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Babs H-Town Visit

Barbra does Houston: Streisand talks BBQ, gets a little political, and sings her heart out in first Texas concert

Clifford Pugh
Nov 28, 2016 | 1:31 am
Barbra Streisand in Houston concert
In her first-ever visit to Texas, Barbra Streisand thrilled a near-capacity Toyota Center crowd that included celebrities and everyday fans.
Photo by Clifford Pugh

At 74, Barbra Streisand still knows how to put on a show.

In her first-ever visit to Texas, the legendary diva thrilled a near-capacity Toyota Center crowd that included celebrities and everyday fans who shouted the name of her dog (Sammie), cheered her hometown (Brooklyn), and gave her a warm welcome, despite a smattering of boos when she said, "There is one thing that I really wanted really badly, I did want to see a woman in the White House."

Soon after the scheduled 8 p.m. Sunday start time of her The Music...The Mem'ries...The Magic! tour, Streisand appeared promptly on stage in a black lace pants outfit and black cowboy hat, proclaiming, "Howdy, H-Town; it's nice to be here." For the next two-plus hours, she mixed songs from each of her No. 1 albums over the past six decades, including such hits as "The Way We Were," "Don't Rain on My Parade," "Evergreen," "You Don't Bring Me Flowers," and "People," along with such lesser-known jewels as "Being Alive," "Losing My Mind," and "Children Will Listen."

Even if she didn't hit every high note perfectly, she still showed remarkable range of depth and spirit as she took the audience, many who were in their formative years when she first burst on the scene in the 1960s and '70s, on a trip down nostalgia lane. Along the way, I came away with these observations.

Streisand has star power

A recent New York magazine article about singers whose voices have conquered the ravages of time noted that Streisand "has deployed a perfectionist's technique, which allows her to regulate the air that passes through her pampered larynx with unequaled control. Her power lies in her breath, her timing, and the way she doses her energy."

In the Houston concert, Streisand certainly used her energy to maximum efficiency, with chatty explanations for each song that gave concertgoers insider information while providing her a little more time to get ready for the next song. Graphic visuals of album covers and film clips from such hits as A Star Is Born and Funny Girl complemented each song while reinforcing the notion that the audience was in the presence of a real star.

In addition to the excellent big-screen graphics, Streisand was surrounded by a large orchestra and three back-up singers, which added to the evening's special aura.

Streisand is ready for some barbecue

The singer told the crowd that she planned to sample some "good barbecue" while in Houston. "I've heard about a place called Killen's, is that right?" she said to wild applause. She added she was eagerly looking forward to a meal of ribs, creamed corn and other side dishes after the show.

Streisand is a political animal

While she didn't dwell too much on politics, Streisand did make her feelings known about climate change and the presidential election. "Here's my point, it's not about male or female. It's simply about who is the best person for the job," she said. And she encouraged young girls to keep dreaming because the time will come when there is a woman president.

Her comments drew huge applause, along with a few boos, which seemed a little odd to me as Streisand has never hidden her political beliefs, so why would anyone expect her to be silent this time?

Streisand also lavished praise on former President George H.W. Bush and wife Barbara, who were in the audience. She noted the couple will celebrate 72 years of marriage in January and lauded the former president's heroism, humility and bipartisanship. She also saluted Barbara Bush for her work on literacy and for speaking her mind on a variety of subjects.

The singer then switched the subject to album covers, noting that a bump on her nose was removed on her The Way We Were cover in 1974. "See my nose. It's not mine," she said, referencing the oversized album cover behind her. "Who took it out? The record company? The art director? I mean if I wanted a nose job, I would have called a couple of doctors, not a retoucher. I've been very successful with that bump. We've been through a lot together, that bump and I. God makes you a certain way and that's the way I should stay."

Streisand can draw a crowd

In addition to the Bushes, Streisand singled out boxing great George Foreman, Johnson Space Center director Ellen Ochoa, and Austin film director Robert Rodriguez and his mother, along with Streisand's longtime manager Marty Erlichman, who she said had been with her since she was 18 years old.

Streisand made the Teleprompter her own

Though she suffers from stage fright that has kept her from performing live during her career, Streisand seems to have overcome that fear in her later years. She seemed naturally at ease on the Houston stage, even joking that she forgot to stand during one song, rather than sit. "I haven't done this show since August," she explained. (The Houston concert is part of an extended tour that will also take Streisand to three Florida cities in the next week, with a concert in Miami on December 5 that will be recorded. She reportedly told Erlichman that she wanted to play in a few cities she hadn't been to before.)

A oversized Teleprompter that hung from the arena ceiling might have given Streisand more confidence, as it contained her entire script for the evening, including song lyrics in capital letters. While she occasionally added some impromptu comments, she stuck to the script pretty much word-for-word the entire evening.

Even so, it was a remarkable evening for a remarkable singer, whose most recent album, Encore: Movie Partners Sing Broadway, debuted at No. 1 in September — her 35th studio set. Most in the audience knew that they would likely never see Streisand in concert again, which made the evening extra-special.

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Movie Review

An all-star cast delivers clever laughs in new comedy The Invite

Alex Bentley
Jul 10, 2026 | 2:30 pm
Olivia Wilde, Seth Rogen, Penelope Cruz, and Edward Norton in The Invite
Photo courtesy of A24
Olivia Wilde, Seth Rogen, Penelope Cruz, and Edward Norton in The Invite.

Once upon a time, well before scandal embroiled him, Woody Allen made great comedies aimed at adults. That type of film — which is different from the raunchy, R-rated comedies of the 21st century — has fallen out of favor in Hollywood, but as the new film The Invite proves, when done well it can be as funny as anything else out there.

Joe (Seth Rogen) and Angela (Olivia Wilde) are an unhappily married couple living in San Francisco. As we meet them, Joe has arrived home to Angela preparing for a visit from their upstairs neighbors, Hawk (Edward Norton) and Piña (Penélope Cruz), who have moved in relatively recently. Their impending arrival starts a new round of arguing between Joe and Angela, something they can barely contain once the other couple comes to their door.

What proceeds is a getting-to-know-you process that is mostly awkward as Joe and Angela continue sniping at each other while Hawk and Piña put in their two cents in a much calmer manner. A sticking point between the two couples — the loud sex Hawk and Piña have on an almost nightly basis — turns the film on its head with an unexpected invitation.

Directed by Wilde and written by Will McCormack and Rashida Jones, the film is a fast-paced chamber piece that takes place almost entirely in Joe and Angela’s apartment. Wilde, the writers, and the actors speed the story along not with action but through almost non-stop dialogue that often has the characters overlapping each other’s lines. The rapidity of the speech fuels the humor of the situation and establishes the differing personalities of each person.

Sex is very much top of mind for each of the characters for most of the film, but the filmmakers approach the topic in such a way that it never feels salacious. Each of the characters is a rational adult who can talk about sex in a mature manner while also acknowledging their unique feelings on the matter. And it’s the discoveries each of them makes along the way that brings about the most comedy.

But, like any comedy for adults, the film also has a dramatic tilt to it, and Wilde edges the story back-and-forth between the two tones extremely well. Joe and Angela fighting is played for laughs at times, but the sadness of their relationship comes through loud and clear. Hawk and Piña are much more intimate with each other, but the funniness of their openness is juxtaposed with a depth that arises through their conversations.

In the 2020s, Rogen has managed to make the transition from goofy stoner to stoner with real acting chops. In a stacked cast, he is the one who sells every moment the best. That’s not to say that Wilde, Norton, and Cruz don’t measure up, though; each of them inhabits their respective roles magnificently. The four actors play off each other as if they had been working together for years.

While The Invite will likely play better to those who have experience with long term relationships, its insights — and occasional bawdiness — make it a comedy that can be appreciated universally. With four actors at the top of their games and a razor-sharp script made even better by some well-done improv, it proves that you don’t need to go low to get great laughs.

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The Invite is now playing in theaters.

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