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    Pessimism is rarely this entertaining

    Optimistic Pessimist: Fossil hunter Richard Leakey believes the end of the worldis near — yet he's hopeful

    Nancy Wozny
    Oct 31, 2010 | 12:22 pm
    • Leakey in a 1972 photo
    • Richard E. Leakey, paleoanthropologist
    • Richard E. Leakey on the Nov. 7, 1977, cover of Time
    • Richard E. Leakey describes the discovery and naming of the first "habilis" in"The Making of Mankind."

    Richard Leakey, paleoanthropologist, conservationist, activist and rock star fossil finder, came to Houston as part of The Progressive Forum to address the subject of why our origins matter. And matter they do, if we hold half a hope of being around for the next millennium.

    Progressive Forum President Randall R. Morton cracked up the sold-out crowd up by introducing Leakey as "the most interesting man in the world." Morton describes Leakey's writings as the most moving science literature he has ever read concerning the human saga and the fate of the species.

    Morton nailed it. Leakey proved both intensely interesting and moving as he took us backwards in time, touching base on the skeletons we might find in ancient days. The news for homo sapiens is not encouraging. We are on the way out people, largely of our own doing.

    All that said, pessimism is rarely this entertaining. Leakey held the flock spellbound with his riveting ideas, findings and dare I say, dire warnings about our gloomy fate. "By looking at our origins we can best understand that we may or may not have a future," he said.

    Named one of the 100 greatest minds of the 21st century by Time magazine, Leakey has led a mission to end elephant poaching, started a political party in his native Kenya and is the founder of WildlifeDirect.org, an online service that gives everyone the power to join in the mission to save the world's endangered species. He may be best known for his discovery of the legendary Turkana Boy, the first early human with an upright stature, who lived some 1.6 million years ago.

    The son of Mary and Louis Leakey, the world renown fossil hunter continues his family's profound scientific legacy through his writings, numerous ground-breaking discoveries and advocacy. His books include The Sixth Extinction: Patterns of Life and the Future of Mankind, Origins Reconsidered: In Search of What Makes Us Human and Wildlife Wars: My Fight to Save Africa's Natural Treasures.

    Following Richard Dawkins' mission, Leakey let it be known he's grown intolerant with creationists, anti-scientific thinking, and religious bigots. In his lecture, he went on to unravel the origins of fundamentalist troubles with evolution having to do with the ill-conceived notion of God making man in his own image. It works just fine until the skeletons no longer look like us. Then all hell breaks loose.

    "It's just unacceptable for some," he said. "Even Darwin has troubles with religious fundamentalists."

    Leakey addressed the catastrophic consequences of human centric short-term thinking. "There's always been a link between climate change and extinction. We are only concerned about the planet because we are on it," he said. "We don't even have a definition of what is 'us.' As Dawkins says we are a product of accident and are not at the apex of anything. We are already in the next great episode of extinction. We lose a species every 20 minutes."

    During the Q & A, Leakey addressed key issues regarding the future of the species and his field. "The most exciting work will be on the origins of bipedal locomotive posture and speech," he said.

    Leakey went on to draw a connection between biped posture and compassion. "With only two legs I know from experience that humans need to help each other," said Leakey, who lost both his legs in an accident. He went on to relay a telling and hilarious tale of losing is prosthetic leg in the middle of a busy road. He also mentioned finally getting to the bottom of the migration of humans out of Africa some 65,000 years ago.

    The explorer, who has faced assassination attempts, shared insights on his own life. "I'm not spiritual whatsoever. I have no fear of death. When you die you are dead. There's no harm in being dead. I'm dead. So what? I live my life to the hilt."

    He hopes the material in his newest book, The Sixth Extinction: Patterns of Life and the Future of Mankind, to become a feature film some day.

    Leakey concluded on a hopeful note. He puts his faith in the young minds of the world, which is why access to a proper science education is so crucial.

    "We need to put aside bigotry and let young scientific minds work on our common crisis. These are smart people able to solve our problems, we just need to let them do it."

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    Movie Review

    Great directing and acting power The Christophers to artistic heights

    Alex Bentley
    Apr 20, 2026 | 11:15 am
    Michaela Coel and Ian McKellen in The Christophers
    Photo by Claudette Barius
    Michaela Coel and Ian McKellen in The Christophers.

    Director Steven Soderbergh is one of those filmmakers who — aside from the Ocean’s series — never seems to make the same kind of movie twice. He is somehow able to adapt his abilities to all sorts of different stories, making each of them as compelling as any other. His latest masterclass is in the London-set film, The Christophers.

    Lori Butler (Michaela Coel), who restores art for a living, is approached by brother and sister Sallie and Barnaby Sklar (Jessica Gunning and James Corden) with a scheme. They want her to become the new assistant for their aging father, Julian (Ian McKellen), a famous artist known for a series called “The Christophers,” in order to gain access to unfinished paintings from the series and complete them herself.

    Lori accepts the deal despite having some uneasy feelings about Julian, with whom she had a bad interaction years ago. Julian is just as wary, both because he knows of his children’s interest in the unfinished works, and because he would prefer to be left in peace. Although the trepidation on both sides continues for the bulk of the story, a grudging respect arises between two artists who know skill when they see it.

    Directed by Soderbergh and written by Ed Solomon, who last collaborated on No Sudden Move, the film is astonishing in its ability to be compelling with such a small story. Much of the film is spent inside Julian’s multi-story home as Julian and Lori have low-level confrontations about a variety of things, including the meaning of his art, her abilities, the fate of the remaining “Christophers,” and more. Each conversation brings out more detail about their worldviews and their thoughts about their lot in life.

    Much of the success of the film lies in the performances of McKellen and Coel. The 86-year-old McKellen has not lost his ability to astonish with the spoken word, and the monologues he delivers are engrossing even when they’re about mundane things. Coel, best known for the 2020 HBO show I May Destroy You, is a great foil for McKellen, never backing down from his challenges and giving her own unique takes on her lines.

    While the film can be enjoyable for non-art lovers, those who appreciate the vagaries of the art world will have a lot to chew on. Soderbergh and Solomon debate a lot of aspects of art, including whether it’s possible to separate the art from the person making it, why some art is valued more than others, the ethics of forgery, and more. Because the film is about a fictional artist, it gives the filmmakers a bit more freedom in their criticisms.

    Aside from McKellen and Coel, Gunning (Baby Reindeer) and Corden are the only other two people who get significant screen time in the film. Both of them are, let’s say, acquired tastes, and each gives an elevated performance that matches the energy of their respective characters. Tilly Botsford makes a nice impression in a small role as Julian’s masseuse.

    Soderbergh’s last three films — Presence, Black Bag, and now The Christophers — have nothing in common other than the expert filmmaker helming all of them. When you can make a ghost story, a spy film, and a small film about artists equally interesting, you know you’re doing something right.

    ---

    The Christophers is now playing in theaters.

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