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    From the events calendar

    The Houston film festival that's guaranteed to offend: Get your comedy on (withbeer)

    Carolina Astrain
    Dec 1, 2010 | 10:31 am
    • Filmmaker Mikel Fair has directed a variety of talent, from actors just startingout in the field to Houston rapper Paul Wall.
    • Don't let this flyer fool you. It's actually going to be really funny.
    • This is the festival's second year running.

    Don't let the tacky fliers fool you.

    The Houston Comedy Film Festival, which plays on Alamo Drafthouse West Oaks' screens Wednesday night through Saturday, will surprise you.

    Heels to the Pavement director Zachary Mattson (Omaha, Neb.):

    The Buck Johnson Story director Blake McCray (Gainesville, Fla.):

    America the Beautiful director Nick Keene & Nathan Harlan (Austin, Texas):

    Local filmmaker Mikel Fair came up with the idea for his film festival after entering his comedies at larger festivals, where his films would be misplaced in genres like drama and action adventure.

    "I didn't feel like there were any festivals with comedy-friendly categories, so I just decided to create one," Fair says. "We posted calls for submissions on Craigslist, Mandy, the Houston Film Commission and the Texas Film Commission."

    This is the festival's second year. Last year, 400 films and 90 screenplays were submitted.

    "This year we dropped the screenplay category because it was too time-consuming," Fair says. "This year we had 415 films submitted."

    Fair describes comedy as a genre that doesn't rely on technical aspects or professional makeup — it's a genre that relies less on the polish and more on the writing.

    "It has more latitude," Fair says. "I've got films that are shot by high schoolers with $500 cameras from Best Buy, and their films get as many laughs as the others — all that matters is the comedy. They talk about stuff differently because the lingo has changed, but it's still all the same funny high school stuff."

    Fair thinks comedy and science fiction share the same challenges at the Oscars.

    "Like how Stars Wars never made Best Picture, out of complete disrespect for the genre," Fair says. "They're going to embrace Crash, before The Matrix. It's all snobbery, The Hangover is never going to be as highly regarded as Schindler's List."

    Fair, 36, started his career in media production as an audio engineer in 2002 and from there he grew into a director and screenwriter.

    "Now I have music videos playing on CMT and MTV," Fair says. "I started out as just another crew guy."

    According to Fair, filmmakers from the United Kingdom, Australia and Toronto sent a strong batch of submissions the first year.

    "In Australia, they take comedy pretty seriously," Fair says. "This year is the first we've had a film submitted from Brazil."

    If you're coming out to Alamo Drafthouse at West Oaks, Fair suggests that you come Wednesday on opening night because as the festival continues the films get more and more offensive.

    "Wednesday is tame, but by Friday you're going to be like, 'Dude...,' plus a lot of more drinking will be going on Friday because that's when everyone from out-of-town will be coming in," Fair says. "Some are even carpooling from Nebraska."

    Fair says he hopes the festival next year is also at the Alamo Drafthouse simply because he doesn't like the idea of having festival goers pay for parking like they would at some of the other theaters.

    "You have to remember these are budding filmmakers," Fair says. "We don't have that sort of money to throw around, and we'll have to adjust for the economy as well."

    For a full schedule of the films to be shown this week at the Houston Comedy Film Festival, check out CultureMap's extensive events calendar and Fair's website.

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    Movie Review

    Timothée Chalamet cements star status in new movie Marty Supreme

    Alex Bentley
    Dec 23, 2025 | 4:30 pm
    Timothée Chalamet
    Courtesy
    Timothée Chalamet

    In a time when true movie stars seem to be going extinct, Timothée Chalamet has emerged as an exception to the rule. Since 2021 he has headlined blockbusters like the two Dune movies and Wonka, and also earned an Oscar nomination for playing Bob Dylan in A Complete Unknown (his second nomination following 2018’s Call Me By Your Name). Now, he’s almost assured to get his third nomination for the stellar new film, Marty Supreme.

    Chalamet plays Marty Mauser, a world-class table tennis player living in New York. But reducing Marty to his best skill doesn’t do him justice, as he’s also a motormouth schemer who will do almost anything to achieve his dreams. He doesn’t have any qualms about wooing married women like neighbor Rachel (Odessa A’zion) or actress Kay Stone (Gwyneth Paltrow), or hiding his true ping pong skills to win money in scams with friends like Wally (Tyler the Creator).

    Marty is seemingly on the go the entire movie, whether it’s trying to convince Kay’s millionaire husband Milton Rockwell (Kevin O’Leary) to fund his table tennis ambitions; or trying to track down the dog of Ezra (Abel Ferrara), a man he accidentally injures; or trying to avoid the ire of the boss at the shoe store where he works. Just when you think he might slow down, he’s off to the races on another plan or adventure.

    Directed by Josh Safdie and written by Safdie and frequent co-writer Ronald Bronstein, the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives, and yet the throughline of Marty keeps everything tightly connected. His particular type of brash behavior turns much of the film into a comedy as he does and says things that are both shocking and thrilling.

    Another thing that makes the movie sing is the fantastic characterization by Safdie and Bronstein. Almost every person who is given a speaking line in the film has a moment where they pop, which speaks to airtight dialogue that the writers have created. Characters will be introduced and then disappear for long stretches of time, and yet because they make such an impression the first time they’re on screen, it’s easy to pick up their thread right away.

    Safdie, as he’s done previously with brother Bennie (Uncut Gems), calls on a host of well-known non-actors or people with interesting faces/vibes to inhabit supporting roles, and to a person they are crucial to the film’s success. O’Leary (of Shark Tank fame), rapper Tyler the Creator, director Ferrara, magician Penn Jillette, and fashion designer Isaac Mizrahi each deliver knockout performances. The relative unknowns who play smaller roles are just as impressive, making each beat of the film feel naturalistic.

    Leading the way is the powerhouse performance by Chalamet. For one person to believably play both the famously reserved Dylan and also a firecracker like Marty is astonishing, and this role cements Chalamet’s status as his generation’s movie star. A’zion is a rising star who gets great moments as Marty’s on-again/off-again love interest. Paltrow pops in and out of the film, lighting up the screen every time she appears. Fran Drescher as Marty’s mom and Sandra Bernhard as a neighbor also pay dividends in small roles.

    Josh Safdie’s first solo directorial effort is unlike any other movie this year, or maybe even this century. Thanks to its breakneck storytelling, a magnificent performance by Chalamet, and countless intangibles that Safdie employs expertly, the film smacks viewers in the face repeatedly and demands that they come back for more.

    ---

    Marty Supreme opens in theaters on December 25.

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