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    Lights, camera, action, y'all

    It's Texas TV Monday, but Houston isn't being allowed to play Houston

    Sarah Rufca
    Sep 20, 2010 | 3:29 pm
    • "Lone Star," premiering on Fox tonight, is set in Houston and Midland but filmedin Dallas
    • "Chase" is about Houston-based U.S. Marshals but shot in Fort Worth.
    • "Friday Night Lights" started the Texas trend, filming in Austin for fiveseasons.
      Photo by Paul Drinkwater/NBC
    • Austin gets a second show with twenty-something drama "My Generation"
    • "The Good Guys" shows a quirkier, grittier side of Dallas.
      Photo by Michael Lavine/FOX

    Shows about life in New York or Los Angeles are a dime a dozen — full of Housewives, police procedurals and gossip girls both real and imagined.

    So it's great to see our vast, infinitely interesting home state make waves in primetime. Four years after Friday Night Lights brought the Lone Star state back to the airwaves to great critical acclaim (if not a massive audience), no less than five shows will be set in Texas this fall.

    And that's great. Unfortunately, none of them are filmed in Houston.

    Lone Star, a drama about a con man leading a double life in Houston and Midland, premieres on Fox Monday at 8 p.m. Starring James Wolk, Jon Voight and Friday Night Lights alum Adrianne Palicki, the series films for both locations in Dallas.

    Also shot and set in Dallas was Fox's summer cop comedy The Good Guys, with Bradley Whitford and (Tom's son) Colin Hanks. Fox has been familiar with the Dallas television capability since shooting two seasons of Prison Break there starting in 2006, citing the plot need for characters to spread all across the country and Dallas's ability to look like many different places in a relatively small area.

    Another on-screen depiction on Houston is in NBC's Chase, premiering Monday at 9 p.m. and starring Kelli Giddish as a fugitive-hunting U.S. Marshal based in Houston. Based on the pilot, the show may be shot in Fort Worth because Houston just didn't have enough of the stereotypically "Texas" vibe for producer Michael Bay.

    After all, in the opening scene, Giddish's pursuit of the bad guy includes her interrupting a ceremonial cattle drive. That might be the kind of thing that flies in Fort Worth (where the historic cattle yards are a tourist destination), but that's nothing like the Houston I know, thank you very much.

    ABC twenty-something drama My Generation (premiering Thursday at 7 p.m.) is shot and set in Austin, following the intertwined lives of nine people a decade after their high school graduation. By filming in Austin, it joins West Texas-set Friday Night Lights, whose fifth and final season premieres on DirectTV on Oct. 27.

    With Texas invading the small screen, we have to ask why Houston is missing out on the action.

    Those in the business say that Austin and Dallas have more proven film crews and production infrastructure, a perception that the Houston Film Commission is working to undo.

    "It's the networks that we have to convince that we can facilitate those projects," Houston Film Commission director Rick Ferguson told KHOU.

    This isn't just about showing up Dallas or Austin, or giving Americans a better picture of Houston onscreen. According to Dallas Film Commission director Janis Burklund, the 35 episodes of Prison Break shot in Dallas cost about $50 million, employed 600 locals and had a total economic impact to the area of $122.5 million.

    That's not exactly pocket change, even to J.R. Ewing.

    unspecified
    news/entertainment

    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

    moviesfilm
    news/entertainment

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