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    An art movie infusion

    The Angelika replacement: Cinema Arts Festival turns to Edwards Greenway

    Steven Devadanam
    Sep 20, 2010 | 1:10 pm

    That icon of corporate movie theaters, the Edwards Greenway Grand Palace Stadium 24, is about to get a lot more hip, as it has been designated as the replacement for the suddenly closed-down Angelika Film Center during November's Cinema Arts Festival.

    "The plan is for us to have two screens there, and at some point we'll have our box office sales so that you can walk up into the lobby and buy tickets," the festival's executive director, Trish Rigdon, tells CultureMap.

    The decision comes as a relief to festival enthusiasts, who were concerned about the potential loss of some of the festival's itinerary. Instead, the society has revealed five new films to be displayed on two screens at Edwards. Among the selections is Waste Land, a Sundance Audience Award-Winning documentary following artist Vik Muniz as he collaborates with catadores (pickers of recyclable material) in the world's largest landfill on the outskirts of Rio de Janeiro to create internationally recognized art.

    Fans of Talking Heads lead singer and artist David Byrne will enjoy the screening of Ride, Rise, Roar, which documents his collaboration with choreographers and dancers during a recent tour. The New Rijksmuseum tracks the renovation of the Amsterdam museum through the eyes of a flamboyant museum director and a beleaguered Spanish architecture team.

    After the closing of the Landmark Greenway Cinema, the arrival of high art in the area is a welcome breath of fresh air in what is typically the realm of blockbuster hits. And although Edwards is a schlep from one festival venue, FrenetiCore's Frenetic Theater on Navigation Boulevard, the movie theater is close to other venues at the MFAH and Rice Media Center.

    "The upside is it's only $3 to park there, versus the cost in the Theater District and MFAH parking garages," Rigdon says.

    Rigdon praised Regal Entertainment Group's embrace of the festival. The festival's artistic director, Richard Herskowitz, has also worked with Regal in programming the Virginia Film Festival.

    "They do an exceptional job with festival screenings," Herskowitz said in a statement. "The festival projectionists and technicians they send are highly experienced and really know how to meet filmmakers' expectations. The films we're screening at Edwards Greenway represent the best of the best of films about art from around the world."

    The Cinema Arts Festival will be held Nov. 10-14 at Houston Visitors Center, Discovery Green, Museum of Fine Arts Houston, Rice Media Center and Edwards Greenway Grand Palace Stadium 24. The event is the only United States festival devoted solely to films by and about visual, performing and literary artists.

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    super duper

    Quirky Houston DJ drops genre-blending mix CD inspired by video games

    Craig D. Lindsey
    Dec 26, 2025 | 9:15 am
    DJ Squincy Jones
    Photo by Dustee Torres
    DJ Squincy Jones

    If you’re the type of person who has dubstep, Southern hip-hop, and Koji Kondo’s iconic “Ground Theme” from Super Mario Bros. in your streaming-music library, then Squincy Jones has created the perfect playlist for you..

    DJ Squincy Jones

    Photo by Dustee Torres

    DJ Squincy Jones

    Super Nintendub is the name of the mix where the Houston-born-and-bred DJ mashes up all those aforementioned music genres. A capella bars from Houston heavyweights (Megan Thee Stallion, Paul Wall) and other Dirty South MCs (Three 6 Mafia, 8Ball & MJG) gets laid over grooves from underground dubstep artists (Numa Crew, Blay Vision, Hamdi). But we also get music from various Nintendo (Castlevania III, Ninja Gaiden) and Super Nintendo (Super Mario World, Final Fantasy VI) games. Jones also throws in audio samples from commercials and gaming-heavy movies like WarGames, The Wizard, and the Adam Sandler-produced Grandma’s Boy.

    Needless to say, Jones has always been a gamer. He’s had his run of game systems: NES, SNES, Sega Genesis, even the old-school Atari 2600. He recalls his days blowing the dust out of such cartridges as Contra, Double Dragon, and Duck Hunt. In the past, Jones has released a series of mashup mixes – titled Blend Pack – with cover art that resembles/salutes classic video games.

    “I'm a huge fan of all the eight-bit and 16-bit stuff,” says Jones (government name: Shane Rector), 41. “I play a lot of the new games, or I have played a lot of the new games, but not as much anymore. You know, being a parent and having a full-time job – you don't really have time for video games anymore.”

    Super Nintendub is a sequel to Nintendub, a dubstep mix he played during a party way back in 2008. “I added some a capellas, [like] a Bun B a capella,” he recalls. “I had some other Dirty South tunes from the time. I layered them because they're at the same tempo as dubstep. Another friend that does music gave me a folder of Nintendo songs. So, I just randomly layered it on top and kinda slowed down the Nintendo music, and it sounded cool as hell to me.”

    The mix picked up fans overseas when he dropped it online. “I've always wanted to make a follow-up to it because I got so much good feedback,” he remembers. “People from all over were writing about it."

    Jones decided to release Super on compact disc, sold in rectangular keep cases – packaging that’s very familiar to gamers – with double-sided artwork also by Jones. (A digital link is available upon request to those who buy the CD.) While the limited-edition disc is available for purchase on Jones’s Bandcamp page, the CD mix shouldn’t be confused with the Super mix that’s currently playing on the page.

    “I wanted to have them in the mix as well,” he says. “But I'm not entirely, you know, confident with my production skills. So, I just kinda had it on the side to go along with the release of this mix.”

    Since releasing Super in September, Jones says he’s gotten good feedback from those who’ve bought a copy. “Because it looks like a video game,” he says, “a lot of people are like, ‘Oh, cool! Is it an actual game or an actual DVD or whatnot?’ But it's always hit or miss because some people are like, ‘Oh, man, I don't have a CD player’ or "Wow, you actually printed a CD,’ because everything's, you know, digital.”

    He’s looking into playing a big-screen version of Super, where videos of the rap songs are spliced in with video-game footage and other retro clips, somewhere around here. “I was thinking like either a movie theater or somebody mentioned Aurora Picture Show, or maybe Wonky Power, to do like a viewing or showing or whatever – kind of have a party for it.”

    Even though Jones enjoys merging gaming and music – his dual obsessions – he still prefers to be known as more than a video-game DJ. A veteran of the Houston DJ scene for a quarter of a century, he continues to do gigs like his upcoming monthly residency at Eight Row Flint.

    “I do open-format DJing,” he says. “I've done raves and dubstep parties. I've played on the radio. I've played at Mid Main, where it’s a mainstream crowd. In this day and age, everybody has their branding or whatnot. I just love video games, so I just kind of take that as my branding, I guess.”

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