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    Head to Head

    Rick Perry and Jon Stewart may never agree, but their hair is perfect (withvideo)

    Tarra Gaines
    Nov 9, 2010 | 5:34 am
    • Rick Perry with Jon Stewart on "The Daily Show"
    • Rick Perry
      Photo by Adam Beaugh
    • Jon Stewart

    Governor Rick Perry is wandering the Earth promoting his new book Fed Up! Our Fight to Save America From Washington and he stopped Monday night at The Daily Show with Jon Stewart.

    Yes, that Daily Show.

    Why? Well, maybe because, though The Daily Show is sometimes stereotyped as a show only liberals love, Stewart does thoughtful interviews with guests from across the political spectrum. He also is now beating both Leno and Letterman in the late night ratings wars.

    Stewart began the interview asking Perry what he was so fed up about and Perry spent two segments telling him — starting with salt.

    The Texas governor is not worried about the over use of sodium in our diet, but he's bothered that big government regulates it. Salt appears to be a deep concern of our governor, who devotes some words in the first chapter of Fed Up! on the subject.

    Stewart refuses to let Perry get too far in his list of supposedly ridiculous government regulations because he counters with the question of whether the federal government should regulate lead in our paint or salmonella in our lettuce.

    This sets a pattern for the rest of the interview, as Perry continues to cite what he perceives are excesses of Washington, preferring government before the 16th amendment and the personal income tax and Stewart brings up pesky historical trivia like child labor and women being denied the right to vote. Perry says he “gets that,” yet argues that government programs didn’t work during the Great Depression.

    The one cringe worthy moment during the interview happens when Stewart asks if the strength-through-competition ideals that Perry believes in should allow Texas companies to outsource jobs to India and China. Perry asks Stewart if he’d rather live in India or Texas and then proceeds to make googly eyes at the audience.

    The strange half laughs from the audience probably indicate Perry isn’t as smooth a romancer as he thinks he is. At least buy them a drink and get to know them, before asking them to move in with us, Rick.

    A little later in the interview, Stewart calmly asks Perry if he would not be more comfortable living under the Articles of Confederation. Perry says no, and quickly moves on to what he expects the federal government to do like “secure our border with Mexico,” as if he can’t run to the border and away from the Articles of Confederation accusation fast enough.

    Nothing is really going to be solved in the interview because Perry and Stewart, and probably much of his audience, have diametrically opposing views on the worth of our federal government. Perry seems to believe it hinders individuals. As for Stewart — well, commentators, bloggers, and viewers have argued for years about Stewart’s general beliefs about government, but his satire and interviews with conservatives and libertarians lead me to believe he thinks that though it many times doesn’t work, government should be a protector in our lives.

    Stewart recently had more than 200,000 of his closest friends over to Washington in an attempt to convince the country it’s time to stop thinking in terms of winners and losers when it comes to differing philosophies on government, so I won’t treat the interview like a sport to be scored.

    However, in the game of coiffing, I'm sorry governor, but Stewart wins by a hair.

     See the extended interview here:

     

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    Movie Review

    New Superman movie forges into the future while honoring the past

    Alex Bentley
    Jul 11, 2025 | 3:30 pm
    David Corenswet in Superman
    Photo by Jessica Miglio
    David Corenswet in Superman.

    When the character of Superman was invented in 1938, it was perhaps easier to see the world in good and bad terms. Fascism was already on the rise in Germany under Adolf Hitler, and the idea of an all-powerful superhero who stood up for people in need was a welcome one. In the nearly 90 years since, though, the world and the character have undergone multiple evolutions, and the thought of someone who is purely good is often met with cynicism or worse.

    The new Superman, written and directed by James Gunn, puts the superhero (or metahuman, as the film calls him and similar creatures) squarely in the midst of the modern world, with geopolitical conflicts, mega-corporations, and social media all combining to make the altruism of Superman/Clark Kent (David Corenswet) questionable. That skepticism even extends to his coworker/girlfriend Lois Lane (Rachel Brosnahan), whose knowledge of his exploits puts her in a tricky position personally and professionally.

    Lex Luthor (Nicholas Hoult) is out to dominate the world and take down Superman, with his eponymous corporation and vast group of underlings dedicated to doing both. Superman is generally a one-man fighting crew, but he’s occasionally aided by a group calling themselves the Justice Gang, comprised of heroes many have never heard of like Guy Gardner (Nathan Fillion), a version of Green Lantern; Hawkgirl (Isabela Merced), a flying metahuman; and Mr. Terrific (Edi Gathegi), who knows all kinds of technology.

    One of the best things about this new version of Superman is that it mostly dispenses with introductions, putting the audience in a world where Superman is already a well-known quantity who’s adored by many and hated by some. Gunn has used his new position as co-CEO of DC Studios to honor the past of the hero and take him into the future. With the 1978 John Williams theme song echoing throughout and Corenswet giving off Christopher Reeve vibes, it’s clear Gunn wants audiences to feel nostalgia while still getting something new.

    He also appears to want viewers to fight against the negativity that the modern world can bring. The plot involves manipulation of the public, usually at the hands of Luthor, through bombastic talk shows, political theater, and social media, the latter of which — in a great joke — comes to involve hundreds of typing monkeys. The film could be read as a rebuttal of many real-world ills as, despite Luthor’s machinations, many choose to continue to believe in the goodness of Superman.

    There is a lot going on in the film, but somehow it never comes off as overly complicated. Superman’s relationship with Lois Lane and Luthor’s attempts at taking him down are given the most prominence, with everything else supporting those two main things. The Justice Gang is a fun addition, with Mr. Terrific becoming the breakout hero of the group. The addition of the (CGI) dog Krypto provides levity, poignant moments, and unexpectedly great action scenes. The only part that gets somewhat short shrift is the crew of The Daily Planet, with everyone besides Lois and Jimmy Olsen (Skyler Gisondo) getting little more than face time.

    Being the new Superman is a lot to live up to, but Corenswet is completely up to the job. He, like Reeve, plays the character as someone who is earnest but not naive, a quality that comes through even when he’s in the middle of fight scenes. Brosnahan is also fantastic, providing a nice balance to the relationship while also proving the character’s own worth. Hoult makes for a great new version of Luthor, and Gathegi nearly makes the case that Mr. Terrific should get a starring film of his own.

    Just as he did with the Guardians of the Galaxy trilogy, Gunn has shown that success can be found through making characters people want to see. Not everyone in this Superman will be familiar to viewers, but in the end a group of people working together toward a goal that serves the common good is one worth watching and cheering for.

    ---

    Superman is now playing in theaters.

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