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Book Review

Molly Ivins: A rebel with a cause

Elizabeth Bennett
Nov 28, 2009 | 7:52 am
  • "Molly Ivins: A Rebel Life" by Bill Minutaglio and W. Michael Smith details thefamous Texas writer's fascinating life.
  • Seated on the right, Ivins joined her mother, Margaret, and sister Sara, brotherAndy, and father Jim at Houston functions.
  • Ivins maintained a lifelong passion for sailing, inviting friends aboard herfather’s boats.
  • Molly Ivins and Kaye Northcott at The Texas Observer
  • Ivins during chemotherapy treatements for cancer
    Thomas McConnell

When she was a child growing up in the River Oaks, Molly Ivins dreamed of being famous. If she didn’t make it by age 25, she wrote on a note tucked in her wallet, she would commit suicide.

That early promise is a key to the intensity and drive of one of the most provocative and influential figures in modern journalism. Before Ivins died of cancer at age 62, her column was appearing in more than 300 newspapers, three of her books had become national bestsellers and she was being offered $15,000 for speaking appearances.

An icon of liberalism in Texas, Ivins was a wise-cracking social commentator who inspired readers to both laughter and action, write authors Bill Minutaglio and W. Michael Smith in Molly Ivins: A Rebel Life (Public Affairs, $26.95).

Their entertaining, readable biography explores the life and times of a complicated woman who had a gift for humorously exposing the weaknesses of other people but was unable — or unwilling — to tackle her own demons.

Even if you agreed with her politics, Ivins wasn’t always easy to admire. She could be mean and unfair in print, was sometimes careless about using other writers’ material in her columns and was once famously accused of plagiarism by Southern humorist Florence King. Ivins apologized, the story was picked up all over the country, and she admitted to the American Journalism Review that she was depressed about it.

But love her or hate her, Ivins’ life makes fascinating reading. From interviews with over 100 of Ivins’ friends, colleagues, and family members, the authors reveal a woman little known outside her circle of close friends. In addition to all the personal stories, the book is full of vivid descriptions of postwar Houston, Austin and Dallas.

Born in 1944, Ivins was the daughter of a powerful, conservative Tenneco lawyer she battled with all her life. (He would end up leaving Ivin’s mother for a younger woman and blow his brains out in his 80s.) Her biography portrays a spirited girl who had an elevated opinion of herself (once writing her parents from camp that she was “superior to everybody”), who started smoking and drinking in high school, and who began spinning tales about Texas that had out-of-state school friends roaring with laughter.

As a young woman, she was also “a knockout,” one of her oldest female friends told the authors. At 6-feet-tall, Ivins had red hair, “a figure to die for, and was just gorgeous.” And although she never married, she would have a number of short affairs. The gossip about her in later years was that she had slept with Congressman Charlie Wilson, among other well-known political figures, and that she and Ann Richards, the late Texas governor and good friend, were lovers.

Ivins laughed at the suggestion she was gay. She came up with a stock response, describing herself as “a left-wing, aging Bohemian journalist who never made a shrewd career move, never dressed for success, never got married, and isn’t even a lesbian, which at least would be interesting.”

The love of her life was a brilliant, bold Yale student named Hank Holland who died in a motorcycle accident while still in college. The two were inseparable when she was at Smith College, and friends surmise she never married because she never found anyone else who could measure up.

Always interested in writing, Ivins interned for three summers at The Houston Chronicle, which the authors call “the early foundation for her boldly skeptical voice.” After graduating with a history degree from Smith College, she got a master’s in journalism from Columbia University before beginning a career in journalism. The best thing that ever happened to her, she would tell people for years, was The Texas Observer, a progressive bi-weekly publication of Texas politics and culture in Austin.

At the Observer, where she became drinking buddies with Austin activists, musicians and writers, Ivins was free to write what she thought and use the (often four-letter) words she wanted Her investigative, always entertaining stories attracted widespread attention, and she began freelancing for major publications and making speeches around the country.

Seeking more national exposure, she moved to New York in 1976 to work for The New York Times. But spoiled by writing pretty much as she pleased, she refused to follow what she called The Times’ “corporate style” and left to write a column for the newly-designed Dallas Times Herald. She hated Dallas, calling it “hopelessly boorish,” and the papers’ subscribers and advertisers hated her. The Times Herald ended up moved her to Austin, where she continued to write her column until the paper folded, when her column was picked up by The Fort Worth Star-Telegram and later syndicated.

Her first book, Molly Ivins Can’t Say That, Can She?, a collection of her short pieces, was published in 1991, became a bestseller, and she wrote several others, including two about George W. Bush.

By the mid-1990s, she had reached her goal of achieving fame, but her drive to do it was taking its toll. In spite of joining AA, she was unable to give up alcohol (and cigarettes), and even after being diagnosed with advanced breast cancer she continued to drink and smoke. And despite debilitating, month-long chemotherapy and radiation treatments, the cancer spread to her liver, brain and spine. She died in January, 2007.

Molly Ivins, a Rebel Life is a sobering account of the toll of addiction and cancer, but it’s also full of wonderful stories about a complex, brilliant woman who said what she thought, said it well, and made people — even if they disagreed with her -- laugh and think.

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Movie Review

An all-star cast delivers clever laughs in new comedy The Invite

Alex Bentley
Jul 10, 2026 | 2:30 pm
Olivia Wilde, Seth Rogen, Penelope Cruz, and Edward Norton in The Invite
Photo courtesy of A24
Olivia Wilde, Seth Rogen, Penelope Cruz, and Edward Norton in The Invite.

Once upon a time, well before scandal embroiled him, Woody Allen made great comedies aimed at adults. That type of film — which is different from the raunchy, R-rated comedies of the 21st century — has fallen out of favor in Hollywood, but as the new film The Invite proves, when done well it can be as funny as anything else out there.

Joe (Seth Rogen) and Angela (Olivia Wilde) are an unhappily married couple living in San Francisco. As we meet them, Joe has arrived home to Angela preparing for a visit from their upstairs neighbors, Hawk (Edward Norton) and Piña (Penélope Cruz), who have moved in relatively recently. Their impending arrival starts a new round of arguing between Joe and Angela, something they can barely contain once the other couple comes to their door.

What proceeds is a getting-to-know-you process that is mostly awkward as Joe and Angela continue sniping at each other while Hawk and Piña put in their two cents in a much calmer manner. A sticking point between the two couples — the loud sex Hawk and Piña have on an almost nightly basis — turns the film on its head with an unexpected invitation.

Directed by Wilde and written by Will McCormack and Rashida Jones, the film is a fast-paced chamber piece that takes place almost entirely in Joe and Angela’s apartment. Wilde, the writers, and the actors speed the story along not with action but through almost non-stop dialogue that often has the characters overlapping each other’s lines. The rapidity of the speech fuels the humor of the situation and establishes the differing personalities of each person.

Sex is very much top of mind for each of the characters for most of the film, but the filmmakers approach the topic in such a way that it never feels salacious. Each of the characters is a rational adult who can talk about sex in a mature manner while also acknowledging their unique feelings on the matter. And it’s the discoveries each of them makes along the way that brings about the most comedy.

But, like any comedy for adults, the film also has a dramatic tilt to it, and Wilde edges the story back-and-forth between the two tones extremely well. Joe and Angela fighting is played for laughs at times, but the sadness of their relationship comes through loud and clear. Hawk and Piña are much more intimate with each other, but the funniness of their openness is juxtaposed with a depth that arises through their conversations.

In the 2020s, Rogen has managed to make the transition from goofy stoner to stoner with real acting chops. In a stacked cast, he is the one who sells every moment the best. That’s not to say that Wilde, Norton, and Cruz don’t measure up, though; each of them inhabits their respective roles magnificently. The four actors play off each other as if they had been working together for years.

While The Invite will likely play better to those who have experience with long term relationships, its insights — and occasional bawdiness — make it a comedy that can be appreciated universally. With four actors at the top of their games and a razor-sharp script made even better by some well-done improv, it proves that you don’t need to go low to get great laughs.

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The Invite is now playing in theaters.

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