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    Fall TV Preview

    Fall TV preview: 8 new shows worth checking out for a Super Fun Night

    Mikela Floyd Kinnison
    Sep 28, 2013 | 5:15 pm

    Fall TV season kicked off last week, bringing with it a plethora of programs with which to fill your DVR. While some of TV’s latest offerings aren’t worth your time, others will bring back some of our favorite actors to the small screen. Here’s our guide to some of what's new this fall, so clear your DVR and get ready to spend a night on the couch. This TV ain’t gonna watch itself.

    The Blacklist

    Mondays, NBC, 9/8c

    Eighties dirtbag James Spader returns to TV in this crime thriller that critics are hailing as “the best new show of the season.” For decades, ex-government agent Raymond "Red" Reddington (Spader) has been one of the FBI's most wanted fugitives. Now, he's mysteriously surrendered to the FBI with an explosive offer: Red will help catch terrorist Ranko Zamani under the condition that he speaks only to Elizabeth "Liz" Keen, an FBI profiler fresh out of Quantico.

    Mom

    Mondays, CBS, 9:30/8:30c

    West Wing vet Allison Janney is trading in her power suits for a new role — motherhood. She joins the sometimes-funny Anna Faris in this new comedy from showrunner Chuck Lorre (Two and a Half Men, The Big Bang Theory). Faris is a newly sober single mom raising two children in a world full of temptations and pitfalls, with Janney starring as her critical, estranged mother. If you’re game for a laugh-track, tune in. But don’t expect Emmy-winning fare here.

    Brooklyn 99

    Tuesdays, FOX, 8:30/7:30c

    Andy Samberg! The goofy Lonely Island-er raised eyebrows when he left his cushy Saturday Night Live gig for television, but I’m happy to report that his decision wasn’t in vain. He joins other such indie comedy names as Joe LoTruglio (Superbad) and Chelsea Perretti (Parks and Recreation, Louie) in this cop comedy, wherein Samberg stars as all-star Detective Jake Peralta, a success story who doesn’t want to follow the rules.

    The Goldbergs

    Tuesdays, ABC, 9/8c

    Adam Sandler’s Happy Madison Productions brings this '80s set comedy, which stars comedy all-stars Wendi McLendon-Covey (Bridesmaids) and Jeff Garlin (Curb Your Enthusiasm) matriarch and patriarch of the Goldberg family. The 1980s were the wonder years for geeky 11-year-old Adam (Sean Giambrone), and he faced them armed with a video camera to capture all the crazy. In the same vein as The Wonder Years and Freaks and Geeks, both of which captured audiences’ hearts, this nostalgic comedy could have legs. Maybe.

    Trophy Wife

    Wednesdays, ABC, 9:30/8:30c

    Malin Ackerman stars as Kate, former party girl turned third wife to Pete, played Bradley Whitford (another West Wing alum). After a wild night at a karaoke bar, she falls into his arms, and a year later is begrudgingly welcomed into a new family, complete with two ex-wives and three stepchildren. The star quality of the show’s cast is enough to bring viewers, so this is worth a shot.

    Back in the Game

    Wednesdays, ABC, 8:30/7:30c

    Maggie Lawson (Psych) stars as Terry, an all-star softball player who returns home after her marriage ends, moving in with her estranged father, played by James Caan. It’s a story we’ve heard before (think Clint Eastwood movie plot), but the cast’s chemistry is at least palpable.

    Super Fun Night

    Wednesdays, ABC, 9:30/8:30

    After her hysterical turn in this year’s Pitch Perfect, it seems the world is eager to see more of Rebel Wilson. This comedy hasn’t been without its pitfalls — another network reportedly passed on the initial pilot — but those just looking for Wilson’s signature comedic style should not be disappointed. Wilson stars as Kimmie Boubier, who, with her two best friends, has a standing date every Friday night for the last 13 years. Trouble ensues when she meets a suitor (surprise, surprise) who causes Friday Night Fun Night to take a backseat. Think Never Been Kissed goes to New Zealand.

    The Michael J. Fox Show

    Thursdays, NBC 9/8c

    Michael J. Fox makes his long-awaited return to TV with this semiautobiographical show, in which he stars as Mike Henry, one of New York's favorite news anchors, who has to put his career on hold in order to spend time with his family and focus on his Parkinson's disease diagnosis. The story picks up after his kids are grown and he's looking to get back to work. Fans of Fox are sure to be pleased, and Breaking Bad fans can take solace in the fact that Marie finally moves on from Hank (Betsy Brandt stars as Fox’s wife).

    There you have it. Of course some of your old favorites will be back, some will soon be ending (RIP, Breaking Bad), and some we’ll have to wait for forever (Mad Men, ugh). But at least fall will bring some opportunities to find a new favorite.

    Rebel Wilson stars in Super Fun Night.

    Rebel Wilson in Super Fun Night
    Courtesy photo
    Rebel Wilson stars in Super Fun Night.
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    Movie review

    Messy Frankenstein movie The Bride! stitches camp and confusion

    Alex Bentley
    Mar 9, 2026 | 3:45 pm
    Christian Bale and Jessie Buckley in The Bride!
    Photo by Niko Tavernise
    Christian Bale and Jessie Buckley in The Bride!.

    The story of Dr. Frankenstein and his monster is now over 200 years old, with Mary Shelley’s book having been adapted or referenced in close to 500 films. Less common is the character of The Bride of Frankenstein, which existed in the original text but has more often than not been excised in adaptations. Writer/director Maggie Gyllenhaal has tried to rectify that by giving the character a big showcase in her new film, The Bride!.

    Gyllenhaal has reimagined the story as one in which a woman named Ida (Jessie Buckley) becomes possessed by the spirit of Shelley (also Buckley). At the same time, the already-existing Frankenstein’s monster (Christian Bale) approaches Dr. Euphronius (Annette Bening), who specializes in reanimation, with the request to make him a wife. When Ida falls to her death in an “accident” involving her boyfriend (John Magaro), the ideal corpse becomes available.

    After Ida’s resurrection, she and the monster become restless being studied by Dr. Euphronius and decide to break out to experience the world. The world, naturally, is not exactly welcoming to them, and soon the couple are on the run for causing mayhem, including a few murders. In hot pursuit are detective Jake Wiles (Peter Sarsgaard) and his assistant, Myrna Mallow (Penélope Cruz), as well as other authorities.

    It’s clear that Gyllenhaal wanted to merge the Frankenstein story with Bonnie & Clyde, especially since she sets the film in the mid-1930s. And that wouldn’t have been a bad idea if having the monster and The Bride going on a crime spree was truly the focus of the movie. But most of the time there’s less intentionality in their misdeeds and more confusion, leading to a muddled plot with no clear direction or end goal in mind.

    One of the biggest problems is that Gyllenhaal starts the energy of the film at an 11, giving her and everyone else nowhere to go but down. She dabbles in multiple different tones, at times going the straight drama route and other times making what seems like full-on camp. At one point, she even has the monster and the Bride in a dance sequence set to “Puttin’ on the Ritz,” which would be hilarious as an homage to Young Frankenstein if the film weren’t so disjointed.

    Most baffling of all is what Gyllenhaal wants from The Bride character. She morphs multiple times over the course of the film, from close to unintelligible at the beginning to rough-and-tumble at the end. There are hints at the lack of control she has over her autonomy, including Shelley’s possession of her and the monster lying to her about her past, but any commentary that Gyllenhaal might be trying to make gets lost amid the oddity of the film as a whole.

    Both Buckley and Bale are all-in for their performances, which definitely fall in the “love it or hate it” dichotomy. Each scene is pitched so high that there’s little nuance to either of them, and neither is on par with their previous Oscar-caliber roles. The high-powered supporting cast of Bening, Sarsgaard, Cruz, and Jake Gyllenhaal is watchable based on previous roles, but none of them elevate this particular movie.

    Whatever intentions Maggie Gyllenhaal had in making The Bride! are only halfway legible in a film that can never find its tonal footing. There has rarely been subtlety in movies featuring Frankenstein’s monster and related characters, but this one makes all the others seem like stuffy dramas in comparison.

    ---

    The Bride! is now playing in theaters.

    moviesfilmmaggie gyllenhaalannette beningchristian balejessie buckleypeter sarsgaardpenélope cruzmovie review
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