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    Three Stories Of The Winter Market

    WHAM! Spacetaker solves your search for unique gifts, while helping uniqueartists

    Joel Luks
    Nov 18, 2010 | 7:50 am
    • Happy Year of the Tiger. Inspired by pop culture, television, animals andmonsters, Cultured Critter Collective's Valerie G's vinyl toys are darling. Eachhas a well developed character and background story.
    • Using anything from leather, steel, satins and silk, TheStitchWitch also likesbeads, leaded crystal, feathers, wire, bones and the occasionally shiny deadbug. The calla lilies were inspired by the flowers at her mother's funeral.
    • Spleen models an 18th century-inspired dress. “WHAM seems like a great way toshowcase my work as well as check out what else other creative types in Houstoncan do."
    • Razz, the Day of the Dead Skullybear. Valerie G's works include Sparklysnowflake ornaments and desserts, custom vinyl and ceramic critters, hand-sewncustom plush, critter photography, acrylic paintings and 3-D collages.
    • A crime scene investigator and seamstress specializing in custom corsetry andfine couture, Michelle AKA TheStitchWitch is inspired by anything dark andspooky.
      Photo by Chris McKay/Nocturnal Utopia
    • Yeti Manbearpig. South Park's "Manbearpig" was the inspiration behind thispiece, where Al Gore fabricates a ridiculous yet menacing creature. Valerie G'sManbearpigs are designed in three different styles: Original, Punk and Yeti.
    • Spacetaker's Winter Holiday Art Market (WHAM) brings together 60 of Houston mostcreative personalities showcasing their latest work for your shoppingconvenience.
      Photo by David A. Brown

    I confess.

    I haven’t been making a list, and definitely have not been checking it twice. All my friends are definitely more naughty than nice and this gentle balance makes it a little harder to shop for them.

    I am not much of a shopper as I tend to over think gift giving. Although I always appreciate the gesture myself, it is the search for something meaningful that makes me throw my hands in the air, make on overdramatic gesture and sigh an "Oy-vei," the kind my strict (but nurturing) German grandmother performed to stylistic Fiddler on the Roof perfection.

    Am I the only one who self imposes this sort of pressure?

    Yes. We can surrender and gift the obligatory bottle of wine, champagne, or pink prosecco as everyone appreciates a little help in reaching the perfect holiday buzz. And for some, achieving this state is a matter of familial survival.

    But as I see those close around me embrace more creative pursuits (Daniel H. Pink says so) valuing the unique, the local, the one-of-a-kind, the handmade and the eco-friendly, turning to traditional shopping sources seems jejune.

    What is WHAM?

    WHAM initially conjured up thoughts of Batman and Robin kicking evil butt in the imperative fighting sequence, followed by a need to wake someone up before they go-go. I was naive. My first experience with WHAM was last year.

    I saw the light. So let me shed some.

    Spacetaker’s Winter Holiday Arts Market (WHAM) is a juried weekend art sale with related celebratory festivities including DJs, live music, beverages and food. Put it on your schedule. The fifth annual market will take place this weekend beginning with a preview party on Friday ($10 general admission) followed by the free market on Saturday and Sunday at Winter Street Studios.

    Yes, Nancy Wozny, there will be beer.

    Imagine seemingly endless hallways of groovy personalities showcasing and sharing their creative best. A cornucopia of paintings, photographs, prints, sculptures, jewelry, clothes, toys, bath and body items and curiosities, all original, one-of-a-kind and by local artists, WHAM simplified my shopping technique and encouraged me to come home with additional items for yours truly.

    The most difficult decision? Cash or charge.

    What used to take place at the Glassell School of Art has now survived under the auspice of an organization that supports local artists. This year, WHAM will host 60 artists helping them generate income in a still sluggish but hopefully recovering economy. A special vendor breakfast will encourage extending income opportunities beyond the three-day event.

    And when it comes to supporting the local economy, what goes around comes around.

    “We have had an explosion in our submissions this year, over twice as many as years past,” Jenni Rebecca Stephenson, executive director of Spacetaker, says.

    Some of the most interesting participants include Bill Davenport of Glasstire, Brian Piana whose work was shown at FotoFest and Chuck Ivy, who we met at Lawndale. But it's three WHAM first-timers that caught my eye.

    “Sixty six percent of artists hold at least one job in addition to their artistic practice, while twenty one percent hold two or more additional jobs,” Stephenson, who regularly geeks out at stats, explains.

    It’s not surprising that a decline in sales of work would result in practicing artists seeking income through traditional sources. But can the opposite be true? Those in traditional careers whose income has been negatively affected could also be looking to supplement their revenue by participating in the creative economy.

    A kind of alter ego per se. This sort of duality is becoming increasingly accepted.

    Michelle AKA The Stitch Witch of SINched

    A crime scene investigator moonlighting as a seamstress specializing in corsetry and fine couture, I was almost tempted to interrogate The Stitch Witch with my impressive CSI, Law and Order and NCIS experience. She reminded me that television sensationalizes everything though her work is fascinating at times.

    “At WHAM, I will have hats, some small handbags and a brand new creation of mine,” Michelle says. “I have been making large neck pieces out of fabric calla lilies and glass beads. I will have a few corsets on display but they are custom orders.”

    Her pieces will range in price from $5 to $500.

    Using a wide variety of materials from leather, steel, satins and silk, beads, leaded crystals, feathers, wires, bones and the occasionally shiny dead bug, The Stitch Witch is inspired by historical clothing silhouettes, the female form and anything dark and spooky.

    From bullet proof vests to wedding gowns, her work began in her early twenties. Upon receiving a hideous corset from a past boyfriend, Michelle took it apart in hopes of making a better fitting one. She also worked at a leather shop (dungeon) where she crafted leather corsets and other naughty pieces.

    “I generally only sell my pieces online on Etsy and Facebook so thought it might be fun to try a juried show,” Michelle says. “My partner and I also really like to try and promote different things in Houston to show that it is a city with a lot to offer. People always seem to skip over Houston when they think about art and fashion and we would love to help show that there is plenty to offer here.”

    “WHAM seems like a great way to showcase my work as well as check out what else other creative types in Houston can do.”

    Valerie Burkes, The Union Leader

    Supporting non-instructional employees in the Houston Independent School District, Valerie Burkes represents members during any disciplinary meetings while fighting for fair pay and better working conditions. Naturally, a union organizer is bound to pick up painting chops.

    “As a child, art was my escape,” explains. “It was my way of communicating with the rest of the world. When I became an adult, art became my passion. In 2008, I took that passion and turned art into a career.”

    Passion career changes are risky but have the highest satisfaction potential.

    What started with a paint-by-numbers set, that formative experience translated into her aesthetic philosophy today.

    Burkes’ works combine realism with abstract techniques to capture minute moments with a keen sense of narrative while creating memory points. Her work is stylized and strongly contrasts fore, middle and background while sometimes blurring the lines of negative space.

    “I love the ability to speak to people without saying a word,” Burkes says. “WHAM seems like a fun and exciting event.”

    Inspired by gospel and jazz music, Burkes will offer original paintings and collages for from $40 to $400.

    Valerie G’s Cultured Critter Collective

    Growing up surrounded by visual art and music, Valerie G has successfully combined her life as an oboist and her love of slightly odd creatures in bright colors.

    From one creative genre to another “my inspiration comes from a combination of things,” Valerie G explains. “Pop culture, television, animals and monsters in general, Asian culture, teeny tiny pom poms, and often the newest vinyl toy platform.”

    Valerie gives each critter a well thought out character and background story, some which are born during music rehearsals.

    “I love working with vinyl because the possibilities are endless,” Valerie says. “Sometimes I treat the vinyl strictly as a canvas, and choose to just paint it. Other times, I sculpt onto it with any combination of plastic polymer clay, modeling clay or an epoxy substance.”

    Her creations are always whimsical. Her most recent work includes hand-sewn plush critters inspired by the South Park “Manbearpig” episode, where Al Gore fabricates a menacing half-man, half-bear, half-pig (do the math). Her own Manbearpigs are designed in three styles: Original, Punk and Yeti.

    At WHAM, Cultured Critter Collective will have sparkly snowflake ornaments and desserts, custom vinyl and ceramic critters, hand-sewn custom plush, critter photography, acrylic paintings and 3D collages ranging from $5 to $375.

    “I know several artists who have participated in WHAM during previous years and it sounded like lots of fun and a fantastic opportunity,” Valerie explains. “Spacetaker has done so much for the Houston arts community.”

    Editor's note: Don't miss Joel Luks' photo essay on WHAM Friday.

    Joel Luks giving you the video scoop on Spacetaker's 5th Annual Winter Holiday Art Market:

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    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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