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    Songs and the City

    Houston is music to the ears of listeners of these 13 songs

    Douglas Newman
    Dec 13, 2009 | 10:00 am
    • "Tighten Up," Archie Bell & the Drells
    • "La Grange" from "Tres Hombres," ZZ Top
    • "Home to Houston," Steve Earle
    • "Houston, TX," from "Born on a Flag Day," Deer Tick
    • "If You Ever Go To Houston," from "Bob Dylan Together Through Life," Bob Dylan
    • "Houston Chicks," Doug Sahm
    • "Fannin Street," Tom Waits

    Most great cities have served as inspiration for popular music. New York's been immortalized in more songs than you can imagine, everything from Duke Ellington's "Take the A Train" (which expertly invokes the Big Apple without using any words) to the Ramones' "53rd & 3rd" (which in just over two minutes perfectly captures the seedy underbelly of the city that never sleeps). London, Paris, L.A. - they're all frequent muses for musical artists. For most casual music fans, Houston would never be included in that company. However, the Bayou City boasts a rather impressive canon of songs that use it as a backdrop for its subject matter. Here are 13 (in no particular order) to whet your appetite:

    "If You Ever Go to Houston" by Bob Dylan

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    Perhaps Bob Dylan shares my view of Houston as the Wild West of large urban centers. On this track he riffs on an old Leadbelly song, warning us to be careful when walking the streets of this fair city: "If you ever go to Houston, better walk right/Keep your hands in your pockets and your gun belt tight/You'll be asking for trouble if you’re looking for a fight/If you ever go to Houston, boy you better walk right." Wait, people walk in Houston?

    "Home to Houston" by Steve Earle

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    This is a truck driving song for the Bush era. It tells the tale of a soldier in Iraq who drives a truck on a patrol convoy. Scared as hell, he realizes this rig ain't as sexy as the one he drives back home on the open roads of the highway interstates, the narrator makes a promise to God: "With a bulletproof screen on the hood of my truck/And a Bradley on my back door /And I wound her up and shifted her down /And I offered this prayer to my lord/I said 'God get me back home to Houston alive/and I won’t drive a truck anymore.'" Like "Six Days on the Road" and "White Freightliner Blues" before it, Earle's ode to the big rig is a country shuffle that's perfect for the blacktop.

    "Fannin Street" by Tom Waits

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    An homage of sorts to a Leadbelly song of the same title and subject matter (although the late bluesman's version takes place in Shreveport, Louisiana), Waits sings about leaving home to seek "all the glitter and the roar" on Fannin Street in Houston town. Instead of fame and fortune, he ends up drunk and broke with a belly full of regret: "Give a man gin, give a man cards, give an inch he takes a yard, and I rue the day that I stepped off this train." Last time I checked, there wasn't ever much glitter or roar on the ho-hum north/south thoroughfare, but I guess we can chalk it up to creative license.

    "Houston" by Lee Hazlewood

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    Dean Martin had a hit with this Lee Hazlewood composition in 1965, but I prefer the version sung by its author, who incidentally, spent his formidable years in Port Neches, about 90 miles due east. The song is about a man who's having a hard time adjusting to the harsh realities of the big city and who longs to return home to Houston: "Well it's lonesome in this big town everybody puts me down/I'm a face without a name just a walkin' in the rain/I'm going back to Houston..."

    "Houston, TX" by Deer Tick

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    This brand new addition to the growing canon of songs about Houston comes courtesy of Deer Tick, an up and coming alt-country outfit from Providence, Rhode Island (and who counts anchorman, Brian Williams, as a fan). The connection to Houston stems from the fact that before forming Deer Tick, singer-songwriter John McCauley had a contract with a fledgling Houston-based record label to release his debut album, "War Elephants." Not too much about Houston per se, except he comments on how there's no good place in town, but he "feels alright." Oh well, another typical reaction from a Yankee.

    "Telephone Road" by Rodney Crowell

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    A Grammy Award-winning songwriter and collaborator with Emmylou Harris and Roseanne Cash, Rodney Crowell is somewhat of a legend in country music circles. Born and raised in Houston, Crowell wrote a whole album about his upbringing in the Bayou City. "Telephone Road" is a nostalgic trip down this once lively strip in the southeast part of town: "Barbecue and beer on ice/A salty watermelon slice/At the Little Taste of Paradise/On Telephone Road."

    "Houston is Hot Tonight" by Iggy Pop

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    This odd little number off Iggy Pop's 1981 flop, "Party," is a hoot, although there's something bizarrely satisfying about the Detroit mad man working with former Monkees' producer, Tommy Hart, who manned the knobs for this release. But I digress. "Houston is Hot Tonight" is a surreal trip through the Houston of Iggy's imagination, where spacemen and oil barrons trawl the streets: "Bright lights, Houston is hot tonight/Arabian sheiks and money, up in the sky/Now I don`t mind a bloodbath when I've got oil on my breath."

    "Houston Chicks" by Doug Sahm

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    One of the Lone Star State's true musical heroes, Doug Sahm once proclaimed, "You just can't live in Texas if you don't have a lot of soul." How right he was! A perfect ambassador for the state, his music represents all of the unique flavors and styles found in Texas - blues, country, rock & roll, Western swing, Cajun and Tejano. The Alamo city has "(Is Anybody Going to) San Antone" and the Bayou City has "Houston Chicks," a valentine to the lovely ladies that nurtured him during his time in this great town.

    "Houston" by R.E.M.

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    One of the better songs from R.E.M.'s 2008 release, "Accelerate", "Houston" features some killer organ blasts and Michael Stipe's usual cryptic lyrics. But it's pretty obvious from the first line that he's talking about Hurricane Katrina: "If the storm doesn't kill me the government will." He goes on to explain how "Houston is filled with promise/Laredo is a beautiful place/Galveston sings like that song that I loved/It's meaning has not been erased." He's dead on about the promise in Houston and he's on target about the bungling of the Katrina response. And as for that song about Galveston he likes, check out the next entry.

    "Galveston" by Glen Campbell

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    Written by Jimmy Webb, but immortalized by Glen Cambpell, this string-laden country classic is sung by a soldier in combat who is nostalgic for his hometown of Galveston, Texas. While not technically about Houston, everyone knows how closely entwined these two cities are, namely because it's where Houstonians go to frolic in the piss-warm oil slick that is the Gulf of Mexico. Most people who were raised here have fond memories of childhood summers spent on the tar-filled beaches that line the island. The mere thought of hot coastal breezes, Strand-bought saltwater taffy, and meat tenderizer (to heal jellyfish stings) instantly opens the floodgates of nostalgia.

    "Spin on a Red Brick Floor" by Nanci Griffith

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    Austin might claim to be the "Live Music Capital of the World," but Houston has quite a rich musical history itself, an important part of which centered around the venerable club, Anderson Fair. This tiny red-bricked room nurtured some of country and folk music's best songwriters, including Townes Van Zandt, Steve Earle, Lucinda Williams, Lyle Lovett, Eric Taylor, Guy Clark, Robert Earl Keen Jr., and Nanci Griffith. "Spin on a Red Brick Floor" is a love letter to this old haunt, which is still kicking to this day. The best recording of the track is featured on Griffith's live album, "One Fair Summer Evening," which was captured at Anderson Fair back in 1987.

    "La Grange" by ZZ Top

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    Basically a reworking of the John Lee Hooker track "Boogie Chillen," "La Grange" is a simple blues number from ZZ Top's 1973 record "Tres Hombres." A small town about 100 miles west of Houston, it was the site of the original Chicken Ranch, the legendary brothel that served as the inspiration for "The Best Little Whorehouse in Texas." Undoubtedly it enjoyed some clientele from the Houston area, but the real connection to the city is through local reporter, Marvin Zindler, who busted the story open on a Channel 13 newscast. The Ranch was eventually shut down in August 1973, 68 years after first opening its doors. The song lives on.

    "Tighten Up" by Archie Bell & the Drells

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    "I'm Archie Bell and the Drells from Houston, Texas. We don't only sing but we dance just as good as we walk. In Houston we just started a new dance called the Tighten Up. This is the music we tighten up with." And so begins one of the grooviest hit singles from the 1960s and a Houston classic.

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    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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