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    Look mom, no butt pads

    Sugar Land father-son Wu duo gets iced in The Amazing Race

    Tarra Gaines
    Oct 18, 2010 | 1:11 am
    • Michael and Kevin Wu know their way around an airport.
      Photo by Jeffrey R. Staab/©2010 CBS Broadcasting Inc.
    • Michael and Kevin Wu know that this isn't the real joke.
      Photo by Jeffrey R. Staab/©2010 CBS Broadcasting Inc.
    • No, the real joke would be surviving sitting on ice chairs with minimumfrosting.

    In the last emotional episode of The Amazing Race, Team Houston — father and son Sugar Landers Michael and Kevin Wu — came in last place, but are still in the race thanks to a non-elimination leg.

    As the fourth episode begins, all the teams learn they will soon have relief from the Ghanaian heat as they are sent to the Swedish Lapland in the Arctic Circle. Surprisingly none of the racers take the opportunity to repeat the word Lapland several times. It’s just a funny sounding name, though probably no more than Sugar Land would be to any visiting Laplander.

    All teams are given tickets on the same flights, one from Ghana to Frankfurt and a connecting one into Sweden, but they are under no obligation to use the tickets if they can find earlier flights. So we begin the first bout of airport strategizing of the season.

    Michael and Kevin are the last ones on the road to the airport, but they appear to be the first team to attempt to find a faster route to Kiruna Sweden. Kevin asks to borrow their taxi driver’s cell phone and soon finds an earlier Frankfurt flight. At the airport, they decide to share their information with the only other parent/child team left in the race, father/daughter team, Gary and Mallory. The teams seem friendly and this looks to be a loose alliance.

    They book the earlier flight out of Frankfurt along with two other teams who did online research. There’s a frantic airport run in Frankfurt, but Team Houston makes the flight, and they end up in Sweden two hours before the other five teams.

    Once in Kiruna they have to drive to the Ice Hotel in Jukkasjärvi, though technically they have to drive to the giant warehouse where the Ice Hotel is put on ice in the summer. There the teams each find the next clue carved, of course, into a block of ice.

    Unfortunately, Team Houston can’t leave the Ice Hotel warehouse quite yet because they’ve hit their speed bump. Since in the previous non-elimination leg they arrived last, in this episode they have to perform a special task. Their assignment is to relax and watch a little TV for 10 minutes. The catch is that their chairs are carved out of huge blocks of ice. To torture them further, the only channel available is Yule Log T.V.

    The task looks uncomfortable for Team Houston, but hilarious for viewers. For some reason Kevin decided to traipse around the arctic circle in soccer shorts, so he is having the most trouble with the task, while Michael has a “technique” involving shifting from one side of his bottom to the other. The Swedish ice princess greeter — we know she’s a princess because she’s wearing white furs and a tiara — finally tells them their time is up.

    As they leave Kevin says the line that will be the episode title, “We Should Have Brought Gloves and Butt Pads.”

    At this point, we would like to send a special question out to our friends at IKEA who provided furniture for the remodeled CultureMap lounge. Why are these ice block chairs not available at your Houston store? An ice block chair could be The Hot Chair for Houston August. Think about it, IKEA. Don’t make us call Mattress Mac. He might add cup holders to the design and that would be kind of tacky.

    Team Houston receives good directions to the roadblock challenge, a place called Fjellborg’s Lodge, and arrives first while the other three teams wander around the Lapland woods. For this challenge, the teams have to use a summer sled to run a dog team along a forest trail, snatching five flags along the route.

    Michael does this task and has the time of his life. Racing along, Michael begins a running monologue to his dogs that might be some of the funniest lines of the whole race. Michael tells his Swedish dogs: “Good doggy,” “Good job, man,” “Don’t fight, don’t fight. Oh that’s a bear.” The dogs appear to get riled up as they pass a bear in the woods, but Michael then says it’s a fake bear.

    The episode moves on without a clear explanation of the whole fake bear incident, but that’s The Amazing Race.

    Michael finishes first and Team Houston heads to its next stop, the detour challenge, Sled or Bed. Racers have the choice of racing a Tech Sled down a mountain course in a time less than 1:58 or building a traditional tent, called a Goahte, used by Sámi nomads. Team Houston chooses to build the Goahte, which is not the fastest task, but is probably a good decision for them. Later in the episode three other teams will choose sledding only to give up after crashing several times.

    Michael and Kevin build their tent fairly quickly, while giving the Amazing editors several funny shots of the Goahte devouring them whole and their attempts to wrestle it into submission.

    The three other teams from the early flight make it to the pit stop before them, but Team Houston easily comes in fourth, cool, refreshed and ready to race again.

    Go Team Houston ... to the ice block chair store. We'd like two, please.

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    Movie Review

    Billie Eilish takes fans behind the scenes in immersive 3D tour film

    Alex Bentley
    May 7, 2026 | 3:30 pm
    Billie Eilish in Billie Eilish: Hit Me Hard and Soft - The Tour Live in 3D
    Photo by Henry Hwu/courtesy of Paramount Pictures
    Billie Eilish in Billie Eilish: Hit Me Hard and Soft - The Tour Live in 3D.

    In 2021, at the tender age of 19, singer Billie Eilish was already the subject of a documentary, The World’s a Little Blurry. At that point, she had only released one album, so the film threatened to feel too early for such treatment. The ensuing five years have only made her a bigger star, though, so in many ways that movie now feels prescient for the person on display in the new concert documentary with the unwieldy title of Billie Eilish: Hit Me Hard and Soft - The Tour Live in 3D.

    Directed by Eilish and blockbuster filmmaker James Cameron, the film takes viewers inside Eilish’s 2024-2025 tour in support of her latest album, 2023’s Hit Me Hard and Soft. Filmed mostly at her series of shows in Manchester, England, the movie is a showcase for Eilish’s music, but it also serves as a smaller exploration of the type of person she is, as well as the impact she has had on her legion of fans.

    The draw of the film is the use of Cameron’s beloved 3D technology, which he has employed in each of the three Avatar films. Unlike in those films, where the 3D has the odd effect of making the visuals too realistic for their own good, the technique brings an intimacy to the large-scale show that underscores the unique bond the singer has with her supporters.

    Eilish and Cameron go back and forth between performances at the concert to behind-the-scenes sequences, detailing the enormous effort it takes to put on a show like that and how Eilish spends her time getting ready for it. As in The World’s a Little Blurry, this film continues to portray the singer as down-to-Earth, someone who yearns to maintain the connection to her fans that she’s had since she released her first single, “Ocean Eyes,” 10 years ago.

    And as the many emotional songs in Eilish’s concert playlist prove, the feeling from the crowd is mutual. While Eilish has multiple bangers like “Bad Guy,” “Therefore I Am,” and the Charli XCX collaboration “Guess,” it’s the sad songs like “Everything I Wanted,” “Happier Than Ever,” and the Oscar-winning Barbie anthem, “What Was I Made For?” that hit the hardest. The depth of feeling emanating from her many sobbing fans singing along to crushing songs cannot be understated.

    For audiences of the film, though, it’s the breadth of camera angles and shot choices that make it truly dynamic. There are cameras everywhere, including in the crowd, inside a cube at the center of the stage that rises and descends, following Eilish as she traipses every inch of the long, rectangular stage, and even a small one Eilish uses to bring an extra personal touch to the in-arena screen. Combined, they capture the complete energy of the concert, something that is not always the case in a film of this type.

    Eilish has almost as many movies — two — as she does albums — three — which borders on overkill for a singer of her age. But both her music and the movies show her to be a person who knows the responsibility of being a celebrity, someone who understands that her fans are the reason she’s famous at all. Her career may go up or down from here, but it’s clear she’s already made a huge impact on those who love her most.

    ---

    Billie Eilish: Hit Me Hard and Soft - The Tour Live in 3D opens in theaters on May 8.

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