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    Opera Vista's Moment

    Opera goes Bollywood (live elephant included): Grandma won't recognize thisHouston first

    Joel Luks
    Oct 15, 2010 | 10:52 am
    • Fashion designer Prashi Shah's first involvement in opera will include exotic,colorful and delicious costumes.
    • Somtow Sucharitkul, one of Thailand's leading operatic composers
    • For Sucharitkul, "The Silent Prince" allows him to indulge in a 35-yearobsession with Indian melodies and themes.
    • Sucharitkul today composes in a neo-romantic style influenced by not onlycomposers closest to him follows Asian philosophy: the past is immediatelypresent. Scene from "MAE NAAK" at the Thailand Cultural Center
    • If Strauss had gone to Bali, this is what Thai composer Sucharitkul wouldenvision: a scene from "AYPDHAYA," one of his large-scale operas performed atthe Thailand Cultural Center
    • Shah loves Bollywood movies, and working on "The Silent Prince" is both naturaland exciting.
    • In Bollywood movies, people dance for no reason, but dancing also requiresexquisite clothing.
    • Viswa Subbaraman, artistic director and conductor of Opera Vista, brings yetanother world premier to the Houston operatic stage.
    • "The Silent Prince" is a first for many, including Opera Vista, composer SomtowSucharitkul, artistic director Viswa Subbaraman, fashion designer Prashi Shahand choreographers Rathna Kumar and Mahesh Mahbubani.
    • In rehearsal, Subbaraman always wanted to produce a work that weaved Indianthematic material.

    We Houstonians love to proclaim our love affair with the Bayou City. We shout it from rooftops. Perhaps as a defense mechanism from all the nonresident misconceptions and stereotypes, I too confess that it took me longer than expected to proclaim myself a proud Houston townsfolk.

    I attribute my pseudo-religious Canada-United States conversion to learning more about our city’s diverse offerings, specifically in the nonprofit arts sector. Being aware of the Houston Symphony’s longevity, Houston Grand Opera’s commitment to new operas and, recently, the huge collaboration between a myriad of art powerhouses to benefit the educational community through Houston Arts Partners: Arts 4 All, I am confident that my creative colleagues will keep me aesthetically engaged for years to come.

    Houston is a city of firsts.

    But just as the big establishments thrive, forward-thinking individual artists and smaller groups add essential vibrant colors to complete Houston's rich cultural palette. Sometimes their grand performances fool you into thinking there is more than just one or two people on staff, made possible by Houston’s general entrepreneurial and all-is-good spirit.

    With a slight tear of sweat running down his forehead, Viswa Subbaraman, artistic director of it’s-not-your-granny’s-opera Opera Vista, recalls of moments running from fundraising events to building a set with a hammer, nails and a saw.

    “The reason that Gershwin’s Porgy and Bess is famous is because Houston Grand Opera made it famous,” Subbaraman reminds me. “The first performance of Bernstein’s A Quiet Place was also here, but perhaps without the same critical acclaim,” to put it lightly.

    What Subbaraman considers four-year-old Opera Vista’s first debutant performance to the Houston scene is also its largest, most expensive, most elaborate and ambitious. The Silent Prince is a Bollywood-style opera based on an Indian folk tale written by Thai composer Somtow Sucharitkul featuring a live elephant that premiers in Houston Friday night at the Hobby Center for the Performing Arts.

    Opera Vista is no stranger to world premieres. That's engrained in its mission. But this is definitely its biggest spectacle to date.

    The Silent Prince is the tale of Temiya Jataka, a Buddha reincarnated as royalty who decides to secretly withdraw into silence when forced to choose between loyalty to his father and deeds that would bring him tragic karmic energy. Will he break his habit or succumb to external pressures?

    “The last scene is the ultimate operatic challenge,” Sucharitkul explains. “It's basically how long can you delay the orgasm for? I hope that by choosing the unearthly timbre of a male soprano for this moment, I make it worth the wait.”

    Subbaraman grew up with the Jataka tales. Akin to Aesop's Fables, they contain strong moral messages. And with many similarities between Indian and Thai Buddhist traditions, the thematic cultural melange seems rather appropriate.

    “Puccini and Verdi and composers alike looked from West to East for material,” Subbaraman says. “It is easy to forget that composers in the East look to the West. It’s a fascinating viewpoint.”

    Harboring a lifelong yearning to produce something based on Indian themes, Subbaraman originally planned to bring Arjuna’s Dilemma, a work by Douglas Cuomo. The dilemma?

    It was still under contract with the original producers, and they requested a quarter-million dollars to allow it in Houston.

    It was back to the drawing board for Opera Vista, but Subbaraman found the solution and an even better fit for the organization's mission in the most unlikely of places: Facebook.

    “I became acquainted with Somtow, a ‘friend’ of Opera Vista on Facebook,” Subbaraman chuckles. “We chatted online and I discovered his works. His large compositions had a recognizable Western form with traditional Austro-Germanic operatic elements.”

    The collaboration started in a rather unconventional manner, solely via e-mail and social media without any phone conversations.

    “I think it's fair to say about Houston that everything about it is unexpected,” Sucharitkul says. “To discover a cutting-edge opera company here is both beautiful and miraculous. Then again I'm always overwhelmed by Texas in general.”

    Large-scale performances are a lot more economical to stage in Bangkok. But having limited access to large venues, Opera Vista mostly rehearses in churches and stage-like spaces. A chamber opera was a better fit. The Silent Prince calls for a battery of 10 singers, 21 musicians and extended instrumentation, including Indian tamburas, Asian gongs and tam-tams.

    “When I started to do the big operas for the Bangkok stage, I imagined what it would be like if the great late-Romantic composers, like Strauss, had spent a long weekend in Bali,” Sucharitkul explains. “So while the fundamental language of my operas derives from the received tradition, it's seen through a Southeast Asian prism. That's what lends it an exotic coloration. It's a new kind of hybrid.”

    Sucharitkul’s favorite thing about The Silent Prince?

    “I got to indulge a closet obsession with South Indian melody. I've waited at least 35 years to be able to show how much this music has affected my view of the world.”

    In every Bollywood movie, aside from the richly colorful costumes, “characters go from having coffee to branching out in a choreographed spectacle for no apparent reason,” Subbaraman confides. “So, bringing in dancers was an aesthetic necessity.”

    Subbaraman sought the help of Rathna Kumar, internationally recognized danseuse, teacher, choreographer and the founder-director of the Anjali Center for Performing Arts and Mahesh Mahbubani, expert in Indian contemporary dance and Bollywood fusion genres.

    “Not being an opera aficionado, it was easier for me, coming from an Eastern background, to 'relate' to the unusual blend of East and West in this opera's musical composition,” Kumar says. “The theme also intrigued me, considering that the story was based on Indian mythology, with which I am very familiar.”

    “I have choreographed Indian dance movements to Klezmer music, African drums, Gamelan, and to the narration of a Native American story, The Legend of the Bluebonnet. But I have never choreographed any dance to opera, and it proved to be both interesting and challenging.”

    For fashion designer Prashi Shah, it was also a first opportunity to dabble in opera. “My love for Bollywood movies and the styles that were essentially born from them make this project all the more appealing to me.”

    So The Silent Prince is a first for many. A first for Houston, a first for Subbaraman and Opera Vista, a first for Sucharitkul, a first for Kumar and Mahbubani, and a first for Shah.

    I know what I am doing Friday night.

    Tickets range from $25 to $75 (plus $6.25 fee) and can be purchased through the Hobby Center for the Performing Arts box office.

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    RIP, Chuck

    Actor Chuck Norris, star of 'Walker, Texas Ranger,' dies at 86

    Associated Press
    Mar 20, 2026 | 10:30 am
    Chuck Norris
    Courtesy photo
    Chuck Norris, star of "Walker, Texas Ranger," has died at 86.

    Chuck Norris, the martial arts grandmaster and action star whose roles in “Walker, Texas Ranger” and other television shows and movies made him an iconic tough guy — sparking internet parodies and adoration from presidents — has died at 86.

    Norris died Thursday, in what his family described as a “sudden passing.”

    “While we would like to keep the circumstances private, please know that he was surrounded by his family and was at peace,” the family said in a statement posted to social media.

    Before he would become a star in movies and on TV, Norris was wildly successful in competitive martial arts. He was a six-time undefeated World Professional Middleweight Karate champion. He also founded his own Korean-based American hard style of karate, known sometimes as Chun Kuk Do, and the United Fighting Arts Federation, which has awarded more than 3,300 Chuck Norris System black belts worldwide. Black Belt magazine ultimately credited Norris in its hall of fame with holding a 10th degree black belt, the highest possible honor.

    Born Carlos Ray Norris in Ryan, Oklahoma, on March 10, 1940, he grew up poor. At age 12, he moved with his family to Torrance, California, and joined the U.S. Air Force after high school, in 1958. It was during a deployment to Korea that he started training in martial arts, including judo and Tang Soo Do.

    “I went out for gymnastics and football at North Torrance high,” he told The Associated Press in 1982. “I played some football, but I also spent a lot of time on the bench. I was never really athletic until I was in the service in Korea.”

    After he was honorably discharged in 1962, he worked as a file clerk for Northrop Aircraft and applied to be a police officer, but was put on a waitlist. Meanwhile, he opened a martial arts studio, which expanded to a chain, with students including such stars as Bob Barker, Priscilla Presley, Donnie and Marie Osmond, and Steve McQueen, whom he later credited with encouraging him to get into acting.

    From one studio to another
    Norris made his film debut as an uncredited bodyguard in the 1968 movie “The Wrecking Crew,” which included a fight with Dean Martin. He had also crossed paths with Bruce Lee in martial arts circles. Their friendship — sometimes, as sparring partners — led to an iconic faceoff in the 1972 movie “Return of the Dragon,” in which Lee fights and kills Norris' character in Rome's Colosseum.

    He went on to act in more than 20 movies, such as “Missing in Action,” “The Delta Force” and “Sidekicks.”

    “I wanted to project a certain image on the screen of a hero. I had seen a lot of anti-hero movies in which the lead was neither good nor bad. There was no one to root for,” Norris said in 1982.

    In 1993, he took on his most famed role, as a crime-fighting lawman in TV's “Walker, Texas Ranger.” The show ran for nine seasons, and in 2010, then-Gov. Rick Perry awarded him the title of honorary Texas Ranger. The Texas Senate later named him an honorary Texan.

    “It’s not violence for violence’s sake, with no moral structure,” Norris told the AP in 1996, speaking about the show. “You try to portray the proper meaning of what it’s about — fighting injustice with justice, good vs. bad. … It’s entertaining for the whole family.”

    Norris also made a surprise comedic appearance as a decisive judge in the final match of the 2004 movie “Dodgeball.” He only on occasion has taken acting roles in recent years, including 2012's “The Expendables 2” and the 2024 sci-fi action movie “Agent Recon.” He's due to appear in “Zombie Plane,” an upcoming film starring Vanilla Ice.

    Chuck Norris: the man, the meme, the legend
    It was around the time of “Dodgeball” that his toughman image became the stuff of legend, literally: “Chuck Norris Facts” went viral online with such wildly hyperbolic statements as, “Chuck Norris had a staring contest with the sun -- and won,” and, “They wanted to put Chuck Norris on Mt. Rushmore, but the granite wasn’t tough enough for his beard.”

    Norris ultimately embraced the absurdity of the meme craze, putting together “The Official Chuck Norris Fact Book,” which combined his favorites with supposedly true stories and the codes he aimed to live by. He would also write books on martial arts instruction, a memoir, political takes, Civil War-era historical fiction and more.

    “To some who know little of my martial arts or film careers but perhaps grew up with 'Walker, Texas Ranger,' it seems that I have become a somewhat mythical superhero icon,” Norris wrote in the forward to the fact book. “I am flattered and humbled.”

    That book raised money for a nonprofit he founded with President George H.W. Bush that promoted martial arts instruction for kids.

    The intentionally outlandish statements featured in the 2008 Republican presidential primary, when Norris endorsed Arkansas Gov. Mike Huckabee and shot an ad playing on the “Chuck Norris facts.”

    President Donald Trump's supporters later promoted Trump Facts in the same vein, and political pundits tried it as well, describing the commander-in-chief's decision to seize Venezuela's sitting president, Nicolas Maduro, as a “Chuck Norris Moment,” and its initial effect on oil prices a “Chuck Norris Premium.”

    Norris was outspoken about his Christian beliefs and his support for gun rights, and backed political candidates for years — he even went skydiving with Bush for the former president's 80th birthday. As for Trump, Norris endorsed him in the 2016 general election and wrote guest columns praising him without explicitly endorsing him the in the days before the 2020 and 2024 elections.

    Norris has five surviving children: stunt performers Mike and Eric with his late ex-wife Dianne Holechek, twins Dakota and Danilee with his wife Gena Norris, and Dina, the result of an early 1960s “one-night stand” revealed in his autobiography.

    Norris celebrated his birthday just over a week before his death, posting a sparring video on Instagram.

    “I don't age. I level up,” he wrote.

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