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    The Arthropologist

    There's art in those burbs: Sugar Land festival highlights a backyard movement

    Nancy Wozny
    Sep 30, 2010 | 4:13 pm
    • A performance by Psophonia Dance combines contemporary dance with a theatricaltwist at the ARTernative Festival.
    • Andrew Wyke (Steven Fenley) and Milo Tindle (Tom Long) of The Texas RepertoryTheatre Company plan the ultimate whodunit in "Sleuth."
      Photo by Pamela Vogel
    • Aurora Picture Show screens some of the best family-friendly animations fromtheir annual "Extremely Shorts Film Festival" and "Popcorn Kids" film series.
      Photo by Camilo Gonzalez
    • Bobbindoctrin Puppet Theatre performs a child-friendly performance of "TheBeasts of India."
    • Main Street Theater performs an excerpt from its youth show, "Busytown."
    • Scott McWhirter, from left, James Reed, Katie Basch and Ananka Kohnitz inCountry Playhouse's production of A.R. Gurney's "Sylvia"
      Photo by Lee Ray
    • In a scene from Theatre Southwest's production of "Laura," Danny (Joel Frapart)just wants his grandmother (Beverly Hutchinson) to leave him alone.
      Photo by Lee Ray
    • Det. Mark McPherson (Trevor Cone) breaks up a fight between Shelby (LanceMarshall) and Waldo (John Kaiser) in Theatre Southwest's production of "Laura"by Vera Caspary and George Sklar.
      Photo by Lee Ray
    • Learn all the basics of opera by being a part of one! Opera Vista hosts itspopular "Opera 101" class at the ARTernative Festival.
    • "Crankballs" by Devin Bell and screened by Aurora Picture Show is about a worldof very grumpy creatures that is overwhelmed by infectious happiness.

    I live in the burbs, not exactly a hipster address. Outer Loop zip codes don't carry much currency in art circles.

    But not fitting in is my hobby. I'm a card carrying member of the suburban outlaw club. We don't much get invited to bunco, tennis leagues or the ladies lunch bunch. Generally speaking, people consider the cul de sac a land of cheap houses, good schools and a place to go to escape art.

    Not so fast, art has been encroaching past the Loop for some time now. There's more than barbecues in our backyards folks.

    On Saturday, from 11 a.m.-9 p.m,, there's multiple art sightings at the ARTernative Festival at Sugar Land Town Square. The denizens of Sugar Land are about to get hit with the likes of Bobbindoctrin Puppet Theatre, Dominic Walsh Dance Theater, Psophonia Dance Company, Suchu Dance, Opera Vista, Aurora Picture show, Dance Houston, Anjali Center for the Performing Arts and Main Street Theater.

    ARTnative is the brainchild of Jenni Rebecca Stephenson of Spacetaker and Mandy Graessle of Fresh Arts.

    "Most people have heard of our major arts organizations like Houston Grand Opera and Houston Ballet, but it's unlikely they know about smaller groups," says Stephenson, a Sugar Land native. "I was lucky growing up, my mother was well connected to the art scene in Houston."

    Let it be known that Sugar Land is not a cultural wasteland, or even a suburb for that matter; it's a city, with the Fort Bend Symphony Orchestra and Ballet Forte within its sprawling borders. It's also the home of Anjali, an internationally known classical Indian dance school in Texas. Under Rathna Kumar's direction, students can study Bharata Natyam, Kathak and even Bollywood.

    Groups like Amplify-Sugar Land, an organization dedicated to help strengthen a local culture of inspiration, prove it's an area open to deepening the connectivity the arts make possible.

    Opera Vista's artistic director Viswa Subbaraman came on board early in the ARTernative process.

    "Opera Vista's biggest goal is to expand audiences for new opera. What better way to get people interested in what we do than by getting our work in front of them. We tend to have a mentality that anything outside the loop is 'too far.' Sugar Land isn't far for us, and it isn't far for them to come into town to catch our productions," says Subbaraman, who just wrapped up a magical evening of Opera under the Stars at Bayou Bend. "The difficulty that we have as small organizations is building name recognition.

    "Why not take every opportunity to acquaint people to the amazing work we're doing?"

    Psophonia co-founder Sophia Torres has participated in numerous Spacetaker events, such as Cultured Cocktails, Speakeasy, and their recent gala.

    "I like Jenni's energy and vision in sharing art with neighboring communities," Torres says. "Sugar Land is actively cultivating a community where art is important. It's refreshing when the art play a role in a city's vision."

    If you are not up to the easy trek to Sugar Land, fear not, there just might be some theater in your neighborhood.

    The Texas Repertory Theatre, up in my neck of the northern woods, has been going strong for six years now. Steve Fenley and Craig A. Miller, grad school friends from the University of South Carolina, initially looked for a relatively affluent place with no professional theater. They found it in near Spring, just off FM 1960. Located in a strip center, their 220-seat theater has an Off-Broadway vibe.

    They have worked hard to avoid the confusion of being mistaken for community theater. The troupe has built a loyal following of locals and city folk who travel to see them. (If you fly up I-45, It's only 17 minutes from the city.) The fare is mainstream, as tastes run toward the conservative. I've attended several outstanding productions over the years including, I Hate Hamlet, Wit, Proof and Of Mice and Men; the work is always solid and they excel at boutique musicals. Up now is Anthony Shaffer's thriller Sleuth.

    Last spring, I drove so far west down Westheimer during a monsoon to get to Theatre Southwest I thought I was in the southwest. OK, so I was driving five miles per hour. And scratch what I said about outer Loop theater needing to play it safe, this frisky little company produced Tracy Letts' Bug last season, deftly directed by Ananka Kohnitz. There's nothing mainstream about that play. Lance Marshall just won the Houston Press Best Actor for his performance of Peter in Bug. (Don't miss Letts' August: Osage County at the Alley Theater in February.)

    The offerings at Theatre Southwest span many tastes. They just finished up a fine production of Vera Caspary's Laura. Vanities opens on Oct. 22. Kohnitz returns to direct Keith Aisner's Asylum, filling in this year's risky spot.

    I was thrilled to learn that Country Playhouse was performing A.R. Gurney's Sylvia. Gurney not only harks from my hometown, Buffalo, but attended my high school, Nichols, as well. No other playwright captures wasp culture like Gurney. Sylvia, one of his plays not set in Buffalo, chronicles a newly empty nested couple divided by a lovable talking pooch.

    This beloved community theater has been going strong since 1956 and is considered a west side treasure. And they do take risks. Earlier this summer, they presented Yazmina Reza's Art. (Reza's sharp-tongued God of Carnage goes up at the Alley in January.) Country Playhouse also hosts MADCAP24 on Oct. 9, when the plays will be written, cast, rehearsed and performed all within a 24-hour period.

    Sadly, I never made it to Theatre Suburbia, but judging from their name, they sure belong in this story. We did have a nice e-mail chat and just because I didn't get there doesn't mean you shouldn't. The Philadelphia Story is up right now. If you are in the mood for a scenic drive go to Unity Theatre in Brenham to see Greater Tuna, the classic that just won't go away. The Family Arts Center (FAC) in Cypress garnered praise for their spring production of West Side Story. Dames at Sea is on the FAC stage now.

    There's more than mall art too. At the Pearl Fincher Museum of Fine Arts you can catch The Grand Tour: British and French Portraits from a Texas Collection and A View of the World: British Watercolor Artists at Home and Abroad. The Pearl Fincher just snagged The Houston Press Best Museum Award.

    Let's not forget suburban high school musicals with budgets that would make your head spin. In April, head on over to the Tommy Tune Awards to see exactly what kind of musical theater talent is being nurtured in the burbs.

    As for artists living in the burbs, yes, they are there too. I'm even working on a dramatic reading of all the poetic warning letters I have received from my homeowners association. It's going to rock the pool house.

    Here's a fun little promo of ARTernative Festival:

    Sugar Land's Anjali, Texas' premiere Indian Dance Academy.

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    Movie Review

    Timothée Chalamet cements star status in new movie Marty Supreme

    Alex Bentley
    Dec 23, 2025 | 4:30 pm
    Timothée Chalamet
    Courtesy
    Timothée Chalamet

    In a time when true movie stars seem to be going extinct, Timothée Chalamet has emerged as an exception to the rule. Since 2021 he has headlined blockbusters like the two Dune movies and Wonka, and also earned an Oscar nomination for playing Bob Dylan in A Complete Unknown (his second nomination following 2018’s Call Me By Your Name). Now, he’s almost assured to get his third nomination for the stellar new film, Marty Supreme.

    Chalamet plays Marty Mauser, a world-class table tennis player living in New York. But reducing Marty to his best skill doesn’t do him justice, as he’s also a motormouth schemer who will do almost anything to achieve his dreams. He doesn’t have any qualms about wooing married women like neighbor Rachel (Odessa A’zion) or actress Kay Stone (Gwyneth Paltrow), or hiding his true ping pong skills to win money in scams with friends like Wally (Tyler the Creator).

    Marty is seemingly on the go the entire movie, whether it’s trying to convince Kay’s millionaire husband Milton Rockwell (Kevin O’Leary) to fund his table tennis ambitions; or trying to track down the dog of Ezra (Abel Ferrara), a man he accidentally injures; or trying to avoid the ire of the boss at the shoe store where he works. Just when you think he might slow down, he’s off to the races on another plan or adventure.

    Directed by Josh Safdie and written by Safdie and frequent co-writer Ronald Bronstein, the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives, and yet the throughline of Marty keeps everything tightly connected. His particular type of brash behavior turns much of the film into a comedy as he does and says things that are both shocking and thrilling.

    Another thing that makes the movie sing is the fantastic characterization by Safdie and Bronstein. Almost every person who is given a speaking line in the film has a moment where they pop, which speaks to airtight dialogue that the writers have created. Characters will be introduced and then disappear for long stretches of time, and yet because they make such an impression the first time they’re on screen, it’s easy to pick up their thread right away.

    Safdie, as he’s done previously with brother Bennie (Uncut Gems), calls on a host of well-known non-actors or people with interesting faces/vibes to inhabit supporting roles, and to a person they are crucial to the film’s success. O’Leary (of Shark Tank fame), rapper Tyler the Creator, director Ferrara, magician Penn Jillette, and fashion designer Isaac Mizrahi each deliver knockout performances. The relative unknowns who play smaller roles are just as impressive, making each beat of the film feel naturalistic.

    Leading the way is the powerhouse performance by Chalamet. For one person to believably play both the famously reserved Dylan and also a firecracker like Marty is astonishing, and this role cements Chalamet’s status as his generation’s movie star. A’zion is a rising star who gets great moments as Marty’s on-again/off-again love interest. Paltrow pops in and out of the film, lighting up the screen every time she appears. Fran Drescher as Marty’s mom and Sandra Bernhard as a neighbor also pay dividends in small roles.

    Josh Safdie’s first solo directorial effort is unlike any other movie this year, or maybe even this century. Thanks to its breakneck storytelling, a magnificent performance by Chalamet, and countless intangibles that Safdie employs expertly, the film smacks viewers in the face repeatedly and demands that they come back for more.

    ---

    Marty Supreme opens in theaters on December 25.

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