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    Movie Review

    Barbarian blends horror and comedy with bizarre results

    Alex Bentley
    Sep 13, 2022 | 6:00 am
    Georgina Campbell in Barbarianplay icon
    Georgina Campbell in Barbarian.
    Photo courtesy of 20th Century Studios

    The connection between horror and comedy is closer than one might think. Both often involve an element of surprise, resulting in either a scream or a big laugh in reaction to something unexpected. Perhaps that’s why some people best known for comedy are wading into the horror waters, including Jordan Peele in recent years and now Zach Cregger, known best for the show The Whitest Kids U’Know.

    Cregger’s first attempt at horror is Barbarian, a seemingly straightforward haunted house film that turns into something completely off-the-wall. Tess (Georgina Campbell) has rented an Airbnb in Detroit in advance of a job interview. Arriving late on a rainy night, Tess discovers Keith (Bill Skarsgård) already in the house, claiming that the house had been double-booked through a different service.

    The awkward and potentially dangerous situation soon turns into something quite different when they discover that the house’s basement has hidden rooms and passageways. Without delving into spoilers, suffice it to say that the house contains some truly disturbing things, revealing secrets about its former owner, its current owner (Justin Long), and the run-down neighborhood in which it is located.

    Cregger, who both wrote and directed the film, takes an interesting approach to the film. For the first 45 minutes or so, it feels like your standard horror setup, with Tess rightfully wary of Keith, and subtle clues that malevolent forces are present in the house. The final hour, however, takes on a completely different tone, introduces previously unknown characters and storylines, and generally goes from creepy AF to hilarious WTF territory.

    The result is a kind of A movie/B movie hybrid, one that is just as effective at delivering scares as it is in eliciting laughs and gasps of disbelief. Cregger does a great job at setting the mood throughout, something that becomes especially tricky as he moves back-and-forth between tones in the second half of the film.

    Also affecting the mood is the addressing of various social issues. While far from the main focus, topics such as white flight, #MeToo, and toxic masculinity all work their way into the story. Anyone on the Detroit tourism board is likely to hate the film, as it does all it can to put at least a certain section of the city in a very bad light, along with the city’s police force.

    Campbell is an English actor who’s perhaps best known in the U.S. for her part in the Black Mirror episode “Hang the DJ.” She’s effective in all aspects of this role, from the accent to the trepidation to the abject terror. The casting of Skarsgård is clever, as he played Pennywise in It, keeping viewers constantly guessing what kind of person his character truly is.

    Barbarian, like its seemingly random title, is a difficult movie to properly explain. It gets by mostly on vibes and the pure audacity of Cregger, who manages to entertain despite combining a number of elements that probably shouldn’t work well together.

    ---

    Barbarian is now playing in theaters.

    Georgina Campbell in Barbarian.

    Georgina Campbell in Barbarian
    Photo courtesy of 20th Century Studios
    Georgina Campbell in Barbarian.
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    Movie Review

    Resident Evil reboot delivers blood, guts, and big laughs for horror fans

    Alex Bentley
    Sep 17, 2026 | 2:00 pm
    Austin Abrams in Resident Evil
    Photo by Dušan Martinček
    Austin Abrams in Resident Evil.

    In just two films (Barbarian and Weapons), writer/director Zach Cregger has established himself as one of the top horror filmmakers working today. His unique methodology involves taking audiences down familiar pathways before veering off into unexpected areas that feature copious amounts of gore and comically bizarre visuals.

    His new film, Resident Evil, plays out in much the same way, resulting in something starkly different from the previous action-heavy films based on the video game series. Bryan (Austin Abrams) is a courier tasked with bringing special deliveries like organs to hospitals. After one delivery, he gets roped in to making another to the distant location of Raccoon City, a mission he accepts despite being ill-prepared for the journey.

    Traveling down a snowy and icy road, Bryan gets waylaid after accidentally hitting a woman crossing the road. His attempt to save her jump starts a series of adventures in which he tries his best to survive in the face of an onslaught of numerous zombie-like people and creatures. All the while, Bryan is hellbent on completing his delivery at all costs.

    Cregger, who co-wrote the film with Shay Hatten (John Wick: Chapter 4), is in complete command of the tone of the movie from minute one. Leaning into his comedy background, Cregger aims for humor first, with both horror and non-horror moments eliciting laughs. One of the biggest pleasures of the film is the way Bryan — who more often than not is by himself — mutters incredulously after experiencing yet another unbelievable incident. His reactions feel close to how a real person would be acting in such an extreme situation, giving the audience a dose of needed relief.

    The episodic nature of the story also allows the film to play out like a video game without it ever feeling stilted. Every scene is like a new level of the game for Bryan as he faces increasingly difficult situations and monsters along the way. He gets some help from characters played by Kali Reis, Paul Walter Hauser, and Zach Cherry, but he’s mostly on his own, figuring out how to use guns and improvising ways to avoid or attack opponents.

    What Cregger seems to understand better than most filmmakers who have adapted video games into films is how to pay tribute to the series without becoming too much about fan service. There are references aplenty to the different games, but the movie works just as well even if you’ve never played a single second. There is no shortage of tense situations, blood-soaked scenes, and outrageous imagery — and Cregger knows how to stage all of it to maximum effect.

    Abrams is dynamite in the film, using understated line readings to make Bryan both funny and relatable. After being on the verge of breaking out for years, Abrams just might do so with this and the upcoming Whalefall. The appearances by Reis, Hauser, Cherry, Johnno Wilson, and others don’t last long, but each does a great job in helping the film keep the story going.

    Cregger is now three-for-three in his young career, making films that both pay tribute to and subvert horror conventions at the same time. Resident Evil is a blast for fans of the genre, featuring a great lead character, a slew of memorable moments, and indelible visuals that might haunt your dreams.

    ---

    Resident Evil opens in theaters on September 18.

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