Whedon Works Wonders

There's hope for the DC Extended Universe: Justice League is a fun movie to watch

Justice League is a solid 7.5 out of 10.

Courtesy photo

Editor's Note: ESPN97.5's Jong Lee, who co-hosts the popular podcast, Comicast, which discusses news and rumors from the world of comic books and movies, got a sneak preview of the new Justice League movie and offers this analysis.

“What’s the ‘S’ stand for? It’s not an ‘S.’ In my world, it means ‘hope.’” We finally have a glimmer of hope in the DC Extended Universe.

For a long time, the DCEU has been struggling to find some footing. Man of Steel was okay, Batman V Superman: Dawn of Justice wasn’t great, and Suicide Squad was horrendous. Wonder Woman was a pleasant surprise but isn’t anything near the best of what the Marvel Cinematic Universe has been producing for the past 10 years.

The best way to describe Justice League is fun. It's a fun movie to watch. It’s not a movie that will go down as one of the best 10 comic book movies of all time, but it’s nowhere near the bottom. In the ranking of all the DCEU movies, I place it second after Wonder Woman. For people who didn’t enjoy Wonder Woman, this may be your favorite DC movie to date.

My biggest gripe going into the movie was "How do you introduce three new characters into a universe and develop a good plot?" Well, gee willikers, Batman, DC got it right.

For all the negative comments I had against director Zack Snyder for Batman V Superman, he did a great job with Justice League. The pacing of the movie is much better than Batman V Superman, the character develop is good (not great) and the clutter was cut out. In fairness, I don’t know how much Snyder was involved in post-production. Buffy the Vampire Slayer creator Joss Whedon was brought on board to finish Justice League after Snyder stepped down when his daughter passed away. Whedon scheduled a fair amount of reshoots and Warner Brothers mandated a two-hour run time for the flick. And it works.

Justice League starts off with a bang and takes you through much needed character development for Aquaman, The Flash and Cyborg. As we get to learn about the characters, the movie picks up with fight set pieces that are action-packed but concise, although it does seem a little formulaic as the movie progresses.

Ezra Miller's Flash brings a lot of levity to the movie as he absolutely steals every scene he’s in. He’s the perfect complement to the seriousness of Batman and Superman. Jason Momoa’s Aquaman has his moments as well, but he comes across more like a brooding badass with a few one-liners more than a comedic character. Ray Fisher’s Cyborg is vital to the success of the team, but he doesn't stand out, although he wasn’t a drag on any character development or plot.

There are a few misses in the movie. Some of the computer graphics aren't great. Without getting too much into spoilers, there’s one particular scene that really bothered me and you’ll definitely be able to see it.

Steppenwolf is a decent villain, but as someone who is supposed to be one of the strongest villains in DC, he falls a little short. He starts with a bang but finishes with a whimper. Batman's role also could have been written a little better. He's the type of character who's always a step ahead of everyone. He has his moments throughout the movie but comes up a little short during key scenes.

Justice League is a solid 7.5 out of 10. Go watch it in theaters, but it's not a must-watch opening weekend.

Final Note: There’s one mid-credit scene and a post-credit scene. Both have Whedon written all over them and both are worth staying an extra five minutes to see.

Catch the latest Comicast podcast, where Justice League is the center of attention:

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Movie Review

Onslaught's brutal mix of horror, action, comedy can't find its footing

Photo courtesy of A24

Adria Arjona in Onslaught.

The most important thing for any movie to establish early on is its tone. No matter the genre, a film needs to make its audience understand how they should feel as the story unfolds so that they’re willing to go along with whatever transpires on screen. A film that doesn't do that, such as the new Onslaught, runs the risk of failing to connect with viewers even if it has some interesting or fun elements to offer.

One of the biggest issues for the movie is that it fails to fully invest in its main character, Celeste (Adriana Arjona). She’s a military veteran who now lives in and manages a desert trailer park, which is filled with a motley crew of offbeat people. She also has a contentious relationship with her ex, who unexpectedly drops off their daughter, Daisy (Blake Kennedy), soon after the film begins.

Celeste has a stash of high-powered weapons, showing she hasn’t left her former career fully behind. Her expertise comes in handy when something goes wrong at a nearby military contractor facility run by Hans Kemmler (Dan Stevens), and a trio of super soldiers escapes into the wild. Trained to kill everyone in their path, it’s not long before they set their glowing eyes on the trailer park.

Directed by Adam Wingard and written by Simon Barrett, the film has elements of horror, action, and comedy, but the filmmakers struggle in finding the right combination of the three. Wingard and Barrett divide the film’s focus between the trailer park and the military facility for a long time at the beginning of the film, and the quirkiness of people at the former mixed with the bold weirdness of the people at the latter keep viewers off balance in a bad way.

Once they finally settle into the main part of the story where the super soldiers go on a rampage, the filmmakers overpromise and underdeliver. The showdown between a seemingly unstoppable group and an angry woman and her band of misfits seems destined to be highly entertaining, but comes off as underwhelming. The sequence is filled with brutality with no meaning and heroics that feel more accidental than purposeful.

The ham-fisted way in which the story plays out is disappointing since the film has a bunch of characters who could have been great if used properly. The trauma of Celeste’s military career and personal life are hinted at, but don’t come into play as much as expected. Hans and his wife Hanna (Rebecca Hall) are completely off-the-wall, but their eccentricities seem to be apropos of nothing. The super soldiers are initially intimidating, but the climactic sequence undercuts them significantly.

Arjona has yet to fully break out despite some good roles in Hit Man and the Disney+ show Andor. She makes for a good lead here, embodying the toughness of a military veteran while still being relatable. Stevens and Hall go all in with their bonkers characters, but the story doesn’t serve them well. Comic relief comes in the form of Reginald VelJohnson and Eric Wareheim, and they do a great job in smaller roles.

A movie like Onslaught is typically one where the audience just turns off their brains and enjoys the carnage. But Wingard and Barrett try a little too hard by throwing in oddball characters that don’t add much to the story, forgetting to pay enough attention to the mechanics of the plot in the process.

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Onslaught opens in theaters on September 4.

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