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    Screen Changer

    New River Oaks theater set to lavish comfort, food and drink like you've never seen on moviegoers

    Shelby Hodge
    Oct 29, 2015 | 9:39 pm

    The hype has been running pretty high on the new iPic Theater officially opening November 6 in River Oaks District. So when I arrived Thursday afternoon for a preview and a visit with iPic Entertainment president and CEO Hamid Hashemi, I confess to being a bit skeptical.

    Skepticism misplaced. And the hype is not hype at all.

    The eight auditoriums, seating a total of around 500 movie-goers, are the plushest thing I've seen since flying business class on Emirates Air. Hashemi would beg to disagree. He compares the premium seats (and there is nothing less than premium) to flying first class and the premium-plus seating as flying private.

    With 11 locations around the country, iPic Houston is taking even greater strides in the luxury arena by including a restaurant/bar in the theater and introducing a new form of seating — the pod.

    Chillin' in the pod

    "This is the first theater in our company that we have this pod design that you are looking at," he said. "We've been working on this design for a little over a year."

    We sat in one of the cozy, comfy seating arrangements for two on the glove-leather loungers, which recline to about 30 degrees. Premium-plus seating amenities include a storage area for shoes and handbags, pillows and soft blankets, hidden cup holders and a rotating table for food and drink service from the restaurant.

    Push a button and an attendant — or ninja — is quickly at your side taking your order. (For those in the mere premium seats, no reclining and closer to the screen, food and drink are available for take-out from the movie theater grill.)

    At the moment, the luxurious redolence of leather permeates the theaters. It's an appealing smell that we fear will soon be replaced by the aroma of popcorn, which surprisingly is free and unlimited in iPic theaters.

    The theaters are not designed for the typical moviegoer who might be more interested in texting and chatting than in watching the movie, according to Hashemi.

    "This is for people that are going out and they want to have a really great night out," he said. "When they buy a ticket here, every seat is assigned. This is a completely different experience. It is a very relaxed experience. People pay a little bit more because they value their time and their experience. You are in an auditorium with like-minded people."

    In other words, this theater is geared to adults willing to pay a bit more for a much more civilized movie experience.

    Benefits of membership

    iPic has a free membership program with various incentives and offerings including a membership ticket price. With 1.3 million members, they must be doing something right.

    Premium seats: Member prices are $12 Monday through Thursday, $14 weekends.

    Premium plus seats: Member prices are $18 Monday through Thursday, $24 Friday through Sunday.

    "It really becomes your nighttime single destination for your most common entertainments — eat, drinking and movies," Hashemi said. "This is the same thing that Starbucks did for coffee. This is that third place away from home. If Starbucks is the place your going to hang out in the daytime, this becomes your nighttime destination."

    In short, it's "dinner and a movie" all in one place.

    iPic Entertainment president and CEO Hamid Hashemi tries out his first venture into Houston at River Oaks District.

    News, Shelby, iPic Theater, Oct. 2015, Hamid Hashemi
    Photo by Shelby Hodge
    iPic Entertainment president and CEO Hamid Hashemi tries out his first venture into Houston at River Oaks District.
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    Awards Season

    CultureMap critic's guide to the 2026 Oscar Best Picture nominees

    Alex Bentley
    Jan 22, 2026 | 2:00 pm
    Michael B. Jordan and Miles Caton in Sinners
    Photo courtesy of Warner Bros.
    Sinners leads all films at the 2026 Academy Awards with a stunning 16 nominations.

    The nominations for the 2026 Academy Awards have been announced, with 10 films vying for Best Picture. Leading the way is Sinners with an astonishing 16 nominations, the most in Oscars history.

    The other top films include One Battle After Another, which earned 13 nominations, and Marty Supreme, Frankenstein, and Sentimental Value, which each got 9 nominations.

    As a refresher, below are links to the full reviews for each of the nominees covered by CultureMap in the past year, as well as brief thoughts on the films and their various nominations.

    Movie fans will have plenty of time to catch up with each of the nominees, as this year's Oscars ceremony will not take place until Sunday, March 15.

    Here's the list of Best Picture nominees, in alphabetical order:

    Bugonia
    Yet another off-the-wall film from director Yorgos Lanthimos features two great performances by Emma Stone (nominated for Best Actress) and Jesse Plemons at its center. Written by Will Tracy (nominated for Best Adapted Screenplay), the conspiracy theory film is alternately brutal and funny as the characters played by Stone and Plemons use their form of power to try to manipulate the other. With a fair amount of intrigue and two great actors going head-to-head for much of its running time, it gives even more Oscar pedigree to its filmmakers and stars.

    F1
    The biggest surprise among the Best Picture nominees has to be the racing movie F1. It was a technical marvel, to be sure, as its nominations in Film Editing, Sound, and Visual Affects attest. But the fact that it has no other nominations in any of the above the fold categories indicates that its other qualities are lacking. As a showcase (aka advertisement) for the sport it depicts, the film works relatively well. As a complete movie, though, there’s not much to recommend, to the point that it almost negates any of the positives that come from the racing scenes.

    Frankenstein (not reviewed)
    Writer/director Guillermo del Toro (nominated for Best Adapted Screenplay) loves himself a monster movie, and he takes on one of the classics with his new version of Frankenstein (now streaming on Netflix). Oscar Isaac plays Victor Frankenstein, who brings to life The Creature, played by Jacob Elordi (nominated for Best Supporting Actor). With a slew of nominations in technical categories, there's a chance this film goes home with a lot of awards at this year's ceremony.

    Hamnet (not reviewed)
    Writer/director Chloé Zhao (nominated for Best Director and Best Adapted Screenplay alongside co-writer Maggie O'Farrell) gets back to her Oscar-worthy skills for the first time since 2020's Nomadland (after the unfortunate detour into the MCU with Eternals). A story about love, loss, and grief involving William Shakespeare and his wife, Agnes, the film is most notable for the performances of its two leads, Jessie Buckley (nominated for Best Actress) and Paul Mescal.

    Marty Supreme
    There was no other movie this year, or maybe even this century, like Marty Supreme. Directed and co-written by Josh Safdie (nominated for Best Director and Best Original Screenplay alongside co-writer Ronald Bronstein), the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives. At its center is the fast-talking, powerhouse performance by star Timothée Chalamet (nominated for Best Actor), who cements his status as his generation’s movie star one year after playing the polar opposite role of Bob Dylan in A Complete Unknown. Look for the film to be a strong contender in the inaugural Best Casting category, as Safdie fills the film with non-actors who are crucial to the film's success.

    One Battle After Another
    Writer/director Paul Thomas Anderson (nominated for Best Director and Best Adapted Screenplay) has an acclaimed career going back 30 years, but has yet to actually win an Oscar. That will change this year, as One Battle After Another is one of the favorites to win Best Picture thanks to Anderson's stellar filmmaking, as well as multiple great performances that earned the film four acting nominations (Leonardo DiCaprio for Best Actor, Teyana Taylor for Best Supporting Actress, and Benicio Del Toro and Sean Penn for Best Supporting Actor). Add in a story with a very timely political critique (that's getting more relevant by the day) and you have the recipe for a big winner on Oscar night.

    The Secret Agent (not reviewed)
    No foreign country has quite the influence on the Oscars as Brazil, which for the second straight year has gotten one of its films nominated for both Best International Feature Film and Best Picture. Written and directed by Kleber Mendonça Filho, the film is anchored by the performance of Wagner Moura (nominated for Best Actor) as a technology expert in the late 1970s who flees from a mysterious past to try to find peace in his hometown.

    Sentimental Value (not reviewed)
    For the third year in a row, two international films made the cut in the Best Picture race (but whither It Was Just an Accident?). Directed and co-written by Joachim Trier (nominated for Best Director and Best Original Screenplay alongside co-writer Eskil Vogt), the film is tied for the most acting nominations this year, earning nods for Renate Reinsve for Best Actress, Elle Fanning and Inga Ibsdotter Lilleaas for Best Supporting Actress, and Stellan Skarsgård for Best Supporting Actor.

    Sinners
    It takes a special kind of filmmaker to make movies that are both popular and Oscar-worthy, and writer/director Ryan Coogler (nominated for Best Director and Best Original Screenplay) has done it again, seven years after helming the Oscar-winning Black Panther. Both a tribute to Black music history and a gnarly vampire movie, the film is led by Michael B. Jordan (nominated for Best Actor) in dual roles as twins Smoke and Stack. With a story infused with all manner of subtext and a bunch of great supporting performances, including Best Supporting Actress nominee Wunmi Mosaku, the film demonstrates Coogler's great filmmaking abilities that should keep him in demand for years to come. Amazingly, there was only one category for which it was eligible in which it did not receive a nomination.

    Train Dreams (not reviewed)
    The second Netflix movie this year to be nominated, Train Dreams is a contemplative film about a logger (played by Joel Edgerton) in early 20th century America who tries to adapt to a rapidly-changing world. Nominated for Best Adapted Screenplay for the script by director Clint Bentley and co-writer Greg Kwedar, the film is most notable for the work done by Adolpho Veloso (nominated for Best Cinematography), who showcases the Pacific Northwest in all its glory.

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