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    A boost for cultural tourism?

    Texas Contemporary Art Fair organizers tout Houston as America's next great artfair city

    Clifford Pugh
    Sep 9, 2011 | 11:15 am
    • Max Fishko, left, and Jeffrey Wainhause of Texas Contemporary

    "When it rains, it pours."

    That's the way Jeffrey Wainhause, managing partner of the Texas Contemporary Art Fair, describes the crowded art fair scene in Houston this fall. Despite an abundance of wealthy collectors and a thriving environment for the visual arts, the Bayou City has largely been bypassed on the fine art fair circuit.

    Until now.

    Two major art fairs will be held in the Bayou City for the first time, within a month of each other. The Houston Fine Art Fair takes place next week (Sept. 16-18, with preview party Sept. 15) at the George R. Brown Convention Center. And about a month later (Oct. 21-23, with preview party Oct. 20), the Texas Contemporary Art Fair opens in the same location.

    Why is Houston suddenly so hot in the cool art world?

    Texas Contemporary Art Fair director Max Fishko believes that Houston is an untapped market as dealers look beyond the traditional art capitals of New York, London and Los Angeles to expand. "You have a fantastic young professional community here. And when you have the sixth best endowed museum in the country (the Museum of Fine Arts, Houston), along with the Contemporary Arts Museum and the Menil, it's just a matter of time before people pay attention," Fishko said over a recent breakfast interview while in town to tout the fair.

    "The fact that there's been nothing here (before) is perfectly ridiculous. Instead of people asking why are there two fairs, they should be asking why aren't there 10?"

    Much has been made about the odd timing of two big art fairs coming to Houston within a month, but Fishko brushes aside questions of whether there are enough art aficionados to support both events. "The fact that there's been nothing here (before) is perfectly ridiculous. Instead of people asking why are there two fairs, they should be asking why aren't there 10?"

    As the name suggests, the Texas Contemporary Art Fair will focus on modern works of art, with 60 gallery dealers from New York, San Francisco, Los Angeles, Miami, Seattle, Chicago, Tokyo and Buenos Aires who will set up shop at the George R. Brown. Participating Houston galleries include Texas Gallery, Inman Gallery, Wade Wilson Art, Moody Gallery and Sicardi Gallery, as well as San Antonio's David Shelton Gallery and Austin's Champion Gallery.

    To tie in closely with the Houston contemporary art community, the duo has enlisted such entities as Art League Houston, DiverseWorks, Project Row Houses, Skydive, The Guadalupe Cultural Arts Center, The Orange Show, Spring Street Studios and Winter Street Studios as cultural partners. The preview party on Oct. 20 will benefit the Contemporary Arts Museum Houston.

    Wainhause and Fishko, whose artMRKT Productions organizes annual art fairs in San Francisco and the Hamptons, believe the Texas Contemporary Art Fair will be distinctive because it will feature a lot of new contemporary work, including promising regional art. "You cannot go to New York, Miami or LA to see this art. We have a collection of dealers who are really unique," Fishko said.

    And, in a salute to Houston's status as the nation's energy capital, energy-themed art projects like Mexico City-based artist Edgar Orlaineta's Solar Nothing, a mixed media work inspired by Charles Eames' Solar Do-Nothing Toy, will be highlighted at the fair.

    The duo believes that the Texas Contemporary Art Fair can draw 10,000 art lovers and the art curious to Houston, which is, coincidentally, the same figure organizers of the Houston Fine Art Fair are using. Whether upwards of 20,000 will attend the two fairs remains to be seen, but Wainhause and Fishko are convinced that Houston can support both fairs and would like to make the Texas Contemporary an annual event.

    "It helps bring more people to Houston and creates cultural tourism. But it doesn't happen overnight. You need to do that for several years," Wainhause said.

    Texas Contemporary Art Fair will take place Oct. 21-23 at the George R. Brown Convention Center, with benefit preview party for Contemporary Arts Museum Houston and VIP preview party Oct. 20. One-day ticket $20, three-day ticket $40, three-day ticket plus CAMH and VIP preview parties $100. Click here for information.

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    Movie Review

    Timothée Chalamet cements star status in new movie Marty Supreme

    Alex Bentley
    Dec 23, 2025 | 4:30 pm
    Timothée Chalamet
    Courtesy
    Timothée Chalamet

    In a time when true movie stars seem to be going extinct, Timothée Chalamet has emerged as an exception to the rule. Since 2021 he has headlined blockbusters like the two Dune movies and Wonka, and also earned an Oscar nomination for playing Bob Dylan in A Complete Unknown (his second nomination following 2018’s Call Me By Your Name). Now, he’s almost assured to get his third nomination for the stellar new film, Marty Supreme.

    Chalamet plays Marty Mauser, a world-class table tennis player living in New York. But reducing Marty to his best skill doesn’t do him justice, as he’s also a motormouth schemer who will do almost anything to achieve his dreams. He doesn’t have any qualms about wooing married women like neighbor Rachel (Odessa A’zion) or actress Kay Stone (Gwyneth Paltrow), or hiding his true ping pong skills to win money in scams with friends like Wally (Tyler the Creator).

    Marty is seemingly on the go the entire movie, whether it’s trying to convince Kay’s millionaire husband Milton Rockwell (Kevin O’Leary) to fund his table tennis ambitions; or trying to track down the dog of Ezra (Abel Ferrara), a man he accidentally injures; or trying to avoid the ire of the boss at the shoe store where he works. Just when you think he might slow down, he’s off to the races on another plan or adventure.

    Directed by Josh Safdie and written by Safdie and frequent co-writer Ronald Bronstein, the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives, and yet the throughline of Marty keeps everything tightly connected. His particular type of brash behavior turns much of the film into a comedy as he does and says things that are both shocking and thrilling.

    Another thing that makes the movie sing is the fantastic characterization by Safdie and Bronstein. Almost every person who is given a speaking line in the film has a moment where they pop, which speaks to airtight dialogue that the writers have created. Characters will be introduced and then disappear for long stretches of time, and yet because they make such an impression the first time they’re on screen, it’s easy to pick up their thread right away.

    Safdie, as he’s done previously with brother Bennie (Uncut Gems), calls on a host of well-known non-actors or people with interesting faces/vibes to inhabit supporting roles, and to a person they are crucial to the film’s success. O’Leary (of Shark Tank fame), rapper Tyler the Creator, director Ferrara, magician Penn Jillette, and fashion designer Isaac Mizrahi each deliver knockout performances. The relative unknowns who play smaller roles are just as impressive, making each beat of the film feel naturalistic.

    Leading the way is the powerhouse performance by Chalamet. For one person to believably play both the famously reserved Dylan and also a firecracker like Marty is astonishing, and this role cements Chalamet’s status as his generation’s movie star. A’zion is a rising star who gets great moments as Marty’s on-again/off-again love interest. Paltrow pops in and out of the film, lighting up the screen every time she appears. Fran Drescher as Marty’s mom and Sandra Bernhard as a neighbor also pay dividends in small roles.

    Josh Safdie’s first solo directorial effort is unlike any other movie this year, or maybe even this century. Thanks to its breakneck storytelling, a magnificent performance by Chalamet, and countless intangibles that Safdie employs expertly, the film smacks viewers in the face repeatedly and demands that they come back for more.

    ---

    Marty Supreme opens in theaters on December 25.

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