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    Lady Gaga at Minute Maid Park

    Lady Gaga takes adoring Houston Little Monsters to the edge of glory in dazzling Minute Maid Park concert

    Johnston Farrow
    Sep 14, 2022 | 5:35 am
    Lady GaGa concert Minute Maid Park 2022 Katelyn Besse
    Katelyn Besse channels her best Lady Gaga.
    Photo by Johnston Farrow

    Global pop sensation, Academy and Grammy Award-winner, fashionista, modern day provocateur, and downright talented artist, Lady Gaga brought her acclaimed Chromatica Ball tour to Minute Maid Park on Tuesday, September 13 and took fans on a thrill ride of lights and sound.

    It’s been a long five years since Stefani Joanne Angelina Germanotta played for her devoted fanbase of misfits and outcasts — aka Little Monsters — in Houston. But she more than made up for the absence with a stunning two-and-a-half-hour performance that included four acts, a finale, an encore with costume changes, insane visuals, and enough pyro to level a city.

    Not to mention, she played a varied setlist of mega-hits from her five No. 1 albums sure to please all those in attendance.

    Around the ballpark, Gaga’s icon status to the LGBTQIA+ community was apparent. Gaga’s local contingent of diehards showed up en masse dressed in neon colors, fishnets, glitter, and funky wigs for a night of anything goes, including several Gaga impersonators from each of her vibrant musical eras.

    After a short prelude on the massive stage screens, Gaga’s five-piece band and crew of a dozen dancers kicked into the No. 2 hit, “Bad Romance” from 2009’s The Fame Monster. With a black and white set design that recalled German impressionist films, Gaga performed the entire song encased in a statue-like, iron maiden tomb with her body slowly breaking out.

    Her once-in-a-generation voice took center stage early and often with little banter between songs during the first half of the show. The catchy-as-all-get-out No. 1 songs that launched her career, “Just Dance” and “Poker Face” wrapped up a killer start to a show many had been waiting for due to pandemic cancellations. Dressed in grey baggy pants and grey ruffled sleeves, Gaga looked otherworldly.

    After another interlude, she kicked into the Alice in Wonderland themed “Alice” from 2020’s Chromatica, suspended from a ledge like a Gotham gargoyle in red leather, once again letting her pipes do most of the work. But then the show amped up and turned into a dance party with the beat-driven “Replay” and The Fame Monster’s “Monster,” which had clawed hands in the air, a signature of her Little Monster fanbase.

    Act III showed that Gaga’s recent Vegas residency paid off with her choreographed moves never getting in the way of her vocals. After the industrial goth sounding “911,” sexy Chromatica track “Sour Candy” had Gaga taking center stage for a solo dance number, leaving her visibly catching her breath between songs. The synth-heavy “Telephone” was a highlight with an impressive pyro display that quite literally brought the heat and raised the temperature of Minute Maid.

    Another highlight included “LoveGame” from her debut album that cut into Dr. Dre and Snoop Dogg’s “Ain’t Nuthin’ But a G Thang,” as she introduced her band. After going into the crowd during the Hi-NRG house inspired “Free Woman,” Gaga slowed things down on a smaller stage that sat on what looked like second base near centerfield.

    After acknowledging the deafening applause, she finally addressed the crowd:

    “It’s such a privilege to be on stage to perform for you, it’s a great honor of my life…to feel all the love tonight. I look out there and see lot of people who know exactly who they are. Some of you may not know who you but you’re going to find out and if someone asks you about who you are, you could say what I always say, ‘I was born this way.’”

    A fantastic, slower version of No. 1 hit “Born This Way” once again showed off her voice as she encouraged the LGBTQIA+ members in the audience to celebrate and own their pride before song evolved into an unhinged dance freak out with her full band kicking in.

    Act IV featured mostly solo numbers with Gaga at the piano, including a stirring version of A Star Is Born’s “Shallow.” That said, she added her own flair, doing “Shallow” as a science fiction creature with what looked like tentacle horns, an interesting choice. Of course, she nailed the high octave drama that earned her an Oscar for Best Song.

    She dedicated the other Academy Award-nominated song from that film, “Always Remember Us This Way” to her longtime friend Sonja Durham, a Houston native, who had passed away in 2017 from breast cancer. Overcome with emotion, Gaga could barely finish the track but soldiered through to move onto a slowed down version of the No. 3 smash, “The Edge of Glory.”

    The energy in the ballpark picked up for the last part of the show with Gaga dressed in a black, bedazzled, black leather jacket and fishnets recalling her album cover from Born This Way. She closed the set with more house-inspired dance tracks, including the disco torch song, “Fun Tonight,” the Pet Shop Boys-esque ‘Enigma,” and the bass drop-heavy No. 1, “Rain on Me.”

    A requisite encore gave the star one last chance to shine on what might be her next Oscar, the Top Gun: Maverick ballad, “Hold My Hand.” Dancing in front of a line of fire with monster claws on her right hand, she belted out the tune, a fittingly majestic ending to a truly epic show.

    Overall, the standout of the night was the diverse mix of fans. All ages, teens to senior citizens, were represented. Parents brought their kids. Couples and friends dressed up together. It was rare kind of event with the power to bring people together with a one-of-a-kind ringleader to lead the way.

    Setlist
    Prelude
    “Bad Romance”
    “Just Dance”
    “Poker Face”

    Act I
    The Operation (Video Interlude; contains elements of “Babylon”, “Enigma”, & “Chromatica I”)
    “Alice”
    “Replay”
    “Monster”

    Act II
    Flowers (Video Interlude; contains elements of “Enigma”, “Babylon”, & “Chromatica II”)
    “911”
    “Sour Candy”
    “Telephone”
    “LoveGame” containing snippets of “John Wayne” & “Ain’t Nuthin But a “G” Thang” by Dr. Dre

    Act III
    The Birth of Freedom (Video Interlude; contains elements of “Alice”, “Chromatica III”, & “Sine from Above”)
    “Babylon”
    “Free Woman”
    “Born This Way”

    Act IV
    Tamara (Video Interlude with elements of “Venus”)
    “Shallow”
    “Always Remember Us This Way”
    “The Edge of Glory”
    “Angel Down”
    “Fun Tonight”
    “Enigma”

    Finale
    Sonnet elements of “Flaming June” by BT
    “Stupid Love”
    “Rain on Me”

    Encore
    “Hold My Hand”

    Katelyn Besse channels her best Lady Gaga.

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    River Restoration

    New documentary shows how the Hill Country is recovering after July 4 flood

    Brianna Caleri
    May 12, 2026 | 9:15 am
    Hill Country Alliance Guadalupe River landowner workshop
    Photo courtesy of the Hill Country Alliance
    The Hill Country Alliance is one of the organizations featured in the film. Here, it hosts a workshop for landowners to learn how to plant new vegetation.

    As Central Texas approaches the one-year mark after the destructive July 4 floods in 2025, the disaster has moved into a new phase of remembering and restructuring. A new documentary called Hope for the Guadalupe combines the two, collecting perspectives from the people who lived it and looking at the work Texans are doing now to revitalize the land.

    The film will debut in a series of screenings that start in Austin at the sold-out 11th Annual Water, Texas Film Festival on May 12 and continue throughout Texas. After the community screenings, it will be picked up by Alamo Drafthouse for more showings from May 31 through June 2. These theater showings will be part of a double feature with another, more general conservation documentary called Deep In The Heart: A Texas Wildlife Story. Tickets are on sale now.

    Other screenings with post-film Q&As will take place in the following cities:

    • Kerrville – Thursday, May 14 | Arcadia Live Theatre
    • San Antonio – Friday, May 15 | San Antonio Botanical Garden
    • Dallas – Tuesday, May 19 | Angelika Film Center & Café
    • Houston – Thursday, May 21 | River Oaks Theatre
    • Wimberley — Sunday, May 31 | 7A Ranch Opera House

    The flooding is still primarily referred to by date only. It mostly affected the Guadalupe River, which runs through New Braunfels and separates Austin and San Antonio, but floods also caused significant damage north of Austin. During the worst of the flash flooding, the Guadalupe crested at more than 37 feet in just hours, a press release about the film recounts. It shares an estimate that 52 percent of riparian vegetation — basically, the plants that create a buffer between land and river — was lost in Kerr County.

    Director Ben Masters and producer Josh Winkler gathered their findings by talking to various community members and organizations about the ecology of the region and what they're doing about it now. According to the release, that means hearing from biologists, landowners, and conservationists doing things like planting native species and looking at the area's longterm needs.

    The organizations looking after these longterm needs are now part of a coalition supported by the Community Foundation of the Texas Hill Country. Some of the individual organizations include the Hill Country Alliance, San Antonio Botanical Garden, Kerr County River Foundation, and the Hunt Preservation Society. The film will show some of their projects in progress.

    “The goal was to tell this story with honesty and respect for the people and the place,” said Ben Masters, director of Hope for the Guadalupe. “What we saw was not just devastation, but a community coming together to restore something deeply meaningful. That’s what this film is about.”

    The Community Foundation of the Texas Hill Country is one of several supporters of the film. The Community Foundation is also supporting fundraising efforts through its Hope for the Guadalupe Fund, which supports long-term river restoration, planting of native trees, seeds, and grasses, and stewardship efforts across the region. Many of those efforts are spotlighted in the film.

    “The Guadalupe River is one of Texas’ great natural and cultural resources,” said Community Foundation of the Hill Country CEO Austin Dickson in the release. “This film documents both the devastating impact of the floods and the extraordinary work underway to restore the river corridor and surrounding communities. Long-term recovery means caring for the land, the watershed and the people who depend on them for generations to come.”

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