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    Flying boy beats down the ogre

    Princess Fiona shines, but Shrek The Musical can't fly as high as Peter Pan

    Carolina Astrain
    Oct 24, 2010 | 9:04 am
    • Shrek is good for a couple of laughs and Haven Burton stands out as Fiona.
      Photo by Joan Marcus
    • David F.M. Vaughn plays Lord Farquaad.
      Photo by Joan Marcus/©2010 DreamWorks Theatricals
    • The Ginger Bread man blames the Muffin Man.
      Photo by Joan Marcus/©2010 DreamWorks Theatricals

    Everyone in Houston seems to have ogre fever. But is it justified?

    At an early showing of Shrek The Musical (which runs through October 31 at the Hobby Center), I couldn't wait to get out of my seat. And not to take part in a standing ovation.

    I enjoyed the first Shrek movie when it came out in 2001, but didn't care for the sequels and this drawn-out production isn't getting me back on the ogre bandwagon.

    I checked out the musical in hopes of regaining respect for the popular culture force and longtime babysitting crutch (just slip in the DVD and let Eddie Murphy do all the work as Donkey). A couple of numbers from Houston's stage Shrek are bound to catch your attention, especially those from Princess Fiona (played by Haven Burton, whose father lives in Houston). Another standout of the show is David F.M. Vaughn's physically-demanding performance as Lord Farquaad.

    DreamWorks Theatricals deserves credit for pulling off a stunning set-design, but the musical itself could use some snipping.

    During Donkey's (Alan Mingo Jr.) first serenade of friendship to Shrek (Eric Petersen), the music notes sparked memory of Rent's "I'll Cover You." I have no problem with a homosexual connotation when it comes to man love, but is it too much to ask for a little originality?

    There's an applause-generating cheap shot during Donkey and Shrek's journey to the dragon-guarded tower, when animals from the Lion King musical production make appearances. I won't spoil the ender, but let's just say there nothing surprising about the song choice.

    In a way, weighing Shrek The Musical against Alley's Peter Pan or the Boy Would Not Grow Up is like comparing apples and oranges.

    Still, the Alley's Peter Pan is a definite winner over Shrek. Peter Pan may be a darker story, but it's definitely the smarter tale.

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    hoop it up

    Houston festival hosts dramatic reading of basketball-inspired TV show

    Craig D. Lindsey
    Nov 6, 2025 | 5:00 pm
    cinema arts festival hoopztown reading
    Photo by Trent Wittenbach
    Hoopzdreams tells the story of a gifted, multiracial athelete.

    This year’s Houston Cinema Arts Festival (HCAF), which starts this Thursday, November 6, offers plenty of film screenings – both feature-length films and shorts – as well as panel discussions, Q&As, workshops, etc. But the fest will also have a staged reading of the TV pilot Hoopztown, this Saturday at 2 pm at Six Foot Studios.

    Hoopztown centers around Maya Hernandez, a gifted, multiracial athlete on track to be considered for the inaugural WNBA in 1996. She moves back to her hometown of Houston, where it’s revealed that her mother, a janitor at Houston Medical Center, is diagnosed with cancer.

    The project is created and written by Fleurette S. Fernando, an educator, director, choreographer, arts administrator, and founding director of the M.A. in Arts Leadership Program at University of Houston, where she serves as an associate professor. “I wrote this story for the women in my life; my mother, my sisters, my teachers, my colleagues, my girlfriends, my students and particularly for my daughter,” says Fernando. “Her journey as a student athlete and the relationships she built with the girls on her various teams through the turbulent and magical years of her youth was an inspiration.”

    hoopztown Fleurette S. Fernando Elizabeth Sosa Bailey Collaborators Elizabeth Sosa Bailey and Fleurette S. Fernando.Courtesy of Elizabeth Sosa Bailey

    Hoopztown has gone through multiple iterations. During the 2015 ATX TV Festival Pitch Competition, Fernando was a finalist for her concept of the project. From there, the pilot (originally titled Hoopz) and loglines for a 10-episode run were put into motion. That first episode, titled “Rebound,” focuses on Maya’s first day at her new job, coaching a girls’ basketball team at a racially and socioeconomically diverse high school.

    “Hoopztown is an ode to a woman’s journey through the lens of many races, ages and circumstances,” she says. “It’s a tribute to the underdog and a homage to a woman’s perilous path through a man’s world. Nowhere is this struggle more acutely demonstrated, mentally, emotionally, physically and economically, than in the arena of competitive sports in America.”

    Since Fernando and her creative partner, Elizabeth Sosa Bailey, are both active members of

    the Houston Cinema Arts Society (HCAS) board, they knew they had to do a reading during this year’s fest.

    “There is so much of myself that I see in this story, as someone who left a career to return home when my father was diagnosed with cancer and as a mixed race Latina understanding the duality of identity,” says Sosa Bailey. “Even the high school that Hoopztown is set in is much like my own. I attended Lamar High School, making me about a decade younger than the characters in the story. There are all of these wonderful little coincidences in Hoopztown.”

    The project is a beneficiary of its second Houston Arts Alliance grant made possible through the

    City of Houston Mayors Office of Cultural Affairs (MOCA). The reading cast includes over 20 actors, with Eva Marie Thomas playing the main role. Open to the public with a Pay What You Can ticket structure, the event invites the audience to experience the first run-through of what is slated to be the first episode, filmed in Houston using local cast and crew. The audience can also provide feedback and contribute to the project’s fundraising initiative to get to the next stage of filming.

    For tickets, go to the Houston Cinema Arts Festival website.

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