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    From staging ground to fantasyland

    Jousting with wildfires: Despite several close calls, the Texas RenaissanceFestival will battle on

    Tyler Rudick
    Sep 27, 2011 | 10:58 am
    • The Festival Joust
    • Wildfires earlier this month missed festival ground by a mile and a half
    • Mildred Johnson as Sybil Hornbeak, along with some giant puppets.
      Valt
    • The Ded Bob show, always a crowd favorite.
      Steven David
    • Don't miss the Oktoberfest celebration this coming opening weekend on Oct. 8-9.
      Steven David

    Just spared by the massive wildfires in Grimes and Montgomery Counties, the Texas Renaissance Festival still plans to kick off its 37th season on Oct. 8 as scheduled.

    The festival grounds in Plantersville — an hour north of Houston — were closed the weekend of Sept. 10 due to evacuation orders, suspending one of the festival’s eight late-summer rehearsals in addition to a staff orientation. That weekend, emergency crews used to the grounds as a staging area for fires only a mile and a half away.

    “We were very lucky this year,” Gina Rotolo, the annual festival’s director of marketing and media, tells CultureMap. “In addition to the September event, a wildfire three miles away just missed us this past June. It’s been a stressful summer.”

    The festival is making some concessions to the fires and drought conditions — replacing the traditional Royal Fireworks show with a laser show. Fires in the camping areas are also banned, with only propane cooking devices allowed. No roasting marshmallows over open flames.

    Under new management since 2010, the festival broke attendance records last season, drawing more than 450,000 people over eight weekends to make it the largest Renaissance-themed fair in the nation.

    “We were very lucky this year,” Gina Rotolo, the festival’s director of marketing, tells CultureMap. “In addition to the September event, a wildfire three miles away just missed us this past June. It’s been a stressful summer.”

    Rotolo says there will be extensive improvements this year as the festival expands from 53 to 60 acres, including a new stage in the German area and alterations to a small chapel. In preparation for the large crowds, festival organizers also increased camping acreage. Organizers invited more than 30 new merchants this year for a total of nearly 400 “shoppes” — bringing about major renovations to the vendor area.

    “Hey, even a 16th-century market needs to be up to building code,” Rotolo laughs.

    “Amazingly, nothing was damaged by the fires,” festival entertainer Mildred Johnson says. “Right now, we’re just excited to be out there and work together again. We’re like a big family of barbarians, pirates, peasants, puppets, elves, fairies, and more recently — Transylvanians.”

    Johnson has cultivated her Sybil Hornbeak persona for more than three years as both a cast member as well as a “boothie,” an affectionate name for the off-stage performers supplementing the merchant booths with colorful characters in full period garb. This year, she’ll be working at a handcrafted wooden toy shop named Visions in Wood.

    “Sybil’s anywhere from an upper-class peasant to a lower-class merchant,” Johnson explains. “She was orphaned and raised in the forest by her adopted mother, Nanny Gruntswallow, who taught her a trade to be an independent woman.” That trade was candy-making, Johnson later revealed.

    “Sybil’s husband, Baldric, is lost,” she continues, getting a little caught up in character. “Now, he didn’t leave her. He just hasn’t been seen since Sybil started dabbling in magic. He’s easy to spot, though, if you see him. He’s a balding man with three teeth and enormous nose — quite handsome really.”

    With more than 500 performers, the Texas Renaissance Festival prides itself on maintaining the highest standards of authenticity, training its staff to maintain consistent accents as well as historically accurate costuming.

    “We take great steps to make visitors to feel transported to another time and place,” Gina Rotolo says. “You wouldn’t want to see Mickey Mouse on a cell phone, right?”

    The Texas Renaissance Festival is held Saturdays and Sundays for eight weekends starting Oct. 8 and on Thanksgiving Friday. Located 50 miles northwest of Houston on FM 1774 between Magnolia and Plantersville, visitors can watch performances on 17 stages and enjoy hundreds of international food purveyors and unique artisans — not to mention human-powered rides. See the festival website for more details.

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    Movie Review

    Reminders of Him taps into grief, grace, and the power of moving on

    Alex Bentley
    Mar 13, 2026 | 10:30 am
    Maika Monroe and Tyriq Withers in Reminders of HIm
    Photo by Michelle Faye / Universal Pictures
    Maika Monroe and Tyriq Withers in Reminders of HIm.

    Texas author Colleen Hoover has gone from being a popular writer to a full-on celebrity in the 2020s. The new film Reminders of Him marks the third adaptation of her books in just 19 months (a fourth, Verity, is scheduled for release in October 2026). All of her books that have been adapted so far — most notably It Ends With Us — are female-led stories that feature elements of romance and trauma, catnip for studios looking to appeal to the underserved demographic of women.

    Leading the way in this film is Kenna Rowan (Maika Monroe), who returns to her hometown of Laramie, Wyoming after spending years in prison for killing her boyfriend, Scotty (Rudy Pankow), in a car accident. That relationship resulted in a daughter, Diem (Zoe Kosovic), whom Kenna gave birth to while imprisoned and is now being raised by her grandparents, Patrick (Bradley Whitford) and Grace (Lauren Graham).

    Yearning to be a part of Diem’s life, Kenna tries to reconnect with Patrick and Grace, only to be rebuffed by Scotty’s best friend, Ledger (Tyriq Withers), a former NFL player who now owns a local bar. In running interference, Ledger starts to become closer to Kenna, discovering that her tragic mistake shouldn’t be the only thing that defines her.

    Directed by Vanessa Caswill and written by Lauren Levine, the film features mostly surface level examinations of its themes and average performances, yet it winds up being effective thanks to a willingness not to rush through its storytelling beats. The filmmakers take the slow and steady approach toward the coupling of Kenna and Ledger, setting up their bond through a series of heart-to-heart conversations that makes any romance feel earned.

    The majority of the focus is on Kenna reclaiming her place in the world, and on Ledger coming to terms with the fact that the person who killed his best friend is not inherently a bad person. The film definitely could have gone deeper in its explorations of grief and anger, but the sheer amount of time it takes in addressing the characters’ doubts and fears turns out to be sufficient for a film that’s not aiming to be considered a dramatic masterpiece.

    It also helps that Caswill and Levine do a solid job of establishing the variety of characters that inhabit the film. Kenna and Ledger don’t always feel like fully-formed people, but they become so through their interactions with each other and the other townspeople. Lady Diana (Monika Myers), a girl with Down syndrome who lives in Kenna’s apartment complex, and Roman (Nicholas Duvernay), Ledger’s co-worker at his bar, help to broaden the appeal of the two leads.

    Monroe has, to this point, been best known for starring roles in horror films like It Follows and Longlegs. While she does somewhat well in this role, her delivery is often more flat than you’d expect for a character going through what she does. Withers thankfully doesn’t remind viewers of his recent bomb Him, demonstrating a crossover appeal that should serve him well in the future. Whitford and Graham don’t get to do much, but their combined experience gives their roles exactly what is needed.

    It may sound like damning with faint praise, but Reminders of Him is a competently made film that knows how to serve its core audience without insulting anyone who may not automatically be all-in for such a story. The filmmakers don’t try to force any of the key moments down the audience’s throat, and that stands out in a genre that’s not always known for its subtlety.

    ---

    Reminders of Him opens in theaters on March 13.

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