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    A boost for cultural tourism?

    Texas Contemporary Art Fair organizers tout Houston as America's next great artfair city

    Clifford Pugh
    Sep 9, 2011 | 11:15 am
    • Max Fishko, left, and Jeffrey Wainhause of Texas Contemporary

    "When it rains, it pours."

    That's the way Jeffrey Wainhause, managing partner of the Texas Contemporary Art Fair, describes the crowded art fair scene in Houston this fall. Despite an abundance of wealthy collectors and a thriving environment for the visual arts, the Bayou City has largely been bypassed on the fine art fair circuit.

    Until now.

    Two major art fairs will be held in the Bayou City for the first time, within a month of each other. The Houston Fine Art Fair takes place next week (Sept. 16-18, with preview party Sept. 15) at the George R. Brown Convention Center. And about a month later (Oct. 21-23, with preview party Oct. 20), the Texas Contemporary Art Fair opens in the same location.

    Why is Houston suddenly so hot in the cool art world?

    Texas Contemporary Art Fair director Max Fishko believes that Houston is an untapped market as dealers look beyond the traditional art capitals of New York, London and Los Angeles to expand. "You have a fantastic young professional community here. And when you have the sixth best endowed museum in the country (the Museum of Fine Arts, Houston), along with the Contemporary Arts Museum and the Menil, it's just a matter of time before people pay attention," Fishko said over a recent breakfast interview while in town to tout the fair.

    "The fact that there's been nothing here (before) is perfectly ridiculous. Instead of people asking why are there two fairs, they should be asking why aren't there 10?"

    Much has been made about the odd timing of two big art fairs coming to Houston within a month, but Fishko brushes aside questions of whether there are enough art aficionados to support both events. "The fact that there's been nothing here (before) is perfectly ridiculous. Instead of people asking why are there two fairs, they should be asking why aren't there 10?"

    As the name suggests, the Texas Contemporary Art Fair will focus on modern works of art, with 60 gallery dealers from New York, San Francisco, Los Angeles, Miami, Seattle, Chicago, Tokyo and Buenos Aires who will set up shop at the George R. Brown. Participating Houston galleries include Texas Gallery, Inman Gallery, Wade Wilson Art, Moody Gallery and Sicardi Gallery, as well as San Antonio's David Shelton Gallery and Austin's Champion Gallery.

    To tie in closely with the Houston contemporary art community, the duo has enlisted such entities as Art League Houston, DiverseWorks, Project Row Houses, Skydive, The Guadalupe Cultural Arts Center, The Orange Show, Spring Street Studios and Winter Street Studios as cultural partners. The preview party on Oct. 20 will benefit the Contemporary Arts Museum Houston.

    Wainhause and Fishko, whose artMRKT Productions organizes annual art fairs in San Francisco and the Hamptons, believe the Texas Contemporary Art Fair will be distinctive because it will feature a lot of new contemporary work, including promising regional art. "You cannot go to New York, Miami or LA to see this art. We have a collection of dealers who are really unique," Fishko said.

    And, in a salute to Houston's status as the nation's energy capital, energy-themed art projects like Mexico City-based artist Edgar Orlaineta's Solar Nothing, a mixed media work inspired by Charles Eames' Solar Do-Nothing Toy, will be highlighted at the fair.

    The duo believes that the Texas Contemporary Art Fair can draw 10,000 art lovers and the art curious to Houston, which is, coincidentally, the same figure organizers of the Houston Fine Art Fair are using. Whether upwards of 20,000 will attend the two fairs remains to be seen, but Wainhause and Fishko are convinced that Houston can support both fairs and would like to make the Texas Contemporary an annual event.

    "It helps bring more people to Houston and creates cultural tourism. But it doesn't happen overnight. You need to do that for several years," Wainhause said.

    Texas Contemporary Art Fair will take place Oct. 21-23 at the George R. Brown Convention Center, with benefit preview party for Contemporary Arts Museum Houston and VIP preview party Oct. 20. One-day ticket $20, three-day ticket $40, three-day ticket plus CAMH and VIP preview parties $100. Click here for information.

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    Movie Review

    The Only Living Pickpocket in New York lifts big rewards from small stakes

    Alex Bentley
    Oct 30, 2026 | 10:30 am
    John Turturro in The Only Living Pickpocket in New York
    Photo courtesy of Sony Pictures Classics
    John Turturro in The Only Living Pickpocket in New York.

    John Turturro is one of those people who embodies the term “character actor” the best. With over 120 credits in his nearly 50-year career, Turturro has rarely been the star of any of his projects. Instead, filmmakers have mostly used his unique face, New York accent, and inimitable acting style to help support the lead actors, a role for which Turturro seems well-suited.

    Now 69, Turturro is taking the reins in The Only Living Pickpocket in New York, playing Harry, a long-in-the-tooth thief who still has skills but not as many opportunities. The plucking of wallets isn’t as lucrative in the mostly-cashless modern society, and Harry has little use for smartphones since he doesn’t know how to use them. However, a rare opportunity presents itself when he happens upon Dylan (Will Price), a young man who seems to be as oblivious as he is rich.

    After a clever robbery of Dylan’s vintage car, though, Harry discovers he might be in over his head, especially when he finds a card-shaped USB drive. It's the contents of the drive that soon puts Harry and anyone around him in danger, including his wife, Rosie (Karina Arroyave), who’s suffering from unresponsive wakefulness syndrome; Ben (Steve Buscemi), who helps Harry sell stolen items; and even his estranged daughter Kelly (Tatiana Maslany).

    Written and directed by Noah Segan, the film is a low-key thriller made to emulate the tempo of Harry’s life. While one of the plot points puts a degree of urgency into his actions, for the most part Harry is someone for whom slow and steady always wins the race. He is someone who has developed relationships over decades, including with NYPD Detective Warren (Giancarlo Esposito), and it’s those bonds that help him make it through each day.

    Even though Harry is a criminal, the film treats him as an overall good guy, especially through the way he takes care of Rosie and the generosity he displays with his (stolen) money. Almost no one has a bad thing to say about him, and so Segan comes up with a couple of ways to give him more depth. His one scene with Kelly does the trick, providing a glimpse into a lesser man who clearly existed at one time.

    One of the pleasures of the film for longtime movie fans are the reunions Turturro has with Buscemi (his co-star in The Big Lebowski) and Esposito (his co-star in Do the Right Thing). All three could be all-stars on a team of character actors, with each having made big impressions in all sorts of roles over the past 40 years. Seeing them back together again as very different characters from when they last collaborated underscores the level of talent each of them has.

    Turturro ably carries the load in the lead role, but given his acting style and the type of role he’s called to play, his performance is far from showy. The same goes for Buscemi and Esposito, who are there to give great support to the classic supporting actor. When someone does go over-the-top, as Price does in most of his scenes, it stands out in a bad way. Maslany scores a lot of points in her brief appearance.

    The Only Living Pickpocket in New York is a quiet film with big rewards despite its small ambitions. The beauty of the story lies in its small details, both character-related and not. Turturro rarely disappoints when he’s not the lead actor, and he demonstrates that he’s equally capable of making a movie great when he’s out front.

    ---

    The Only Living Pickpocket in New York opens in theaters on October 30.

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