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    Music Matters

    This Week in Music: Top 10 concerts in Houston (and Galveston, too)

    Johnston Farrow
    Johnston Farrow
    Oct 12, 2017 | 12:00 pm

    Pop, rock, country, hip-hop, alternative, and more, a week hasn’t gone by in this fair city without a single music fan having a legitimate live show to call their own over the last few months. This week is no different with a mix of exciting acts old and new visiting stages across Houston. Here are the 10 best shows to see over the next seven days.

    Friday, October 13
    Swedish chart-topper Tove Lo makes a Houston pit-stop between ACL Festival slots at the House of Blues on Friday. Like any great female pop-star, Tove Lo keeps it real, preaching a message of female empowerment with solid hooks, bold sexuality and a dynamic live set that will include hit songs “Talking Body,” “Cool Girl,” and “Habits (Stay High),” which has the distinction of being the only song about visiting sex clubs to hit No. 2 on the Billboard charts. Daye Jack opens. Tickets start at $25. The show starts at 7 pm.

    Saturday, October 14
    Country music fans will get their fix at the ZiegenBock Music Festival at Sam Houston Race Park Saturday with a full day of rootsy, acoustic driven performances by Josh Abbot Band, Whiskey Myers with Shooter Jennings, Jamestown Revival and more. The most interesting performer on the line-up is Aaron Lewis, lead singer of dark, moody rock band Staind, who has been achieving success as a solo balladeer on the country circuit, gaining crossover with his recent, powerful cover of Simon & Garfunkel’s “Sound of Silence.” Tickets start at $29.50. Gates open at 11 am.

    In a surely coincidental but dramatic bit of programming, Toronto’s thrilling avant garde, noise-driven dance act Crystal Castles play at White Oak Music Hall. Crystal Castles, led by Ethan Kahn, replaced enigmatic lead singer Alice Glass after a messy breakup with Edith Frances in 2014. Amazingly, Glass, who has been touring with Marilyn Manson, will be at the Bronze Peacock at House of Blues the following night behind her solo, self-titled album. Crystal Castles, touring behind 2016 release Amnesty (I) will open with the wonderfully named Farrows and Tee Vee. Tickets are $25 in advance, show starts at 8 pm. Alice Glass tickets are $17 in advance, show starts at 7 pm.

    Sunday, October 15
    Austin indie-rock torchbearers Spoon will also trek down Highway 290 following their Saturday main stage evening set at ACL behind their latest, the acclaimed Hot Thoughts at House of Blues. Spoon has made an indelible mark on the musical landscape thanks to expertly produced classics such as mid-2000s albums Kill The Moonlight and Ga Ga Ga Ga Ga and Hot Thoughts ranks right up there with another set of dancefloor worthy bangers, sung by the rock heartthrob Britt Daniel. Tickets are $35-$55. I Love You But I’ve Chosen Darkness opens. Show starts at 7 pm.

    You haven’t lived if you haven’t taken the one-hour drive down the Gulf Freeway to Galveston, spent an afternoon on the beach or on The Strand or taken in a show at the exquisite Grand 1894 Opera House. Surf-rock luminaries The Beach Boys will play this Sunday at the gorgeously built venue – there isn’t a bad seat in the house – and while they’ll be without lead songwriter Brian Wilson, Uncle Jesse himself, John Stamos has been making appearances behind the drum-kit during recent tours. Tickets to both shows are sold out. Show starts at 7 pm.

    Monday, October 16
    Canadian indie act with East Coast roots – shout out to Nova Scotia and Prince Edward Island – Alvvays has made two gorgeous albums of melancholy bubblegum dream pop and if the world had a better sense of music taste, they’d be megastars. Recalling the best years of Belle and Sebastian and Teenage Fanclub, Alvvays’ Antisocialites may just be the best album of the year. A band for those who love music (check out the earworm, “Marry Me Archie” from their 2014 debut as proof of their magic), the quartet’s appearance at White Oak Music Hall will be a treat. Nap Eyes opens. Tickets are a reasonable $15 in advance/$20 at the door. Show starts at 7 pm.

    Tuesday, October 17
    Those needing a little spectacle will surely appreciate The Weeknd’s Starboy World Tour when it comes into Toyota Center. The Toronto R&B pop star made huge waves with the No. 1 2015 hit “Can’t Feel My Face,” which led to another No. 1 collaboration with Daft Punk on “Starboy.” The guy is untouchable right now. Nav and French Montana will open. Tickets start at $39.75. Show starts at 7 pm.

    Wednesday, October 18
    Famed Bristol, U.K. trip-hop star Tricky will attract those who are fans of thick, green smoke at shows – that’s not the fog machine, folks – when he comes to White Oak Music Hall. While he’s been hit or miss lately, Tricky’s ‘90s tentpole albums Maxinquaye and Pre-Millennium Tension were world-beaters and brought the sound of one of the coolest sub-genres to audiences everywhere. Tickets are $25. In The Valley Below opens. Show starts at 7 pm.

    Say what you want about Macklemore, the Seattle rapper has been at the forefront of social issues over the course of his career, touting marriage equality that landed him in shark-infested waters when he played a rugby match in Australia a few weeks ago. Rather than kowtowing to the conservative politicians in that country, who were against him performing, Macklemore made his position clear from the outset of that performance in a show of defiance. He bring his new solo album, Gemini, which has endeared himself to seniors everywhere, along with hits about thrift-shop bargains, to the House of Blues. Tickets start at $36. One dollar from every ticket will go towards advancing racial and social injustice through the M&RL Equity Fund. Doors open at 7 pm.

    Thursday, October 19
    Kanye West protégé Kid Cudi hits the Revention Music Center with his Passion, Pain & Demon Slaying Tour. He’s worked with some of the best in the business, including Jay Z, Snoop Dogg, Mary J. Blige and a huge sign of success, Michael Bolton. Tickets start at $45. Show starts at 7 pm.

    Famed Bristol, U.K. trip-hop star Tricky comes to White Oak Music Hall on Wednesday.

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    Movie Review

    Cookie Queens goes behind the scenes of Girl Scout Cookie season

    Alex Bentley
    Aug 7, 2026 | 4:30 pm
    Cookie Queens
    Photo courtesy of Roadside Attractions
    Girl Scouts in Cookie Queens.

    Few people are strong enough to resist the lure of Girl Scout cookie season every year, with the cookies’ limited availability and unique flavors a strong incentive to indulge. But only the girls and their families who have sold the cookies know the joys and stresses of trying to get people to buy them, a process that is detailed in the new documentary, Cookie Queens.

    The film by documentarian Alysa Nahmias uses the stories of four different girls to represent the nationwide ritual for the Girl Scouts. They include 12-year-old Olive in Charlotte, North Carolina, a longtime top seller; 8-year-old Shannon Elizabeth in El Paso, Texas, who wants to earn the reward of going to camp; 5-year-old Ara in San Diego, California, whose goal is modest compared to most other girls; and 9-year-old Nikki in Chino, California, who has to compete with her older sisters in the cookie-selling bonanza.

    The girls represent a cross-section of both ages and backgrounds, with some girls coming from wealthy families and some girls dealing with more limited means. And how much money your family has makes a big difference, as not only does someone richer have more freedom with their time and supplies, but all scouts are required to reimburse the organization for every box they take in, regardless of whether they’re able to sell it or not.

    That caveat makes the journeys of the four featured girls feel wildly different. It’s clear from the start that Olive and Nikki’s families don’t give a second thought to the personal economics of selling cookies, with each girl taking in thousands of boxes at the beginning of the six-week selling season. With both Olive and Nikki rightfully confident that they’ll have no problem offloading their supply, their stories turn to how selling is personally affecting them, with each trying to reconcile the fun of doing it with the pressure they feel from their family members.

    Shannon Elizabeth’s story is more harrowing, as her parents feel a strong desire to help her accomplish her lofty goal, but worry that the cost might literally be too high for the family as a whole. More than once, the parents are shown fretting that they won’t have the money to pay back what they owe should they fall significantly short in their sales. Their selling approach, which includes walking through an empty swap meet and standing outside a chain restaurant at night, only adds to their stress.

    The most fun story to watch is that of Ara, whose innocence is matched by her confidence. Her parents teach her how much money they’ll owe with her small goal of 55 boxes, but right away she takes on more responsibility than expected. She’s shown making sales pitches and tallying the total number of boxes she’s sold with little-to-no help from either her mom or dad. With her high voice, glasses, and a monitor on her arm to manage her diabetes, she becomes the cute and sympathetic part of the film.

    There are times that the film starts to feel more than a little manipulative, however. While many of the moments documented come off as organic, some of them seem like Nahmias is actively guiding the participants in order to get a better story. This is especially evident with Shannon Elizabeth and her family, whose early struggles turn into a miraculous feel-good story by the end, a turnaround that seems implausible at best. Everything with them might have been aboveboard, but Nahmias and her team edit the family’s journey in a way that pushes a bit too hard for emotion.

    Cookie Queens, which was produced by a company owned by Prince Harry and Meghan Markle, helps to give insight into the business of selling Girl Scout cookies for those who’ve only been on the purchasing end of the transaction. The dedication of each girl toward selling their allotted supply proves fun and interesting, even if the filmmaker tries to gild the lily on occasion.

    ---

    Cookie Queens is now playing in theaters,

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