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    Cliff Notes

    Cloris & Rusty: Friends for life

    Clifford Pugh
    Nov 23, 2009 | 5:00 pm
    News-Cloris Leachman and Rusty Arena-Nov 09
    Rusty Arena, left, and Cloris Leachman gave been fast friends for more than 20 years.
    Phyllis Hand

    Cloris Leachman and Rusty Arena make an unusual pair.

    Leachman, who at 83 has become a household name after a wildly popular stint as the oldest contestant to participate in Dancing with the Stars, is an outspoken Hollywood star who blurts out just about anything on her mind.

    The boyish-looking Arena, 55, is a soft-spoken artist and designer who creates gorgeous hand-printed textiles in a large warehouse studio surrounded by grassy vacant lots on Houston’s northside.

    But the two have been close friends for more than 20 years. It all began with a chance encounter at Harry’s Bar in Venice, when Leachman and her daughter met Arena and a couple of his friends on an Italian vacation. Her son had died a month earlier and she was in an uncharacteristically melancholy mood. Arena snapped her out of it.

    “We just fell in love,” she recently recalled. “They got us to leave Venice and go with them to Milan on a train….After that, whenever we traveled, Rusty and his friends would meet us or we would meet them. And then (his friends) got a divorce, and I’m just in love with Rusty now. I don’t love anyone else. Only this little darlin’.”

    The duo reunited last week when Leachman was in Houston as the featured speaker at the Alzheimer’s Association luncheon at River Oaks Country Club. Afterwards, she relaxed on a sofa in the middle of Arena’s vast warehouse and talked about their good times together.

    In 2000, Leachman Asked Arena to re-do her California condo. She went off to film a movie while he stayed at the house for two months, painstakingly sponging walls with two-toned beige paint to create unique-looking stripes and patterns.

    When she returned, she hated what he had done at first. She left him a series of phone messages over the day that progressively changed in tone. Arena recalls that the messages ranged from, "Oh my God, that's the most horrible thing I've ever seen" to "It's getting better" to "It's the most beautiful thing I've ever seen."

    Having painted her house, Arena’s was next commissioned to paint Leachman’s body for the cover of an alternative health publication. Editors had asked for a photograph, but she didn't have one. "I started thinking, I wouldn't buy a magazine with an old lady on it, would you?" So she asked him to do something different.

    Using grease paint, he worked 14 hours to transform her body into a cornucopia of watermelon, potatoes, cabbage, lettuce and other fruits and vegetables.

    “After it was all done, we had to figure out how to get her into the automobile (to travel to the photo shoot),” Arena recalled. “We finally wrapped her up in Saran wrap. She looked like something in produce with a bar code.”

    Just a few months ago, Leachman wrapped herself in a gown of cabbage leaves for a “Let Vegetarianism Grow on You” ad campaign for the People for Ethical Treatment of Animals. She’s also served as grand marshal at the 2009 Tournament of Roses parade and recently completed a psychological thriller, “The Fields,” out next fall.

    “It’s wonderful. It’s the first picture I’ve starred in since Young Frankenstein,” Leachman said.

    Seizing the moment in hopes of enticing the actress to repeat her famous line from the movie, Houston photographer Phyllis Hand jumped in and asked Leachman, "Is there a line that you have said in a movie that people ask you to say?”

    Of course,” Leachman replied. “Everyone knows (the line from Young Frankenstein) ---- YES, YES, YES, YES, YES – HE – VAS – MY – BOYFRIEND!”

    “That’s what I wanted to hear,” Hand said, laughing.

    Such iconic performances, along with her recent stint on Dancing with the Stars has won Leachman a whole new generation of fans. She serves as a role model, although she’s not happy about being a senior citizen.

    “I’m old,” she said. “When I turned 80, everything started hurting."

    Rusty Arena, left, and Cloris Leachman gave been fast friends for more than 20 years.

    News-Cloris Leachman and Rusty Arena-Nov 09
    Phyllis Hand
    Rusty Arena, left, and Cloris Leachman gave been fast friends for more than 20 years.
    unspecified
    news/entertainment

    Movie Review

    Star TV producer James L. Brooks stumbles with meandering movie Ella McCay

    Alex Bentley
    Dec 12, 2025 | 2:30 pm
    Emma Mackey in Ella McCay
    Photo courtesy of 20th Century Studios
    Emma Mackey in Ella McCay.

    The impact that writer/director/producer James L. Brooks has made on Hollywood cannot be understated. The 85-year-old created The Mary Tyler Moore Show, personally won three Oscars for Terms of Endearment, and was one of the driving forces behind The Simpsons, among many other credits. Now, 15 years after his last movie, he’s back in the directing chair with Ella McCay.

    The similarly-named Emma Mackey plays Ella, a 34-year-old lieutenant governor of an unnamed state in 2008 who’s on the verge of becoming governor when Governor Bill (Albert Brooks) gets picked to be a member of the president’s Cabinet. What should be a happy time is sullied by her needy husband, Ryan (Jack Lowden), her agoraphobic brother, Casey (Spike Fearn), and her perpetually-cheating father, Eddie (Woody Harrelson).

    Despite the trio of men competing to bring her down, Ella remains an unapologetic optimist, an attitude bolstered by her aunt Helen (Jamie Lee Curtis), her assistant Estelle (Julie Kavner), and her police escort, Trooper Nash (Kumail Nanjiani). The film follows her over a few days as she navigates the perils of governing, the distractions her family brings, and the expectations being thrust upon her by many different people.

    Brooks, who wrote and directed the film, is all over the place with his storytelling. What at first seems to be a straightforward story about Ella and her various issues soon starts meandering into areas that, while related to Ella, don’t make the film better. Prime among them are her brother and father, who are given a relatively small amount of screentime in comparison to the importance they have in her life. This is compounded by a confounding subplot in which Casey tries to win back his girlfriend, Susan (Ayo Edebiri).

    Then there’s the whole political side of the story, which never finds its focus and is stuck in the past. Though it’s never stated explicitly, Ella and Governor Bill appear to be Democrats, especially given a signature program Ella pushes to help mothers in need. But if Brooks was trying to provide an antidote to the current real world politics, he doesn’t succeed, as Ella’s full goals are never clear. He also inexplicably shows her boring her fellow lawmakers to tears, a strange trait to give the person for whom the audience is supposed to be rooting.

    What saves the movie from being an all-out train wreck is the performances of Mackey and Curtis. Mackey, best known for the Netflix show Sex Education, has an assured confidence to her that keeps the character interesting and likable even when the story goes downhill. Curtis, who has tended to go over-the-top with her roles in recent years, tones it down, offering a warm place of comfort for Ella to turn to when she needs it. The two complement each other very well and are the best parts of the movie by far.

    Brooks puts much more effort into his female actors, including Kavner, who, even though she serves as an unnecessary narrator, gets most of the best laugh lines in the film. Harrelson is capable of playing a great cad, but his character here isn’t fleshed out enough. Fearn is super annoying in his role, and Lowden isn’t much better, although that could be mostly due to what his character is called to do. Were it not for the always-great Brooks and Nanjiani, the movie might be devoid of good male performances.

    Brooks has made many great TV shows and movies in his 60+ year career, but Ella McCay is a far cry from his best. The only positive that comes out of it is the boosting of Mackey, who proves herself capable of not only leading a film, but also elevating one that would otherwise be a slog to get through.

    ---

    Ella McCay opens in theaters on December 12.

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