Married to Medicine Houston

Married to Medicine Houston reality stars are revealed in dramatic way

Married to Medicine Houston cast, from left, Rachel Suliburk, Ashandra "Shan" Batiste, Elly Pourasef, Erika Sato, and Monica Patel.

Photo courtesy of Bravo

For months, rumors have swirled about just who exactly are the women who will star in Married to Medicine Houston. Now, Bravo has revealed them, along with a dramatic video touting the reality series that premieres on November 11 in back-to-back episodes, before settling into its regular slot at 8 pm Fridays (see the video below).

While there are five stars, Cindi Harwood Rose, the mother of The Bachelor Season 9 villainess Erica Rose and the wife of famed plastic surgeon Franklin Rose, is a featured player, and from the sneak peek, seems to know how to keep the action going. "I am part African-American," Rose tells a surprised Ashandra Batiste in the video.

Rose's dubious boast notwithstanding, the cast is diverse — one of the most diverse casts Bravo has ever had — and the stars seem accomplished, so we're kind of wondering why they would agree to do this (must be the chance at TV reality fame). As in most reality shows, each star is pegged to provide a certain role (the fun one, the serious one, the bitch, the saint, etc.). Here's what we can ascertain in revealing the cast:

Monica Patel: The Ready-To-Get-Married One

Occupation: Quadruple board certified cardiologist.

Training: After receiving her bachelor of science degree in biology and chemistry at Houston Baptist University, Patel attended the University of Texas Medical Branch in Galveston. She completed an internal medicine residency and cardiology fellowship at the UTHealth McGovern Medical School in Houston.

Drama: As a first-generation Indian American raised in Houston, Patel comes from a very tight-knit and traditional family. But in the series, the glamorous cardiologist seems more concerned about getting her hunky boyfriend to propose.

Quote: "Say you're going to marry me right now," she shouts at him while she madly drives a golf cart and he holds on for dear life. "Say it! Say it! Say it!"

Erika Sato: The Conflicted One

Occupation: Cosmetic surgeon.

Training: With a doctorate of medicine from the University of Missouri – Columbia, Sato completed her general surgery residency at the University of Texas Health Science Center at Houston, where she also completed her plastic surgery residency. She now practices at the Houston Plastic Craniofacial & Sinus Surgery where she specializes in cosmetic surgery and breast reconstruction. Her husband is completing his general surgery residency.

Drama: Sato seems conflicted over whether to start a family.

Quote: "We're going to freeze the baby for one year, " she announces at a dinner party. She is also featured in another scene where she says, "I never wanted to be the trophy wife."

Ashandra "Shan" Batiste: The Happily Married One

Occupation: "Batiste is a feisty dental surgeon who will drill your teeth in six-inch heels," according to the Bravo website.

Training: Batiste graduated from the University of Texas at Austin and Howard University College of Dentistry. She her own dental practice, Elite Dental Wellness. She is married to a medical device sales representative. They are parents of a 3-year-old and Batiste's daughter, 10, from her previous marriage.

Drama: All seems happy with Batiste and her too-perfect-to-be-true husband, although she's not always so nice around her other reality colleagues, at one point threatening to take off her stilettos and "whip your ass."

Quote: When Batiste's husband is asking for something from her (sex, we think) four times a week, she responds, "What you're asking for I'm willing to give."

Elly Pourasef: The Google-able One

Occupation: Audiologist.

Training: Pourasef received her bachelor degree and doctorate in audiology at the University of Texas at Austin. She owns Memorial Hearing, a private practice in Houston. Her husband works in the automotive industry.

Drama: A first generation American, Pourasef moved to Houston from Iran at age 5 with her parents and younger sister. She also has an event-planning side business that caters to the Persian community in Houston. But the video preview shows her more concerned about gaining the respect of the other doctors.

Quote: "There is a hierarchy. I'm not as high up as some of the other doctors," she admits. At another point, she shouts, "Did I ever say I was a medical doctor?" And, to confirm her credentials, she says,"You can Google me."

Rachel Suliburk: The Social Climbing One

Occupation: Suliburk is a nursing student at Chamberlain College of Nursing. She is married to Dr. James Suliburk, a surgeon who works in Trauma and Acute Care Surgery at Ben Taub Hospital.

Drama: Bravo describes her as a "sassy Southern Belle" and as an "aspiring socialite." In the first episode, Rose enlists Suliburk to co-chair a charity gala but later offends her, causing a rift with Sato, who originally brought them together.

Quote: "Do not turn the situation on me."

See the Married to Medicine Houston video here:

Movie Review

Anne Hathaway's busy 2026 continues with meta-thriller Verity

Photo by Alisha Wetherill

Anne Hathaway in Verity.

Anne Hathaway has been inescapable for movie fans in 2026, starring in no fewer than five different movies across multiple genres, including Mother Mary, The Devil Wears Prada 2, The Odyssey, and The End of Oak Street. The actor (who’s pregnant and about to take a well-earned break) is wrapping up her supremely busy year with the psychological thriller, Verity.

Hathaway plays the title character, Verity Crawford, a hugely successful author who writes beach read thrillers, often from the perspective of the villain. An unpublicized car accident renders her immobile and mute, and her husband, Jeremy (Josh Hartnett), and agents make the decision to recruit someone to ghostwrite her next book in order to continue her legacy.

The person hired for the job is Lowen Ashleigh (Dakota Johnson), an aspiring author whose books mostly get ignored. She’s eager to take on the project, but the reality of Verity’s situation throws her for a loop. When she discovers a secret file that seems to be Verity admitting to some very bad things, Lowen starts to spin even more, imagining situations that may not actually be happening.

Directed by Michael Showalter and adapted by Nick Antosca from the book by Colleen Hoover, the film initially has a nice rhythm to it, setting up the three main characters well and building up tension. Though current day Verity can’t speak or move, the film gets to the heart of her through old interviews Lowen watches to get to know her mind better. Using that footage and other small moments at the house, a type of rivalry develops between the two characters.

Strangely, though, Showalter and Antosca fail to capitalize on the early momentum. The story stagnates about halfway through the movie and never delivers on what it seems to be promising. Whether they’re too true to Hoover’s original story or change things too much is difficult to tell for those who haven’t read the book, but either way, the result is a big tease with not much in the way of a payoff.

What’s most disappointing about the film is its inability to decide on a tone. There are some points where it feels like over-the-top, campy fun, and others where it seems like the filmmakers are going for a straight-up horror vibe. The down-the-middle approach that they land on serves neither the story nor the characters well. Moments that should be full of suspense or could get laughs often fall flat because of the indecisiveness of the filmmakers.

Due to her character’s affliction, Hathaway is reduced to a supporting role in the film, but she gets by on presence alone and still has a few scenes where she demonstrates her star power. Johnson delivers a good performance despite her typical lack of emotion. Like many of her roles, it’s her body that seems to get more attention than her acting. Hartnett is on a roll thanks to recent roles in Oppenheimer and Trap, and he puts in solid work here, as well.

Verity has the bones of a tense thriller, but it’s filled in with a bunch of questionable story beats that don’t prove as satisfying as the premise. The meta-plot of the authors of thrillers becoming involved in a thriller themselves should have been juicy and full of great twists, but ultimately it’s as catatonic as Verity herself.

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Verity is now playing in theaters.

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