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    Cinema Arts Fest 2012

    What a career! Robert Redford's 10 best performances, from The Way We Were toHavana

    Joe Leydon
    Nov 9, 2012 | 8:54 am
    • Robert Redford and Barbra Streisand in The Way We Were
    • Robert Redford and Jane Fonda in Barefoot in the Park
      Silver Velvet Sky
    • Another Redford-Newman paring, The Sting
      HighDefDiscNews.com
    • A scene from Little Fauss and Big Halsey with Robert Redford and Lauren Hutton
    • Robert Redford and Dustin Hoffman in All the President's Men
      MegaUploadIndex.com
    • Butch Cassidy and the Sundance Kid, with Robert Redford and Paul Newman
      Robert Redford/Tumblr
    • The Candidate
      Courtesy photo

     Robert Redford will be honored Friday evening for a multitude of accomplishments as actor, director, producer, film festival overlord and budding exhibition mogul when he receives the Levantine Cinema Arts Award from the Houston Cinema Arts Festival.

    But let’s face it: For most folks, he remains, first and last, an old school, much-beloved movie star. And that’s why many of them have bought tickets to attend Redford’s on-stage Q&A with Channel 8 host Ernie Manhouse at — appropriately enough — downtown Houston’s Sundance Cinemas.

     

      What follows is an unapologetically subjective list of movies (and one TV drama) that I think demonstrate the diversity and quality of Redford’s work as an actor.

      Sure, the stargazers will agree, the guy has done a lot off-screen as a passionate spokesperson for various environmental and sociopolitical causes. And, yeah, he fully deserved his Oscar for directing Ordinary People. In fact, he probably should have gotten another one for the even-better Quiz Show.

    But did you ever see him in…?

    What follows is an unapologetically subjective list of movies (and one TV drama) that I think demonstrate the diversity and quality of Redford’s work as an actor. Don’t be surprised if many of these titles are referenced during his Houston appearance.

     NOTHING IN THE DARK (1962)

    In this classic half-hour episode of The Twilight Zone, Redford relies more on boyish good looks and charm than heavy-duty thesping while playing a police officer who seeks help from an eccentric old lady (Gladys Cooper) as he lies seriously wounded near her front door. Trouble is, the lady is reluctant to allow anyone inside her tenement apartment – even a wounded cop – because she’s convinced that, if she lets down her guard, “Mr. Death” will appear in one of his many guises to kill her with his touch.

    I don’t have to tell you what happens next, do I? Suffice it to say that Redford is well cast and, thanks in large part to the aforementioned looks and charm, extremely convincing.

     BAREFOOT IN THE PARK (1967)

    This bright and breezy adaptation of Neil Simon’s once-ubiquitous stage comedy about New York newlyweds may be a particularly pleasant surprise for any first-time viewer too young to remember the days when co-stars Redford and Jane Fonda were sleek and sexy rising stars best known as actors, not activists.

    Don’t get me wrong: I’m certainly not criticizing either icon for his or her politics. But a large part of the movie’s enduring charm is its quaintness as an amusing artifact from a more innocent age.

     DOWNHILL RACER (1969)

    “How fast must a man go to get from where he’s at?” That question, provocatively raised as the movie’s original advertising tagline, seems to serve as an unspoken mantra for Redford’s obsessively self-directed Dave Chappelet, a small-town skier dedicated to earning Olympic gold.

    Chappelet’s humorless, tightly focused intensity doesn’t win him many friends among his teammates – even his coach (Gene Hackman) doesn’t really like the guy – and he seems incapable expressing any emotion but the joy of victory. Which, of course, is what makes Redford’s implosive performance all the more fascinating. (Director Michael Ritchie later teamed with his star for another sharply observed movie about competition – The Candidate.)

     BUTCH CASSIDY AND THE SUNDANCE KID (1969)

    It’s easy to forget that, back in the day, many critics were downright frosty toward director George Roy Hill’s semi-revisionist, seriocomic Western. (Academy voters, however, gave it four Oscars, including awards for William Goldman’s screenplay and Best Song – “Raindrops Keep Falling on My Head.”)

    But even the naysayers couldn’t deny the immensely appealing chemistry generated by relative newcomer Redford and established superstar Paul Newman as two rollicking, wisecracking outlaws who can’t ride far or fast enough to escape their own obsolescence. Their casting was, quite simply, a match made in movie heaven.

     LITTLE FAUSS AND BIG HALSEY (1970)

    Redford fearlessly portrays an irredeemable son of a bitch (arguably for the last time in his movie career) in director Sidney J. Furie’s criminally under-rated road movie about two motorcycle racers – a naïve novice (Michael J. Pollard) and a studly braggart (Redford) -- who go nowhere fast while trying to transcend their status as small-timers.

    Redford’s Halsey is such a smugly and shamelessly manipulative jerk that, eventually, even Pollard’s timid Fauss rejects him. In typically self-centered fashion, Halsey responds as though unjustly affronted: “If this is friendship, I am aghast.” To which Fauss replies: “I never said I was your friend, Halsey. I don’t even fuckin’ like you.” When I saw this flick for the first time in a theater, the audience roared its approval of Fauss’ put-down.

     THE CANDIDATE (1972)

    Every political junkie’s very favorite movie seems more prescient with each passing year as it vividly details the image-buffing, compromise-demanding process through which a handsome young Senate hopeful (Redford, at the absolute top of his game) is transformed, with his reluctant acquiescence, from idealistic long-shot to pragmatic campaigner.

    Redford’s anxious query after his character manages an upset victory – “What do we do now?” – is one of the greatest curtain lines in all of movie history. But it’s only a small sample of the pitch-perfect dialogue in the Oscar-winning screenplay by Jeremy Larner, a novelist (Drive, He Said) who gained unique insights into the U.S. political process while working as a speechwriter for Eugene McCarthy’s 1968 presidential campaign.

     THE STING (1973)

    Four years after they went out in a blaze of glory as Butch and Sundance, Redford reteamed with Paul Newman (and director George Roy Hill) for this Oscar-winning seriocomic caper about two Depression Era con artists – a sly old pro (Newman) and an eager young grifter (Redford)– who plot an elaborate revenge against the menacing mob boss (Robert Shaw) who murdered the younger man’s mentor.

    Redford hits the perfect balance of righteous anger and self-awareness when he explains why he’ll settle for conning, rather than killing, the object of his ire: “’Cause I don’t know enough about killing to kill him.” But, truth to tell, he’s never more believable than in the scene where Shaw’s intimidating badass unexpectedly punches him. There’s a moment – just a moment – when Redford’s expression reads: “Geez, he does remember this is just a movie, doesn’t he?”

     THE WAY WE WERE (1973)

    Beginning with 1966’s This Property is Condemned – and continuing, rather more auspiciously, with Jeremiah Johnson (1972), Three Days of the Condor (1975), and the Oscar-winning Out of Africa (1985) – Redford and director Sydney Pollack developed a fruitful working relationship and a mutual admiration society. Many critics (including yours truly) might insist that The Way We Were wasn’t the finest of their collaborations. But it’s impossible to deny the irresistible and enduring appeal of this bittersweet romantic drama about a WASPy golden boy (Redford) and a fiery left-wing activist (Barbra Streisand) who are united by their love, but divided by their politics.

    Redford manages the difficult feat of remaining likable, if not admirable, even as his character, a novelist turned TV scriptwriter, gradually is revealed as a man who so easily and often compromises his ideals that you wind up wondering if there’s anything other than ambition driving him. (Shades of Downhill Racer!)

     ALL THE PRESIDENT’S MEN (1976)

    Redford served as producer as well as co-star of director Alan J. Pakula’s potently low-key and meticulously detailed adaptation of the nonfiction best-seller written by Washington Post journalists Bob Woodard and Carl Bernstein about their doggedly determined investigation into various aspects of the Watergate scandal. (Screenwriter William Goldman won a well-deserved second Oscar for his part in cinematically translating what many thought was an unfilmable book.)

    The movie abounds in memorable moments. But Redford’s very best scene by far is the one in which his character makes a cold call to a GOP official, and is so amazed when the official himself actually answers the phone that he’s momentarily lost for words. He vamps, none too effectively, by twice introducing himself as “Bob Woodward of the Washington Post.” If you’ve ever worked as a journalist, and you’re at all honest, you can’t help thinking while watching this scene: “Been there. Done that.”

     HAVANA (1990)

    OK, it’s my list, so they’re my choices. And even though I realize this is a minority report, Havana – Redford’s last collaboration with the late, great Sydney Pollack – has always impressed me as a forgivably flawed, ultimately affecting attempt to do a Casablanca-style romantic drama set in 1958 Cuba.

    And I have taken an unreasonable amount of delight in savoring Redford’s dawn-of-middle-age charisma as Jack Weil, a cynical gambler who’s entirely aware that he’s been at the tables too long. (“A funny thing happened to me last week,” he says, only half-jokingly. “I realized I wasn't going to die young.”)

    Will he be capable of doing the right thing when he falls for an idealistic beauty (Lena Olin) whose revolutionary husband (Raul Julia) needs her sweet inspiration? What do you think? Here’s looking at you, Bob.

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    Here are the 15 best things to do in Houston this 4th of July weekend

    Craig D. Lindsey
    Jul 2, 2025 | 6:30 pm
    Shell Freedom Over Texas
    Courtesy of Shell Freedom Over Texas
    The city has revealed the performers for its July 4 celebration.

    The 4th of July lands on a Friday this year, which means things will get especially patriotic this weekend.

    We’ve already listed all the fireworks celebrations and restaurant specials that’ll be popping off on Friday. (Don’t forget about the screenings of Independence Day at River Oaks Theatre, Rooftop Cinema Club and Marriott Marquis Houston.) But there are also other must-see events happening this weekend, including a LEGO convention, the second anniversary of a Third Ward eatery, the return of a Stanley Kubrick classic, and an outlaw music festival featuring Willie Freakin’ Nelson and Bob Freakin’ Dylan!

    Thursday, July 3

    Brick Rodeo
    Brick Rodeo is a family-friendly event that features hundreds of custom models and displays made from LEGO bricks. Creators from Texas and around the country will be available to talk about their creations. Fans who want to display their own creations, attend workshops, and participate in all the activities should purchase an All Access Pass. Families and individuals who want to spend a day viewing incredible custom creations, talking with builders, and shopping with vendors should purchase a public exhibition ticket. 9 am (8:30 am Friday-Sunday).

    City Place presents Young Audiences of Houston: Painting with Watercolor Pencils Art Workshop
    This free art workshop, hosted by Young Audiences of Houston teaching artist Judy Malone Stein, transforms City Place’s central waterfront plaza into a classical art studio with easels and other essential supplies. Participants are introduced to the medium of watercolor pencils and will learn basic color theory which includes the color wheel and primary and secondary colors, along with complimentary colors. They will also focus on creating compositions, using traditional visions (portraits, landscapes, still life) as their subject matter. 9:30 am.

    Improv Houston presents Dustin Ross
    Dustin Ross is a NAACP Image Award-winning host, writer, and producer. Fans of The Read podcast may know him as a longtime guest/friend to the show. These days, you can hear him on two pods: The Friend Zone, with co-hosts Hey Fran Hey and Assante; and Holding Court, with Eboni K. Williams. He has also hosted seasons of Bet on Black, REVOLT TV’s competition series, Bet On Black. As an on-air contributor, Ross has appeared on multiple platforms, including MTV, BET, Bravo TV, HBO, FUSE TV, GLAAD, Fox Soul, and more. 7:30 pm.

    Friday, July 4

    Freedom Over Texas
    With an average of 50,000 people in attendance, Freedom Over Texas has become Houston’s annual, signature July 4th celebration. The live, televised event will feature local, regional, and national entertainment, headlined by Ashley McBryde and Lee Brice, and will be capped off with a musically choreographed, “Texas-sized” fireworks finale. It also features a unique non-profit component, as the event will donate a percentage of food and beverage sales to the Houston Food Bank. 4 pm.

    Ensemble Theatre presents The Tap Dance Kid
    Over at The Ensemble Theatre, The Tap Dance Kid is about a 10-year-old African-American kid named Willie who doesn’t want to be a lawyer like his well-to-do strict father, and dreams of becoming a dancer like his talented Uncle Dipsey, an aspiring Broadway choreographer. The final production in the theater’s 2024-25 season, this musical is filled with imaginations of stardom that keep us tapping along. Through Sunday, July 27. 7:30 pm (2 and 7:30 pm Saturday; 3 pm Sunday).

    Dan Electro’s presents The Broken Spokes & Oliver Penn 4th of July Party
    Freedom, music, and a 4th of July Party will be going down at Dan Electros. The show will feature a performance from traditional Texas country band The Broken Spokes, a well-seasoned outfit that’s put in the time honing their craft in honky tonks across Texas,. Also performing will be Rhode Island-born, Houston-based country singer Oliver Penn, who has shared the stage with Charley Crockett, Shakey Graves, Randall King, The California Honeydrops, and Shinyribs. 9 pm.

    Alamo Drafthouse LaCenterra presents Graveyard Shift: Attack the Block
    Guy Fawkes Night in London is a time for fireworks, fooling around, and an occasional surprise or two. But when vicious extraterrestrials decide to crash the hellraisers’ holiday, a time for making merry quickly turns scary. Writer-director Joe Cornish also ensures it’s frequently humorous as well. This frisky, vigorous 2011 spoof — propelled by an insistent electronic score by Steven Price & Basement Jaxx and a star-making lead turn from John Boyega — shows a similar sensibility in its breezy blending of goofiness and gruesomeness. 10 pm.

    Saturday, July 5

    Rado Market 2 Year Anniversary Celebration
    Chef Chris Williams’ market and cafe at the historic Eldorado Ballroom will celebrate its two-year anniversary with a celebration that’s free and open to the public. The event will include complimentary champagne during the first hour, food specials from chef Jaden Gaines, and live music from a DJ for the first two hours. Guests can also browse and shop from a curated lineup of local vendors offering various products for sale, including Posh Body, Ambrosia Nectar, 77 Stash, and Juxx. Patrons can also enter two raffles featuring Radiant Aura samples and other giveaways. Noon.


      
     
     
     
     
     
     
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    Winnie’s presents Labubu Face Tattoo Korean Corn Dog Karaoke Party
    Never has an event’s name been a more complete description of what’s happening at the Midtown sandwich shop/cocktail bar on Saturday. Artists from Rodeo Tiger will be tattooing Labubu, the must-have accessory that feels destined to become the Beanie Babies of 2025 ($25 minimum, $50 for both sides, and $100 for full face custom work). While you wait, snack on a Korean corn dog created by chef Jennifer Hoffman. Karaoke starts at 8 pm. 1 pm.

    The Museum of Fine Arts, Houston presents Barry Lyndon
    This weekend, catch the 50th anniversary screening (in glorious 35mm!) of Stanley Kubrick’s lavish, Oscar-winning 1975 adaptation of William Makepeace Thackeray’s 18th-century novel. Forced to leave Ireland after killing an English officer in a duel, young Redmond Barry (Ryan O’Neal) seeks his fortune as a soldier in Prussia, as a spy, and then as a gambler living among the elite of Europe. He changes his name and marries an aristocrat (Marisa Berenson) for her wealth, but will he finally gain the acceptance he seeks? 5 pm (2 pm Sunday).

    Kings Harbor Waterfront Village presents “Fireworks on the Pier”
    Looking for a post-4th of July throwdown this weekend? Kings Harbor Waterfront Village in Kingwood will have its annual “Fireworks on the Pier” celebration, a patriotic evening of family fun, live entertainment and a spectacular fireworks display. Festivities include family-friendly games like Connect Four, a balloon artist, face painting and bubble stations for kids. Local restaurants will be serving up a variety of delicious food and drink options throughout the evening. A dazzling fireworks show over the pier will begin around 10 pm. 7 pm.

    Movies at Miller: Wicked
    We know there is a lot of y’all who can’t wait for Wicked: For Good to drop in multiplexes this winter. Before that happens, head over to Miller Outdoor Theatre and revisit the Oscar-winning Broadway musical adaptation that set it all off. In the magical Land of Oz, Wicked covers the first act, following Elphaba (Cynthia Erivo), the future Wicked Witch of the West, and her friendship with Galinda (Ariana Grande), the future Glinda the Good Witch. The audience is encouraged to come in costume. 8:30 pm.

    Sunday, July 6

    Eldorado Ballroom presents Ball N’ Parlay
    Dubbed “A 1st Sunday Vibeout,” Ball N’ Parlay is a vibrant, Third Ward day party that’s going to be held outside the legendary Eldorado Ballroom. They’re really hyping this one up, calling it “the Sunday you’ve been waiting for, where music, community, and culture meet.” We’re just psyched that some of our favorite DJs will be doing live sets, including DJ Elevated, Maiya Papaya, Alist, and DJ Bloom. 3 pm.

    Outlaw Music Festival
    If you grew up going to Cactus Music and picking up the latest issue of No Depression, looking for the latest in outlaw country releases to scoop up, a fest full of iconic, guitar-strumming banditos will be making a stop at the Cynthia Woods Mitchell Pavilion this weekend. The 10th anniversary tour of the Outlaw Music Festival will feature an unparalleled lineup of legends and superstars, including Willie Nelson & Family, Bob Dylan, The Avett Brothers, The Mavericks, and Tami Neilson. 4:05 pm.

    CONCACAF Gold Cup Final
    As of this writing, we don’t know who will be playing in the final match of the soccer championship known as the 2025 CONCACAF Gold Cup, going down this weekend at NRG Stadium. What we do now is that the winners will be determined on Wednesday night, when the semifinal matchups – the USMNT vs. Guatemala and Mexico vs. Honduras – will take place. This also marks the first time the Gold Cup Final will be held in the state of Texas. 6 pm.

    Freedom Over Texas
      
    Courtesy of Freedom Over Texas
    The Freedom Over Texas celebration takes place on the Fourth of July.
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