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    Ticket to French Opulence

    Party like it's 1699: Ars Lyrica travels to baroque world of musical pleasures

    Naomi Galvez
    Naomi Galvez
    Sep 21, 2013 | 2:04 pm

    During the reign of Louis XIV, critics bashed the royal court's lavish lifestyle. The fine clothing, wine, jewels . . . the regent's penchant for the best of everything could understandably stir fits of jealous rage from the less-than-privileged class.

    In the French Baroque era, entertainment was a serious business that involved an entire retinue devoted to managing every detail of anything from somber religious occasions to fanciful feasts. Although the big top productions were exclusive, the king's patronage of French arts nurtured a cornucopia of music, literature and theater.

    Admittedly, without the nobles, we plebs would not get to enjoy some of the classics we hear today.

    During a reverie at work (shhh!), I wondered what would a day in the French royal court circa 1600s entail? Would I have the chance to live notoriously rich as Sophia Coppola's Marie Antoinette? A girl can dream, can't she?

    Perhaps a lavish lifestyle isn't in the cards for me, but my fate isn't stopping me from basking in French exquisiteness vicariously through the arts. Toss the corset aside, there is a modern-day invitation to experience old-world Versailles right here in Houston.

    "You can take a trip to Baroque France in one evening and never leave Houston. How's that for elite time-travel?"

    Ars Lyrica's Sunday performance at the Hobby Center for the Performing Arts, titled "Menus-Plaisirs," part of the discovery theme for the ensemble's new season, is my golden ticket to second-hand opulence.

    "You can take a trip to Baroque France in one evening and never leave Houston," artistic direct Matthew Dirst says. "It's all about a good tune and a good time! How's that for elite time-travel?"

    The noble evening, which translates to "Cabinet of Musical Pleasures," features a repertoire of delightful pieces that includes compositions by Handel and Lully. The settings are fairly simple: A playful singing contest and a theatrical Intermezzo by Charpentier that would have accompanied Molière's comedy Le mariage forcé.

    Also on the program are Jean-Féry Rebel's Les plaisirs champêtres; Handel's Tune Your Harps from Esther, Fato, tiranno from Flavio and Cara pianta from Apollo e Dafne; Chédeville's Concerto after Vivaldi, The Four Seasons; Charpentier's Petite Pastorale; and Lully's Symphonie in A minor (Trios de coucher le Roy).

    The vocal debuts of tenor Aaron Sheehan and baritone John Buffett also add to the evening's upscale renditions.

    Ars Lyrica's cabinet of musical pleasures promises to treat you like a French king. Or queen.

    I choose princess.

    ___

    Ars Lyrica presents "Menus-Plaisirs" on Sunday, 6 p.m., at the Hobby Center for the Performing Arts. Tickets start at $35 and can be purchased online or by calling 713-315-2525.

    Ars Lyrica presents "Menus-Plaisirs," a musical evening that travels to the world of the French royal court.

    2 Ars Lyrica presents Menus-Plaisirs September 2013 logo
    Photo by © Anthony Rathbun
    Ars Lyrica presents "Menus-Plaisirs," a musical evening that travels to the world of the French royal court.
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    One More for the Road

    ZZ Top honors late drummer Frank Beard with Austin tribute concert

    Brianna Caleri
    Aug 20, 2026 | 4:30 pm
    ZZ Top
    ZZ Top/Facebook
    ZZ Top will celebrate their late drummer, Frank Beard (middle, after a show in Canada), at one of his favorite venues.

    Texas rock trio ZZ Top will play a tribute to their late drummer, Frank Beard, at their scheduled Austin tour stops at ACL Live at the Moody Theater on August 22 and 23. Beard died Monday, August 17, at 77.

    The band announced Beard's death in a social media statement.

    Lead vocalist and songwriter Billy Gibbons wrote, "Today, Elwood and I lost a great friend and collaborator, and the world lost one of the most naturally innovative drummers and a great and true son of Texas. His signature backbeat was key to keeping ZZ on top."

    ZZ Top canceled performances in Salt Lake City and Colorado Springs following Beard's death. The Austin shows will be the band's first onstage again, offering a fitting time to celebrate the Texas great. A statement on the band's website calls the Austin City Limits stage "one of Frank’s favorite venues and in a city that had been something of a second home for him."

    Beard was born near Tyler in Frankston, Texas, in 1949. He was raised in Irving, outside Dallas, and the band formed in Houston in 1969. The Austin Chronicle reported in 2013 that Beard was then splitting time between a house on Lake Travis, in Austin, and Houston. He died on his ranch in the Houston suburb of Richmond.

    ZZ Top was known for its large performances and elaborate setup, none more so than the Worldwide Texas Tour, which included a Texas-shaped stage and a collection of live Texas animals.

    In 1974, the band left its mark on Austin — for better or worse — at "ZZ Top’s First Annual Texas Sized Rompin’ Stompin’ Barndance & Bar B.Q." at the University of Texas. It was the first, but also the last, since around 80,000 of the band's "friends" trashed the venue, earned the disapproval of the famous Coach Royal, and were ostensibly responsible for the venue not hosting another rock show until 1995. ZZ Top's two encores had 20 years to ring out after the legendary, if infamous show.

    ZZ Top will make their upcoming Austin appearances as part of The Big One! Tour on Saturday, August 22, at 8 pm and Sunday, August 23, at 7:30 pm. Tickets are still available for both shows at acllive.com.

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