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    Now That's Italian

    Umbria in Sugar Land film festival showcases the beauty of Italian filmmaking

    Clifford Pugh
    Sep 28, 2017 | 4:37 pm

    Sugar Land might not be the first place one thinks of as the site for an Italian film festival, but thanks to the determined efforts of some local residents, it has become a reality.

    The Umbria in Sugar Land film festival kicked off Wednesday night with a screening of the film, My Italy, at the Sugar Land Auditorium, preceded by an "Aperitivo Reception" at nearby Lonnie Green Park, where festival goers sampled Peroni beer, wines, and cheeses from Italy's Umbria region as well as Italian hors d'oeuvres prepared by Casetta Catering.

    Six more films will be shown through Sunday at the Sugar Land Auditorium, a historical 1918 building in the heart of the original town, with a free screening of I Have Friends in Heaven (Ho Amici in Paradiso) at the Sugar Land Town Square Plaza on Saturday night (September 30) at 7 pm. All films are in Italian with English subtitles. (Single tickets are $8-$20. For a full schedule, click here.)

    "The goal of this festival is to show to people that in Italy we still have good moviemakers," said Donatella Cocchini, founder and president of the Festival del Cinema Città di Spello e dei Borghi Umbri.

    The festival landed in Sugar Land after Cocchini spoke with her longtime friend Manuela Tentoni, who works for Consulate General of Italy in Houston, about bringing it to the United States. Tentoni contacted her friend, Sugar Land resident Tiziana Triolo, who pushed to bring it to the Houston suburb.

    "It was a passion project," said Lindsay Davis, cultural arts manager for the City of Sugar Land. "The region of Umbria had been looking for a perfect venue like this. And cultural arts is a initiative for the city of Sugar Land. Having a multi-day film festival is something that not only fits the cultural initiatives of the city but also the economic development."

    "Being a citizen of Sugar Land, I have a dual goal," Triolo explained. "One is to bring my culture to Sugar Land and share at least a piece of Italy, the region of Umbria. At the same time, my goal is to have this festival grow in the future and have tourism from the nation and from all around Texas here in Sugar Land."

    A team of local and national judges under the leadership of Max Leonida selected Like Crazy (La Pazza Gioia) as Best Picture and Best Screenplay (it shows at 3 pm Saturday), Greenery Will Bloom Again (Torneranno i prati) in the category of Best Director (Friday at 7 pm), and Italian Race (Veloce come il vento) as Best Photography (it will close the festival Sunday at 2 pm).

    Leonida, an Italian director who lives in Los Angeles, told the opening night crowd that after Hurricane Harvey devastated the Houston area, he thought the festival might be canceled. "Then you came to me saying, 'the show must go on.' What a fantastic lesson. I am truly flattered to be here today for the festival. I know you Texans are proud and tough, with a heart as big as your state," he said.

    In addition to the screenings, filmmaking seminars will take place on Saturday (September 30), from 9:30 a.m. until noon. Topics include "The Art of Sound Effects" with Italian sound designer Matteo Bendinelli, a screening of Beyond plus a talkback with Sugar Land resident Adrian Pacini, and a filmmaking session with director Sergio Carvajal-Leoni.

    The festival is a partnership with the City of Sugar Land, the Fort Bend Chamber of Commerce, the International Film Festival of Spello (IFFS) and the Region of Umbria. For more information, visit the Umbria in Sugar Land website.

    And check out this video from our news partners at ABC13.

    Festival goers display the award-winning trophies for the Umbria in Sugar Land film festival.

    Umbria in Sugar Land film festival opening
    Photo by Debi Beauregard
    Festival goers display the award-winning trophies for the Umbria in Sugar Land film festival.
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    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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