Courtney Love has been a highly idiosyncratic musician for well over 20 years, and Lana Del Rey has picked up that mantle in recent years, so it makes sense the two are pairing up for a tour in 2015. The first stop on the 17-city tour is the Cynthia Woods Mitchell Pavilion in The Woodlands on May 7.
Del Rey is touring in support of her third album, Ultraviolence, which went straight to No. 1 upon its release in June 2014. Del Rey, whose real name is Elizabeth Grant, has been known by a few different stage names through the years, but she settled on Lana Del Rey soon before she hit the big time with her first hit, "Video Games."
Del Rey also has two songs on the soundtrack for Tim Burton's new film, Big Eyes, which will be released on Christmas Day.
Love's out-there personality has been catnip for many throughout her career. Best known for her marriage to Kurt Cobain and stint as the lead singer of Hole, she's recently been in the news for her supporting part in the final season of Sons of Anarchy as well as a guest role in the upcoming new Fox drama Empire.
The duo also stops in Dallas at the Gexa Energy Pavilion on May 9. Love breaks off from the tour midway through; her replacement has not been announced.
Tickets go on sale on Saturday at Livenation.com and through the Live Nation mobile app.
Lana Del Rey will kick off her tour at the Cynthia Woods Mitchell Pavilion in The Woodlands on May 7, 2015
Photo by Neil Krug
Lana Del Rey will kick off her tour at the Cynthia Woods Mitchell Pavilion in The Woodlands on May 7, 2015
Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.
That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.
Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.
Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.
The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.
The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.
Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.
Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.
