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    Look mom, no butt pads

    Sugar Land father-son Wu duo gets iced in The Amazing Race

    Tarra Gaines
    Oct 18, 2010 | 1:11 am
    • Michael and Kevin Wu know their way around an airport.
      Photo by Jeffrey R. Staab/©2010 CBS Broadcasting Inc.
    • Michael and Kevin Wu know that this isn't the real joke.
      Photo by Jeffrey R. Staab/©2010 CBS Broadcasting Inc.
    • No, the real joke would be surviving sitting on ice chairs with minimumfrosting.

    In the last emotional episode of The Amazing Race, Team Houston — father and son Sugar Landers Michael and Kevin Wu — came in last place, but are still in the race thanks to a non-elimination leg.

    As the fourth episode begins, all the teams learn they will soon have relief from the Ghanaian heat as they are sent to the Swedish Lapland in the Arctic Circle. Surprisingly none of the racers take the opportunity to repeat the word Lapland several times. It’s just a funny sounding name, though probably no more than Sugar Land would be to any visiting Laplander.

    All teams are given tickets on the same flights, one from Ghana to Frankfurt and a connecting one into Sweden, but they are under no obligation to use the tickets if they can find earlier flights. So we begin the first bout of airport strategizing of the season.

    Michael and Kevin are the last ones on the road to the airport, but they appear to be the first team to attempt to find a faster route to Kiruna Sweden. Kevin asks to borrow their taxi driver’s cell phone and soon finds an earlier Frankfurt flight. At the airport, they decide to share their information with the only other parent/child team left in the race, father/daughter team, Gary and Mallory. The teams seem friendly and this looks to be a loose alliance.

    They book the earlier flight out of Frankfurt along with two other teams who did online research. There’s a frantic airport run in Frankfurt, but Team Houston makes the flight, and they end up in Sweden two hours before the other five teams.

    Once in Kiruna they have to drive to the Ice Hotel in Jukkasjärvi, though technically they have to drive to the giant warehouse where the Ice Hotel is put on ice in the summer. There the teams each find the next clue carved, of course, into a block of ice.

    Unfortunately, Team Houston can’t leave the Ice Hotel warehouse quite yet because they’ve hit their speed bump. Since in the previous non-elimination leg they arrived last, in this episode they have to perform a special task. Their assignment is to relax and watch a little TV for 10 minutes. The catch is that their chairs are carved out of huge blocks of ice. To torture them further, the only channel available is Yule Log T.V.

    The task looks uncomfortable for Team Houston, but hilarious for viewers. For some reason Kevin decided to traipse around the arctic circle in soccer shorts, so he is having the most trouble with the task, while Michael has a “technique” involving shifting from one side of his bottom to the other. The Swedish ice princess greeter — we know she’s a princess because she’s wearing white furs and a tiara — finally tells them their time is up.

    As they leave Kevin says the line that will be the episode title, “We Should Have Brought Gloves and Butt Pads.”

    At this point, we would like to send a special question out to our friends at IKEA who provided furniture for the remodeled CultureMap lounge. Why are these ice block chairs not available at your Houston store? An ice block chair could be The Hot Chair for Houston August. Think about it, IKEA. Don’t make us call Mattress Mac. He might add cup holders to the design and that would be kind of tacky.

    Team Houston receives good directions to the roadblock challenge, a place called Fjellborg’s Lodge, and arrives first while the other three teams wander around the Lapland woods. For this challenge, the teams have to use a summer sled to run a dog team along a forest trail, snatching five flags along the route.

    Michael does this task and has the time of his life. Racing along, Michael begins a running monologue to his dogs that might be some of the funniest lines of the whole race. Michael tells his Swedish dogs: “Good doggy,” “Good job, man,” “Don’t fight, don’t fight. Oh that’s a bear.” The dogs appear to get riled up as they pass a bear in the woods, but Michael then says it’s a fake bear.

    The episode moves on without a clear explanation of the whole fake bear incident, but that’s The Amazing Race.

    Michael finishes first and Team Houston heads to its next stop, the detour challenge, Sled or Bed. Racers have the choice of racing a Tech Sled down a mountain course in a time less than 1:58 or building a traditional tent, called a Goahte, used by Sámi nomads. Team Houston chooses to build the Goahte, which is not the fastest task, but is probably a good decision for them. Later in the episode three other teams will choose sledding only to give up after crashing several times.

    Michael and Kevin build their tent fairly quickly, while giving the Amazing editors several funny shots of the Goahte devouring them whole and their attempts to wrestle it into submission.

    The three other teams from the early flight make it to the pit stop before them, but Team Houston easily comes in fourth, cool, refreshed and ready to race again.

    Go Team Houston ... to the ice block chair store. We'd like two, please.

    unspecified
    news/entertainment

    Movie Review

    Cheesiness undermines Whalefall's intense survival story

    Alex Bentley
    Oct 16, 2026 | 1:01 pm
    Austin Abrams in Whalefall
    Photo courtesy of 20th Century Studios
    Austin Abrams in Whalefall.

    Austin Abrams has been a professional actor for 15 years, but the 30-year-old seems to just now be getting his due. After years of mostly supporting roles in films like Paper Towns, Brad’s Status, and Weapons, he has been charged with leading two films in 2026 where he’s largely acting by himself: First Resident Evil and now Whalefall.

    Abrams plays Jay Gardiner, who has returned home to California a year after the death of his hard-ass father, Mitt (Josh Brolin). The two had a tempestuous relationship, and while his mom (Elisabeth Shue) and sisters (Jane Levy and Emily Rudd) reminisce fondly about him, Jay finds it difficult to come up with good memories. The two did share a connection with the ocean, and Jay decides to honor him by going scuba diving.

    Ignoring warnings of whale activity in the area, Jay makes his way out into a notoriously dangerous part of the ocean near their home. Soon after he starts swimming, he encounters a sperm whale chasing after a giant squid. Jay inadvertently gets sucked into the enormous creature’s mouth and, ultimately, inside its body. Faced with a seemingly inescapable situation, Jay’s only hope lies in the lessons his father taught him.

    Directed by Brian Duffield and adapted by Duffield and Daniel Kraus from Kraus’ book of the same name, the film is at its best when it depicts Jay struggling to survive within the whale. The claustrophobic nature of the setting and the various obstacles (multiple contracting chambers, the squid, and more) he faces make every scene inside the whale feel as intense and cover-your-eyes scary as any great horror movie.

    Naturally, the entire movie can’t be about his survival efforts, and so the filmmakers toggle back and forth between Jay’s ordeal in the whale to memories of times with his father. Not so coincidentally, these remembrances come with subtle or overt wisdom from Mitt that would serve Jay well in his current situation. More often than not, these flashback scenes are so on-the-nose that they come off as cheesy instead of inspirational.

    It’s also difficult to derive any big emotions from the story other than revulsion at the way Jay’s body is brutalized while he’s inside the whale. None of the characters in the film receive a notable introduction to the audience before big events start happening. It’s next-to-impossible to be invested in their stories when their personalities are being revealed in bits and pieces throughout the movie.

    Abrams does well enough in bringing out the terror Jay feels in the whale and the sullenness/anger he has toward his father in other scenes. But whether it’s because his lines in the whale are hard to understand (he’s often talking around a scuba mouthpiece) or the disconnect the character has with father, there’s just something missing in his performance. Brolin’s performance is one-note, and Shue, Levy, Rudd, and John Ortiz don’t appear enough to make a big impact.

    With Kraus onboard as the co-writer of the film, it may be the case that Duffield was not given leeway to change the story of Whalefall too much. What might have worked in the book doesn’t seem to translate equally to the film, and while Jay’s nightmare in the whale is effective, the rest of his story doesn’t come across as successfully.

    ---

    Whalefall is now playing in theaters.

    austin abramsbook to filmscuba divingsurvivaltheaterswhalefallmovie review
    news/entertainment

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