for a movie like this, which makes her presence here all the more interesting. She is all-in on whatever Raimi wants her to do, and she’s at her most fun when she goes the animalistic route. O’Brien, who was great in the recent Twinless, doesn’t get as much of an opportunity to show his range, but he still proves to be an interesting foil for her.

    Were it released in any other month, Send Help might be looked at as bottom of the barrel material. But with the movie year just getting started, it’s easier to forgive its outrageous plot twists and just have fun, especially since Raimi and his team put the rest of the film together so well.

    ---

    Send Help opens in theaters on January 30.

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