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    Too much fun

    At prank-filled Houston concert, Adam Levine is the star, but Train's PatMonahan has the voice

    Clifford Pugh
    Sep 26, 2011 | 5:17 pm
    • Photo by Elizabeth Stuart
    • At the end of the performance, members of both Maroon 5 and Train did a grouphug.
      Photo by Alison Finlay
    • Train's Pat Monahan knows how to put on a show.
      Photo by Alison Finlay
    • Maroon 5's Adam Levine is not Mick Jagger, but he has an appealing on-stagepresence.
      Photo by Alison Finlay
    • Photo by Alison Finlay

    At the sold-out Cynthia Woods Mitchell Pavilion Saturday night, the mood was lighthearted and playful as Maroon 5 and Train co-headlined nearly three hours of sing-along tunes to an enthusiastic audience that stood and danced throughout the show.

    Both bands' headliners — Maroon 5's Adam Levine and Train's Pat Monahan — noted that Houston was the last stop of an eight-week tour and warned the audience to expect some final show pranks. Sure enough, a marching band composed of Train band members and opening act Matt Nathanson made its way across the stage in mid-song toward the end of Levine's 14-song set.

    As it turned out, it was fortunate for Levine that he opened first, because Monhan and Train so dominated the show with superior voice and showmanship that I felt like asking, "Maroon who?" at the end of the evening.

    And later, when Monahan prepared to launch into "Marry Me," Nathanson appeared in drag as a would-be bride. Levine apparently engineered the elaborate prank, videotaping members of the band as gay couples for a lead-in to the hit song.

    In a recent issue of Out magazine, Levine revealed that his brother Michael is gay, and added, "The fact that gay marriage isn’t legal everywhere at this point is a joke."

    As Monahan launched into the soaring ballad, he and Levine weaved their way through the amazed audience, from one end of the reserved area to the other, to screams of delight.

    At first I couldn't understand why Maroon 5 came on before Train, since Levine seems the bigger star, especially with his recent success on the hit television series, The Voice. An usher told me between acts that the two bands alternate who goes first during the tour and the Houston stop was Maroon's turn to lead off.

    As it turned out, it was fortunate for Levine that he opened first, because Monahan and Train so dominated the show with superior voice and showmanship that I felt like asking, "Maroon who?" at the end of the evening.

    Levine seems to be making the most of his mid-career career boost. In skintight jeans and a white T-shirt, the heavily tattooed singer opened with the band's chart-topping single, "Moves Like Mick Jagger," and throughout the evening seemed take on stage characteristics of the iconic rocker, strutting across the stage and shaking his hips. Levine is no Jagger, but he has loads of sex appeal and a bad boy manner. The ceiling fans went off during his set, possibly at his request, as he told the crowd, "Man, it feels good tonight. I like it hot and sweaty."

    In skintight jeans and a white T-shirt, the heavily tattooed singer opened with the band's chart-topping single, "Moves Like Mick Jagger," and throughout the evening seemed take on stage characteristics of the iconic rocker, strutting across the stage and flirting with women in the audience.

    The set covered all of Maroon's sing-along hits, including "This Love," "Sunday Morning," "Makes Me Wonder," "Misery" and "She Will Be Loved," along with some more rock-oriented numbers like "Harder to Breathe," and "Wake Up Call." Levine is one of those rare singers who sounds as good in concert as he does in a recording studio and he makes it all look effortless, even if his on-stage personality is devoid of much personality.

    Our group was satisfied and almost left to beat the traffic back into town, but decided to stay for a couple of songs by Train. The show didn't open promisingly as a train whistle pierced the air — it seemed like such a cliche.

    But from that point on, the San Francisco-based band rocked the Pavilion with a mix of hardcore rock, covers of hits (Monahan & Co. did a dazzling mariachi version of Blondie's "Heart of Glass" before seguing into U2's "Still Haven't Found What I'm Looking For" and continuing with a sizzling cover of Led Zeppelin's “Ramble On”), along with raucous interpretations of their signature songs, "If It's Love," a countryfied "Calling All Angels" (with around 50 female audience members — dubbed the Trainettes — called on stage), "Drops of Jupiter" and "Hey Soul Sister" (the top-selling song on iTunes last year).

    And they had such fun doing it, that their enthusiasm was infectious. "We were in Dallas last night; this is already so much better,"Monahan shouted halfway through the set, to huge cheers.

    Monahan has a terrific rock voice and such overpowering on-stage charisma, he reminded me of Freddie Mercury in his heyday. While he and Levine were in a standoff over who wore the tighter pants, the Train lead singer was hands down the best entertainer, even if, at 42, he is a decade older and much more worn-looking than sexpot Levine.

    While Levine is the bigger star at the moment, Monahan has the voice.

    Scenes from the concert (including the wedding prank):

    unspecified
    news/entertainment

    Movie Review

    Fun final act isn't enough to make Clayface DC's next great movie

    Alex Bentley
    Oct 23, 2026 | 11:30 am
    Tom Rhys Harries and Naomi Ackie in Clayface
    Photo by Parisa Taghizadeh
    Tom Rhys Harries and Naomi Ackie are patient and doctor in Clayface.

    The history of DC Comics in movies has been hit-and-miss, especially when it comes to anything not directly involving Batman or Superman. Over the years, films have been headlined by heroes like Catwoman, Green Lantern, Aquaman, Shazam, the Flash, and more, and while some succeeded, none left a lasting mark on moviegoers’ imaginations.

    Much like they did with Joker, the powers-that-be behind DC Studios productions are trying to entice viewers with a no-holds-barred story in Clayface. Matt Hagen (Tom Rhys Harries) is an A-list movie actor with both critical and commercial appeal. Unfortunately, a night of celebration for his recent Oscar nomination leads to him sleeping with Theresa (Ruby Sear), the girlfriend of Markos Szabo (David Dencik), a prominent mobster in Gotham City. Markos then enacts revenge by taking a razor to Matt’s face.

    Desperate to find a way to look like his old self again, Matt seeks out Dr. Caitlyn Corr (Naomi Ackie), who’s conducting cutting-edge nanotechnology research that can heal any kind of damage. While the solution works on Matt, it also has the side effect of his body doing unintended things, even morphing into those with whom he comes into contact. After initially struggling with his new body, Matt decides to use his powers to enact revenge on those who’ve done him wrong.

    Directed by James Watkins (Speak No Evil) and written by Mike Flanagan (The Life of Chuck) and Hossein Amini, the film is only intermittently entertaining as it tries to sell its ridiculous premise. Right from the start, it seems like the filmmakers have been given a limited budget, as everything from the sets to the CGI to the stilted dialogue feels cheap. For a film coming from a major studio, the whole thing comes off as schlocky and undercooked.

    Watkins and his team try to make up for that shoddiness by delivering R-rated thrills like nudity and body horror, but those elements can only distract for so long. Much of the film is spent dealing with Matt’s trauma, and the downbeat nature of his body issues combined with very little action makes the movie not very fun to watch. The film also tries to make hay with more than a doctor-patient bond between Caitlyn — who has a boyfriend on the police force — and Matt, but like the most of the film, it never connects.

    It’s not until the final third of the movie that the filmmakers land on the tone they should have been using the whole time. Matt’s ability to transform himself, while illogical and confounding, provides multiple over-the-top, funny moments and some legitimately creative kills. Instead of taking forever to set up Matt/Clayface’s origin story, Watkins and his team should have just cut to the chase and let him loose to see what the character could truly do.

    This is the first big role for Welsh actor Harries, and while he’s not exactly magnetic, he proves himself worthy of the lead role. Ackie is also fine, but after several years of trying to advance up the Hollywood ladder, she may be running out of time to show she’s a star. The supporting cast has a couple of familiar faces, but it’s mostly lesser-known actors who do nothing to indicate they deserve bigger showcases.

    It’s difficult to imagine any non-DC Comics fans having a strong attachment to the character of Clayface, and the film fails to make the case that he should be a continuing character. The poor quality of almost everything that appears on screen is indicative of the kind of effort and money that was put into the film, and sometimes you really do get what you pay for.

    ---

    Clayface opens in theaters on October 23.

    moviesfilmclayface
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