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    Movie Review

    The Oath takes on Trump-ism with an atom bomb of a comedy

    Alex Bentley
    Oct 18, 2018 | 3:54 pm
    The Oath takes on Trump-ism with an atom bomb of a comedy
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    After the election of Donald Trump, it was only a matter of time before a filmmaker would put out a fictional movie taking on the current administration, either in direct or indirect form. The first one to go all in on that concept is The Oath, a hilarious-yet-uncomfortable movie that may feel a little too real.

    The film, written and directed by Ike Barinholtz, centers on married couple Chris (Barinholtz) and Kai (Tiffany Haddish). The fictional presidential administration has announced that they are asking all Americans to sign a loyalty oath, with a deadline of the day after Thanksgiving.

    Chris and Kai, who are liberal, are hosting Thanksgiving dinner, with their guests including Chris’ conservative brother, Pat (Jon Barinholtz), and his girlfriend, Abbie (Meredith Hagner); Chris’ liberal sister, Alice (Carrie Brownstein), and her husband (Jay Duplass) and kids; and Chris’ moderate parents (Nora Dunn and Chris Ellis).

    With protests erupting around the country and people of opposite ideologies in close proximity, it’s only a matter of time before things start to blow up. But the directions those arguments take and the lengths Barinholtz goes to prove his points are wholly unexpected, wild, and supremely entertaining.

    There’s no doubt that the film plays like a liberal fever dream, with an authoritarian regime threatening anyone who doesn’t give in to their demands. Even so, one of the most notable aspects of the film is how real it feels. Most comedies of this sort exaggerate situations so as to make it as funny as possible, but Barinholtz accomplishes the same goal while keeping the story relatively down to earth.

    He does so by treating each of his characters as actual human beings instead of caricatures. Even if you disagree with what one of them is saying, he or she comes off as fully believable because Barinholtz gave the actors plenty of space to fully inhabit their individual roles.

    The balance of humor and drama is as tricky as you can imagine, as characters engage in some truly awkward arguments that would seem to preclude any jokiness. But the film somehow finds a way to bring things back around, and some of the most cringe-worthy moments are also the funniest.

    As great as the script is, the film would be nothing without its top-to-bottom stellar cast. Each role is filled to near perfection, with both Barinholtz brothers, Haddish, and Hagner getting the most time to shine. Special note should be made of Billy Magnussen and John Cho, who each deliver bravura performances in the final act.

    The release of The Oath just a few weeks before Election Day would seem to be no accident. It’s an atom bomb of a film aimed directly at Trump-ism, and to say it hits its target is an understatement.

    Writer/director/star Ike Barinholtz leads the cast of The Oath.

    The cast of The Oath
    Photo courtesy of Topic Studios and Roadside Attractions
    Writer/director/star Ike Barinholtz leads the cast of The Oath.
    movies
    news/entertainment

    50 years of TRF

    First Renaissance Festival since owner's death draws strong attendance

    Jef Rouner
    Dec 10, 2025 | 12:45 pm
    Texas Renaissance Festival
    Photo by Steven David Photography
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    Those who were worried about the Texas Renaissance Festival (TRF) not performing well the first year after a court mandated its sale and the death of its founder can rest easy. The final gate totals show that the 2025 season was just as well attended as previous ones.

    “The 51st annual Texas Renaissance Festival was another successful season thanks to our wonderful guests and dedicated team members,” TRF marketing director Tyler Moyer said. “Our team worked tirelessly to bring the magic of the Renaissance to life every weekend, and we’re grateful that our patrons love us more and more with every passing year. We’re so thankful to everyone who helped make this another great event, and we can’t wait to welcome folks back in 2026.”

    In total, 492,910 patrons visited TRF over its eight themed weekends, with almost 100,000 coming through the gates for the final, extended Christmas weekend alone. On Friday, November 28, some, including this reporter, might have felt the event felt too crowded. Still, people made merry in medieval Santa costumes and the occasional Krampus.

    While attendance was down about 8 percent from 2024 (533,356), that year featured many 50th anniversary celebrations. Over the past five years, TRF has averaged about 486,000 visitors according to the TRF media office. The numbers for 2025 are even more impressive considering that the last week of October featured torrential rain across the Houston area.

    There was much concern about how well the festival would run. Earlier this year, founder George Coulam lost a court case mandating that he sell the festival after Coulam attempted to back out of a deal with Austin developer Meril Rivard. The matter was further complicated by Coulam's death in May, throwing the appeal process into chaos.

    Throughout the tangled legal maneuverings, everyone running the festival vowed to keep it going just as it is. Grimes County Judge Gary W. Chaney appointed a pair of special masters to administrate TRF at the top while the matter sat in court, which they appear to have done flawlessly if the gate receipts are any indication.

    Now that the season is over, all parties involved with the lawsuit will have free rein to continue the fight and another indicator of how popular and profitable TRF is. The 90 day appeal window open to Coulam's beneficiary closes in early 2026, Hopefully, the matter will be settled before the next season looms.

    texas renaissance festival
    news/entertainment
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