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    Songs and the City

    Houston is music to the ears of listeners of these 13 songs

    Douglas Newman
    Dec 13, 2009 | 10:00 am
    • "Tighten Up," Archie Bell & the Drells
    • "La Grange" from "Tres Hombres," ZZ Top
    • "Home to Houston," Steve Earle
    • "Houston, TX," from "Born on a Flag Day," Deer Tick
    • "If You Ever Go To Houston," from "Bob Dylan Together Through Life," Bob Dylan
    • "Houston Chicks," Doug Sahm
    • "Fannin Street," Tom Waits

    Most great cities have served as inspiration for popular music. New York's been immortalized in more songs than you can imagine, everything from Duke Ellington's "Take the A Train" (which expertly invokes the Big Apple without using any words) to the Ramones' "53rd & 3rd" (which in just over two minutes perfectly captures the seedy underbelly of the city that never sleeps). London, Paris, L.A. - they're all frequent muses for musical artists. For most casual music fans, Houston would never be included in that company. However, the Bayou City boasts a rather impressive canon of songs that use it as a backdrop for its subject matter. Here are 13 (in no particular order) to whet your appetite:

    "If You Ever Go to Houston" by Bob Dylan

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    Perhaps Bob Dylan shares my view of Houston as the Wild West of large urban centers. On this track he riffs on an old Leadbelly song, warning us to be careful when walking the streets of this fair city: "If you ever go to Houston, better walk right/Keep your hands in your pockets and your gun belt tight/You'll be asking for trouble if you’re looking for a fight/If you ever go to Houston, boy you better walk right." Wait, people walk in Houston?

    "Home to Houston" by Steve Earle

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    This is a truck driving song for the Bush era. It tells the tale of a soldier in Iraq who drives a truck on a patrol convoy. Scared as hell, he realizes this rig ain't as sexy as the one he drives back home on the open roads of the highway interstates, the narrator makes a promise to God: "With a bulletproof screen on the hood of my truck/And a Bradley on my back door /And I wound her up and shifted her down /And I offered this prayer to my lord/I said 'God get me back home to Houston alive/and I won’t drive a truck anymore.'" Like "Six Days on the Road" and "White Freightliner Blues" before it, Earle's ode to the big rig is a country shuffle that's perfect for the blacktop.

    "Fannin Street" by Tom Waits

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    An homage of sorts to a Leadbelly song of the same title and subject matter (although the late bluesman's version takes place in Shreveport, Louisiana), Waits sings about leaving home to seek "all the glitter and the roar" on Fannin Street in Houston town. Instead of fame and fortune, he ends up drunk and broke with a belly full of regret: "Give a man gin, give a man cards, give an inch he takes a yard, and I rue the day that I stepped off this train." Last time I checked, there wasn't ever much glitter or roar on the ho-hum north/south thoroughfare, but I guess we can chalk it up to creative license.

    "Houston" by Lee Hazlewood

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    Dean Martin had a hit with this Lee Hazlewood composition in 1965, but I prefer the version sung by its author, who incidentally, spent his formidable years in Port Neches, about 90 miles due east. The song is about a man who's having a hard time adjusting to the harsh realities of the big city and who longs to return home to Houston: "Well it's lonesome in this big town everybody puts me down/I'm a face without a name just a walkin' in the rain/I'm going back to Houston..."

    "Houston, TX" by Deer Tick

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    This brand new addition to the growing canon of songs about Houston comes courtesy of Deer Tick, an up and coming alt-country outfit from Providence, Rhode Island (and who counts anchorman, Brian Williams, as a fan). The connection to Houston stems from the fact that before forming Deer Tick, singer-songwriter John McCauley had a contract with a fledgling Houston-based record label to release his debut album, "War Elephants." Not too much about Houston per se, except he comments on how there's no good place in town, but he "feels alright." Oh well, another typical reaction from a Yankee.

    "Telephone Road" by Rodney Crowell

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    A Grammy Award-winning songwriter and collaborator with Emmylou Harris and Roseanne Cash, Rodney Crowell is somewhat of a legend in country music circles. Born and raised in Houston, Crowell wrote a whole album about his upbringing in the Bayou City. "Telephone Road" is a nostalgic trip down this once lively strip in the southeast part of town: "Barbecue and beer on ice/A salty watermelon slice/At the Little Taste of Paradise/On Telephone Road."

    "Houston is Hot Tonight" by Iggy Pop

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    This odd little number off Iggy Pop's 1981 flop, "Party," is a hoot, although there's something bizarrely satisfying about the Detroit mad man working with former Monkees' producer, Tommy Hart, who manned the knobs for this release. But I digress. "Houston is Hot Tonight" is a surreal trip through the Houston of Iggy's imagination, where spacemen and oil barrons trawl the streets: "Bright lights, Houston is hot tonight/Arabian sheiks and money, up in the sky/Now I don`t mind a bloodbath when I've got oil on my breath."

    "Houston Chicks" by Doug Sahm

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    One of the Lone Star State's true musical heroes, Doug Sahm once proclaimed, "You just can't live in Texas if you don't have a lot of soul." How right he was! A perfect ambassador for the state, his music represents all of the unique flavors and styles found in Texas - blues, country, rock & roll, Western swing, Cajun and Tejano. The Alamo city has "(Is Anybody Going to) San Antone" and the Bayou City has "Houston Chicks," a valentine to the lovely ladies that nurtured him during his time in this great town.

    "Houston" by R.E.M.

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    One of the better songs from R.E.M.'s 2008 release, "Accelerate", "Houston" features some killer organ blasts and Michael Stipe's usual cryptic lyrics. But it's pretty obvious from the first line that he's talking about Hurricane Katrina: "If the storm doesn't kill me the government will." He goes on to explain how "Houston is filled with promise/Laredo is a beautiful place/Galveston sings like that song that I loved/It's meaning has not been erased." He's dead on about the promise in Houston and he's on target about the bungling of the Katrina response. And as for that song about Galveston he likes, check out the next entry.

    "Galveston" by Glen Campbell

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    Written by Jimmy Webb, but immortalized by Glen Cambpell, this string-laden country classic is sung by a soldier in combat who is nostalgic for his hometown of Galveston, Texas. While not technically about Houston, everyone knows how closely entwined these two cities are, namely because it's where Houstonians go to frolic in the piss-warm oil slick that is the Gulf of Mexico. Most people who were raised here have fond memories of childhood summers spent on the tar-filled beaches that line the island. The mere thought of hot coastal breezes, Strand-bought saltwater taffy, and meat tenderizer (to heal jellyfish stings) instantly opens the floodgates of nostalgia.

    "Spin on a Red Brick Floor" by Nanci Griffith

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    Austin might claim to be the "Live Music Capital of the World," but Houston has quite a rich musical history itself, an important part of which centered around the venerable club, Anderson Fair. This tiny red-bricked room nurtured some of country and folk music's best songwriters, including Townes Van Zandt, Steve Earle, Lucinda Williams, Lyle Lovett, Eric Taylor, Guy Clark, Robert Earl Keen Jr., and Nanci Griffith. "Spin on a Red Brick Floor" is a love letter to this old haunt, which is still kicking to this day. The best recording of the track is featured on Griffith's live album, "One Fair Summer Evening," which was captured at Anderson Fair back in 1987.

    "La Grange" by ZZ Top

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    Basically a reworking of the John Lee Hooker track "Boogie Chillen," "La Grange" is a simple blues number from ZZ Top's 1973 record "Tres Hombres." A small town about 100 miles west of Houston, it was the site of the original Chicken Ranch, the legendary brothel that served as the inspiration for "The Best Little Whorehouse in Texas." Undoubtedly it enjoyed some clientele from the Houston area, but the real connection to the city is through local reporter, Marvin Zindler, who busted the story open on a Channel 13 newscast. The Ranch was eventually shut down in August 1973, 68 years after first opening its doors. The song lives on.

    "Tighten Up" by Archie Bell & the Drells

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    "I'm Archie Bell and the Drells from Houston, Texas. We don't only sing but we dance just as good as we walk. In Houston we just started a new dance called the Tighten Up. This is the music we tighten up with." And so begins one of the grooviest hit singles from the 1960s and a Houston classic.

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    Movie News

    Houston movie theater is one of 15 in U.S. to offer hologram selfies

    Teresa Gubbins
    Nov 11, 2025 | 9:15 am
    Now You See Me: Now You Don't hologram
    Lionsgate
    Now You See Me: Now You Don't hologram

    One Houston movie theater will be part of a first-of-its-kind promotion to hype the new film Now You See Me: Now You Don't: According to a release, 15 theaters across the U.S. will host appearances by the cast — Jesse Eisenberg, Isla Fisher, and the rest — in hologram pop-ups.

    Moviegoers can take selfies with the holograms starting on November 14, when Lionsgate releases the film in theaters. In Houston, the selfie station will be at the Regal Edwards Houston Marq*E.

    Working with technology by Proto Hologram, Lionsgate will bring the characters — played by Jesse Eisenberg, Isla Fisher, Dave Franco, Justice Smith, and Ariana Greenblatt — into theaters. In the promotion, the holograms take out their own cell phones to capture selfies with the theater patrons, who can download the images via QR code.


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    Lionsgate Worldwide Distribution president Kevin Grayson says in a statement that the promotion is perfect for this particular film.

    “This amazing technology borders on magic, so there’s no better way to anticipate the release of Now You See Me: Now You Don’t,” Grayson says. “Get your selfies with the cast now, before they disappear.” Clever! You can see why he's Lionsgate's president of Worldwide Distribution.

    "This represents a new milestone for holographic experiences in cinemas, and the largest theatrical activation Proto has ever delivered,” said David Nussbaum, Founder and Chairman of Proto Hologram. “We were thrilled to work with Lionsgate to bring the cast directly into theater lobbies."

    Moviegoers can see the tech in action at the following theaters:

    • Phoenix — Harkness Tempe Marketplace
    • Los Angeles — AMC Grove 14
    • Orange County — Regal Irvine Spectrum
    • San Francisco — AMC Bay Street, Emeryville
    • Denver — AMC Westminster Promenades 24
    • Washington, DC — AMC Tysons Corner
    • Orlando — AMC DINE-IN Disney Springs 24
    • Atlanta — Regal Atlantic Station
    • Chicago — AMC Chicago River East
    • Boston — Showcase Legacy Place (Dedham)
    • St. Louis — Marcus Ronnie's Cinema 20
    • Albuquerque — Cinemark Albuquerque Rio 24
    • New York — AMC Empire 25
    • Dallas — Cinemark Webb Chapel
    • Houston — Regal Edwards Houston Marq*E

    In Now You See Me: Now You Don’t, the Four Horsemen (Jesse Eisenberg, Woody Harrelson, Dave Franco, Isla Fisher) unite with a new generation of illusionists (Justice Smith, Dominic Sessa, Ariana Greenblatt) in a mission to expose the corruption of Veronika Vanderberg (Rosamund Pike), a diamond heiress with ties to arms dealers, traffickers, and warlords.

    Aided by the legendary Thaddeus (Morgan Freeman), the two generations of magicians overcome their differences to try and defeat their adversary. The release promises some of the most thrilling illusions ever captured on film.

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