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    Pandora's box

    Internet Radio Fairness Act fight pits Pandora & friends against traditionalbroadcasters

    Bill Van Rysdam
    Nov 5, 2012 | 9:00 am
    • Traditional over-the-air broadcasters and Internet radio companies are duking itover the Internet Radio Fairness Act.
    • Pandora is urging its listeners to lobby Congress in support of the InternetRadio Fairness Act.

    The battle for your ears has taken an interesting twist. Traditional over-the-air broadcasters and Internet radio companies are duking it out over something called the “Internet Radio Fairness Act.”

    This bill, introduced in both the House and the Senate, tries to level the playing field and put the fees Internet radio pays for music at the same rate as other digital music providers. Last year, according to Pandora, it paid roughly 50 percent of its total revenue in royalties, more than six times the percentage paid by satellite radio provider Sirius-XM.

    A recent radio study by Alan Burns and Associates and Triton Digital showed that radio is less strongly bonded to listeners under 35 because younger listeners want music control and fewer commercials.

    "On the surface, the rates paid by Pandora and other online radio services appear onerous and in need of congressional relief,” wrote Richard Greenfield, a media analyst for BTIG. “However, the reason why companies such as Pandora pay such high royalty rates as a percentage of revenues is because they severely limit audio advertising to protect the user experience and keep people on the platform.”

    So their answer is to have Pandora run more advertisements to make up for the revenue (God forbid anyone should “protect the user experience”).

    A recent radio study by Alan Burns and Associates and Triton Digital showed that radio is less strongly bonded to listeners under 35 because younger listeners want music control and fewer commercials. The response by BTIG brings to mind the infamous quip; “Let them eat cake!”

    Radio will point to studies showing how many people listen to them during the week, and that number is very impressive, but Internet radio also has a compelling story to tell. Pandora reported that, in September of 2012, it showed an increase of 67 percent from 687 million to 1.15 billion of listening hours during the same period last year.

    Another point Greenfield raised in his report was “Why should the U.S. government allow musicians to be harmed simply to help Pandora and its investors generate enhanced returns?" It’s an interesting argument because it is the same one used by the radio industry. Many radio executives feel they should pay smaller royalties to musicians because they help promote artists and sell records. Both points of view have merit, but you can’t play both sides.

    If radio were smart (and there are many smart people working in radio), they would develop new ways to advertise that continue to produce a healthy profit while enhancing, not hurting, its user experience instead of trying to thwart companies like Pandora. Product placement type ads, shorter commercial breaks and smoother insertion of advertisements could all lead to increased listening among younger demos which would result in higher revenues.

    The questions is: Will anyone in radio be willing to take the chance, or will radio end up listening to Wall Street instead of Main Street?

    Bill Van Rysdam is a former longtime broadcast executive in the Houston radio market.

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    Movie Review

    Fun visuals can't save The Magic Faraway Tree's meager plot

    Alex Bentley
    Aug 24, 2026 | 10:30 am
    Andrew Garfield, Delilah Bennett-Cardy, Claire Foy, Phoenix Laroche, and Billie Gadson in The Magic Faraway Tree
    Photo courtesy of Vertical Entertainment
    Andrew Garfield, Delilah Bennett-Cardy, Claire Foy, Phoenix Laroche, and Billie Gadson in The Magic Faraway Tree.

    With kids and families always on the hunt for entertainment, it’s typically a safe bet for a movie studio to offer up something new, even if it is a film based on an old property. The Magic Faraway Tree, based on a series of books that started in the 1930s, is a very old property, one that its filmmakers have tried to liven up with a few stars, a lot of whimsy, and a boatload of CGI.

    The Thompson family, led by stay-at-home dad Tim (Andrew Garfield) and breadwinner mom Polly (Claire Foy), are forced to move to a rundown country home when Polly gets laid off. The kids — Joe (Phoenix Laroche), Fran (Billie Gadson), and Beth (Delilah Bennett-Cardy) — are used to the perks of city life like wifi and electricity, and each of them rebels in their own way to their new lot in life.

    Fran, enticed by a fairy named Silky (Nicola Coughlan), is the first to venture out of the house, making her way to a magic tree that transports her to a world full of strange characters like Moonface (Nonso Anozie), Saucepan Man (Dustin Demri-Burns), Dame Washalot (Jessica Gunning), and more. Her adventures there not only broaden the world she thought she knew, but may be the key to helping her ailing family.

    Directed by Ben Gregor and written by Simon Farnaby (Paddington 2, Wonka), the film is a pleasant enough lark, but it fails to fully capture the imagination. The five-member family has a lot going on, from an initially-mute Fran to a domestic situation that raises more questions than it answers. The film tries to incorporate an anti-technology message through Tim’s hatred of a smart refrigerator (voiced by Judi Dench!) and the kids' addictions to devices, but it’s quickly shed in favor of other options.

    Once Fran makes it to the Magic Faraway Tree, there’s a nice shift in the storytelling, but it’s unclear what the ultimate goal is. It’s a good idea to have Fran, the youngest of the children, convince her older, more cynical siblings about the virtues of the magic world, but the conflict in the real world doesn’t seem to rise to the level needed for the escape the tree provides.

    There also seems to be a missing link in the storytelling for viewers to understand the importance of the fantastical characters. The visuals of seeing Moonface and his crescent moon-shaped hair, a man with a suit full of banging pots, and more are fun for a while, but not enough to carry the whole film. A last-minute revelation feels like it was something that should have been disclosed much earlier to help strengthen the emotions of the story.

    A two-time Oscar nominee, Garfield is making his first foray into family movies (if you don’t count playing Spider-Man), and while he does a good job, he doesn’t make the best fit for the semi-goofy role. The same goes for the Emmy-winning Foy, who isn’t given much of anything to do. The movie puts the story on the shoulders of the three child actors, and while each of them acquit themselves well, none of them are so outstanding as to be noteworthy.

    With nearly 90-year-old source material, The Magic Faraway Tree needed to be something truly special to stand out in the 21st century movie world. Unfortunately, it features a mostly forgettable story that features some fun visuals, a couple of cute kids, and not much else.

    ---

    The Magic Faraway Tree is now playing in theaters.

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