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    Look mom, no butt pads

    Sugar Land father-son Wu duo gets iced in The Amazing Race

    Tarra Gaines
    Oct 18, 2010 | 1:11 am
    • Michael and Kevin Wu know their way around an airport.
      Photo by Jeffrey R. Staab/©2010 CBS Broadcasting Inc.
    • Michael and Kevin Wu know that this isn't the real joke.
      Photo by Jeffrey R. Staab/©2010 CBS Broadcasting Inc.
    • No, the real joke would be surviving sitting on ice chairs with minimumfrosting.

    In the last emotional episode of The Amazing Race, Team Houston — father and son Sugar Landers Michael and Kevin Wu — came in last place, but are still in the race thanks to a non-elimination leg.

    As the fourth episode begins, all the teams learn they will soon have relief from the Ghanaian heat as they are sent to the Swedish Lapland in the Arctic Circle. Surprisingly none of the racers take the opportunity to repeat the word Lapland several times. It’s just a funny sounding name, though probably no more than Sugar Land would be to any visiting Laplander.

    All teams are given tickets on the same flights, one from Ghana to Frankfurt and a connecting one into Sweden, but they are under no obligation to use the tickets if they can find earlier flights. So we begin the first bout of airport strategizing of the season.

    Michael and Kevin are the last ones on the road to the airport, but they appear to be the first team to attempt to find a faster route to Kiruna Sweden. Kevin asks to borrow their taxi driver’s cell phone and soon finds an earlier Frankfurt flight. At the airport, they decide to share their information with the only other parent/child team left in the race, father/daughter team, Gary and Mallory. The teams seem friendly and this looks to be a loose alliance.

    They book the earlier flight out of Frankfurt along with two other teams who did online research. There’s a frantic airport run in Frankfurt, but Team Houston makes the flight, and they end up in Sweden two hours before the other five teams.

    Once in Kiruna they have to drive to the Ice Hotel in Jukkasjärvi, though technically they have to drive to the giant warehouse where the Ice Hotel is put on ice in the summer. There the teams each find the next clue carved, of course, into a block of ice.

    Unfortunately, Team Houston can’t leave the Ice Hotel warehouse quite yet because they’ve hit their speed bump. Since in the previous non-elimination leg they arrived last, in this episode they have to perform a special task. Their assignment is to relax and watch a little TV for 10 minutes. The catch is that their chairs are carved out of huge blocks of ice. To torture them further, the only channel available is Yule Log T.V.

    The task looks uncomfortable for Team Houston, but hilarious for viewers. For some reason Kevin decided to traipse around the arctic circle in soccer shorts, so he is having the most trouble with the task, while Michael has a “technique” involving shifting from one side of his bottom to the other. The Swedish ice princess greeter — we know she’s a princess because she’s wearing white furs and a tiara — finally tells them their time is up.

    As they leave Kevin says the line that will be the episode title, “We Should Have Brought Gloves and Butt Pads.”

    At this point, we would like to send a special question out to our friends at IKEA who provided furniture for the remodeled CultureMap lounge. Why are these ice block chairs not available at your Houston store? An ice block chair could be The Hot Chair for Houston August. Think about it, IKEA. Don’t make us call Mattress Mac. He might add cup holders to the design and that would be kind of tacky.

    Team Houston receives good directions to the roadblock challenge, a place called Fjellborg’s Lodge, and arrives first while the other three teams wander around the Lapland woods. For this challenge, the teams have to use a summer sled to run a dog team along a forest trail, snatching five flags along the route.

    Michael does this task and has the time of his life. Racing along, Michael begins a running monologue to his dogs that might be some of the funniest lines of the whole race. Michael tells his Swedish dogs: “Good doggy,” “Good job, man,” “Don’t fight, don’t fight. Oh that’s a bear.” The dogs appear to get riled up as they pass a bear in the woods, but Michael then says it’s a fake bear.

    The episode moves on without a clear explanation of the whole fake bear incident, but that’s The Amazing Race.

    Michael finishes first and Team Houston heads to its next stop, the detour challenge, Sled or Bed. Racers have the choice of racing a Tech Sled down a mountain course in a time less than 1:58 or building a traditional tent, called a Goahte, used by Sámi nomads. Team Houston chooses to build the Goahte, which is not the fastest task, but is probably a good decision for them. Later in the episode three other teams will choose sledding only to give up after crashing several times.

    Michael and Kevin build their tent fairly quickly, while giving the Amazing editors several funny shots of the Goahte devouring them whole and their attempts to wrestle it into submission.

    The three other teams from the early flight make it to the pit stop before them, but Team Houston easily comes in fourth, cool, refreshed and ready to race again.

    Go Team Houston ... to the ice block chair store. We'd like two, please.

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    Movie Review

    Safe cracking takes center stage in new heist movie Tuner

    Alex Bentley
    May 29, 2026 | 3:14 pm
    Leo Woodall in Tuner
    Photo courtesy of Black Bear
    Leo Woodall in Tuner.

    Of all the ways that movies depict people trying to steal money and other valuables, safe cracking is among the least exciting. By design, it’s a laborious process that only those with a very certain set of skills can do. While clever editing and the right music can enhance scenes of safes being cracked, there’s a reason that the method is among the least used in heist films.

    In the new film Tuner, Niki (Leo Woodall) has a job and a condition that just happens to lend itself well to committing that specific crime. He works as an apprentice piano tuner for Harry (Dustin Hoffman), usually doing the hard work while Harry schmoozes the client. Niki is well-suited for the job because he has a rare condition called hyperacusis, which makes him both sensitive to loud noises and able to hear subtle things that others cannot.

    When he runs across a trio of criminals trying to break open a safe at a house where he’s tuning a piano, he helps them more out of frustration than avarice. But when Harry goes into the hospital and racks up huge bills, Niki decides to join the group to make some quick money. They soon want more than he’s willing to give, and he must find a way to extricate himself from them without losing himself completely.

    Written and directed by documentary filmmaker Daniel Roher (making his narrative feature debut) and co-written by Robert Ramsey, the film has a nice pace to it despite there being relatively little action. Roher and Ramsey spend the first third or so establishing Niki, Harry, and Harry’s wife Marla (Tovah Feldshuh) as characters, letting the audience understand their relationships and how they interact with each other.

    The time they devote to the personal storytelling pays dividends when Niki starts to descend into crime, as his divided loyalties — not to mention the danger of the thefts — insert tension into the plot. That stress is heightened even more when Niki starts a relationship with piano student Ruthie (Havana Rose Liu), as getting closer to her necessitates a series of lies.

    There comes a point, though, where the plot stagnates to a degree. Niki’s end goal, if he has one, is never clear, and it’s obvious that it’s only a matter of time before things start to fall apart. After starting strong in their character development, Roher and Ramsey take shortcuts as the film rushes toward its conclusion. This is most notable in a weird argument scene between Niki and Ruthie that comes out of nowhere and seems to serve no purpose in the story.

    Woodall, who had a memorable turn in season 2 of The White Lotus, is on the cusp of breaking out, and this understated-but-compelling lead role should help him become an even bigger name in Hollywood. Hoffman has a small role, but he remains as interesting as ever despite the lack of screentime. Liu (Bottoms) is also an up-and-coming actor who should become a star with more roles like this one.

    Tuner is a low-key thriller that succeeds because of the way the filmmakers approach the under-used method of robbery. Even if it doesn’t quite reach its potential, the film maintains a high quality throughout thanks to its storytelling and acting.

    ---

    Tuner is now playing in theaters.

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