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    Going beyond today's headlines

    A fever for a free Fiesta: Houston Symphony celebrates Mexico's bicentennialwith music

    Carolina Astrain
    Sep 11, 2010 | 3:17 pm
    • Westside High School's Inertia dance company will be part of the concert.
      Photo by Michael Hart
    • Brett Mitchell will be conducting.

    Patty Solera is originally from Chile, but she has been living in Katy for 22 years. Despite her South American background, Solera is excited about this year’s Chevron Fiesta Sinfónica, which is strictly focused on Mexican classical pieces this year to celebrate Mexico’s bicentennial.

    Solera steps up a little flustered from the underground box office of Jones Hall.

    “I drove two hours to get here and they won’t give me four extra tickets because the cap is at eight,” Solera says.

    This is how pumped up, not only Solera, but also her entire family is about this free performance at Jones Hall Sunday evening.

    “Two of my girls play violin, so they’re really excited,” Solera said. “I wanted to get the extra tickets for my son’s family, but looks like they’ll have to come here themselves.”

    Because of the increased violence in Mexico this past year, Solera feels this concert will provide a therapy for Mexican residents of Houston.

    “Last week I saw somebody hold up a Best Buy,” Solera said. “The perpetrator looked Hispanic and a woman next to me made a comment about Mexicans being violent. This is exactly the type of profiling that hurts the Mexican community here. For all we knew he could have been Chilean.”

    This year, Symphony assistant conductor Brett Mitchell will conduct the Fiesta Sinfónfica. This may be Mitchell’s first year conducting this concert, but it certainly won’t be his first time attending. In fact, Fiesta is how Mitchell kicks off the rest of the Houston Symphony’s season.

    Mitchell hopes that the concert will make people reflect on Mexico's entire glorious history, rather than the recent sprees of drug violence that have rocked the country.

    “One of the nice things about art is that it can certainly let you explore all of those things, but it can also allow you to leave them behind,” Mitchell says. “What we’re really doing with this concert is celebrating 200 years of culture. The last thing we want to do is think about the last three months or six months.”

    Mitchell remembers the New York Philharmonic’s response to the attacks on the World Trade Center on Sept. 11, 2001.

    “They scrapped their whole opening night program and replaced it with Brahms’ A German Requiem, which was a very moving thing,” Mitchell said. “It was not only the first time a lot of people had gotten together in one place, it was the first time a lot of people left their houses, left their homes, since the attack.”

    Mitchell says this concert is something Chevron feels really passionate about. Westside High School's nationally acclaimed dance group, INERTIA, is set to perform alongside the orchestra for a few of the pieces, adding the flavor of community to the show.

    “You look at the name of the orchestra, the Houston Symphony and if the symphony isn’t really serving the city of Houston, then it’s an orchestra that just happens to be in the city of Houston,” Mitchell said.

    This is Mitchell’s first time conducting the Fiesta, but he starts his fourth season with the Symphony with Saturday night's opening night performance.

    Later this season, Mitchell will conduct another Latin-flavored concert called Lunada on Nov. 6 at Miller Outdoor Theatre.

    unspecified
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    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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