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    Flying boy beats down the ogre

    Princess Fiona shines, but Shrek The Musical can't fly as high as Peter Pan

    Carolina Astrain
    Oct 24, 2010 | 9:04 am
    • Shrek is good for a couple of laughs and Haven Burton stands out as Fiona.
      Photo by Joan Marcus
    • David F.M. Vaughn plays Lord Farquaad.
      Photo by Joan Marcus/©2010 DreamWorks Theatricals
    • The Ginger Bread man blames the Muffin Man.
      Photo by Joan Marcus/©2010 DreamWorks Theatricals

    Everyone in Houston seems to have ogre fever. But is it justified?

    At an early showing of Shrek The Musical (which runs through October 31 at the Hobby Center), I couldn't wait to get out of my seat. And not to take part in a standing ovation.

    I enjoyed the first Shrek movie when it came out in 2001, but didn't care for the sequels and this drawn-out production isn't getting me back on the ogre bandwagon.

    I checked out the musical in hopes of regaining respect for the popular culture force and longtime babysitting crutch (just slip in the DVD and let Eddie Murphy do all the work as Donkey). A couple of numbers from Houston's stage Shrek are bound to catch your attention, especially those from Princess Fiona (played by Haven Burton, whose father lives in Houston). Another standout of the show is David F.M. Vaughn's physically-demanding performance as Lord Farquaad.

    DreamWorks Theatricals deserves credit for pulling off a stunning set-design, but the musical itself could use some snipping.

    During Donkey's (Alan Mingo Jr.) first serenade of friendship to Shrek (Eric Petersen), the music notes sparked memory of Rent's "I'll Cover You." I have no problem with a homosexual connotation when it comes to man love, but is it too much to ask for a little originality?

    There's an applause-generating cheap shot during Donkey and Shrek's journey to the dragon-guarded tower, when animals from the Lion King musical production make appearances. I won't spoil the ender, but let's just say there nothing surprising about the song choice.

    In a way, weighing Shrek The Musical against Alley's Peter Pan or the Boy Would Not Grow Up is like comparing apples and oranges.

    Still, the Alley's Peter Pan is a definite winner over Shrek. Peter Pan may be a darker story, but it's definitely the smarter tale.

    unspecified
    news/entertainment

    Movie Review

    Rachel McAdams goes feral in Sam Raimi's gory new comedy Send Help

    Alex Bentley
    Jan 29, 2026 | 2:30 pm
    Rachel McAdams in Send Help
    Photo by Brook Rushton
    Rachel McAdams in Send Help.

    Director Sam Raimi has gone through different phases as a filmmaker, including leading the first Spider-Man trilogy and joining the MCU with Doctor Strange in the Multiverse of Madness. But he first gained notice with the gory and funny Evil Dead movies, a sensibility he’s returning to with his latest film, Send Help.

    Linda Liddle (Rachel McAdams) is a meek and eccentric middle manager at a financial firm that’s just named Bradley Preston (Dylan O’Brien) as its new nepo CEO. Bradley’s dad had promised Linda a promotion to vice president, but she gets passed over in favor of one of Bradley’s frat buddies, sending her into a mild rage. Still, she gets invited along on a planned business trip to Thailand, during which she hopes to prove her worth.

    Unfortunately for most of the passengers on the private plane, it crashes into the ocean, leaving only Linda and Bradley alive on a deserted island. Linda, who has privately developed survival skills, adapts quickly to the forbidding environment, while Bradley tries to revert to bossing her around. But Linda quickly understands the power dynamic has shifted, and she uses this knowledge to try to keep Bradley in line, turning their stranding into a battle of wills.

    Directed by Raimi and written by Damian Shannon and Mark Swift, the film is the classic “so bad it’s good” kind of experience. McAdams, inarguably an attractive and charming person, is given stringy hair, an antisocial personality, and quirks like eating tuna fish at her desk to make her as off-putting as possible. Bradley, along with almost everyone else at her office, is stereotyped just as hard in order to set up the twist of fate.

    When the action shifts to the island, things get even more over the top. The audience has already been primed for Linda to demonstrate her survival expertise, but the film does way more than just show her making fire. Whether it’s flawlessly building a shelter or hunting a wild boar, everything Linda does is portrayed in a slightly off-kilter manner. Then they turn everything up to 11, indulging in gore that is so unnecessary that you can’t help but laugh.

    The filmmakers prove they’re in on the joke the rest of the way, including a variety of preposterous but hilarious scenarios that would cause massive eyerolls if they were actually trying to take the film seriously. While they do a great job of showing Linda’s ability to handle herself in the wild, they also show that she is somehow the only person in the world who could get a glow up after a plane crash and weeks living in nature.

    McAdams, an Oscar-nominated actor for Spotlight, is way too high class for a movie like this, which makes her presence here all the more interesting. She is all-in on whatever Raimi wants her to do, and she’s at her most fun when she goes the animalistic route. O’Brien, who was great in the recent Twinless, doesn’t get as much of an opportunity to show his range, but he still proves to be an interesting foil for her.

    Were it released in any other month, Send Help might be looked at as bottom of the barrel material. But with the movie year just getting started, it’s easier to forgive its outrageous plot twists and just have fun, especially since Raimi and his team put the rest of the film together so well.

    ---

    Send Help opens in theaters on January 30.

    moviesfilm
    news/entertainment
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