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    A boost for cultural tourism?

    Texas Contemporary Art Fair organizers tout Houston as America's next great artfair city

    Clifford Pugh
    Sep 9, 2011 | 11:15 am
    • Max Fishko, left, and Jeffrey Wainhause of Texas Contemporary

    "When it rains, it pours."

    That's the way Jeffrey Wainhause, managing partner of the Texas Contemporary Art Fair, describes the crowded art fair scene in Houston this fall. Despite an abundance of wealthy collectors and a thriving environment for the visual arts, the Bayou City has largely been bypassed on the fine art fair circuit.

    Until now.

    Two major art fairs will be held in the Bayou City for the first time, within a month of each other. The Houston Fine Art Fair takes place next week (Sept. 16-18, with preview party Sept. 15) at the George R. Brown Convention Center. And about a month later (Oct. 21-23, with preview party Oct. 20), the Texas Contemporary Art Fair opens in the same location.

    Why is Houston suddenly so hot in the cool art world?

    Texas Contemporary Art Fair director Max Fishko believes that Houston is an untapped market as dealers look beyond the traditional art capitals of New York, London and Los Angeles to expand. "You have a fantastic young professional community here. And when you have the sixth best endowed museum in the country (the Museum of Fine Arts, Houston), along with the Contemporary Arts Museum and the Menil, it's just a matter of time before people pay attention," Fishko said over a recent breakfast interview while in town to tout the fair.

    "The fact that there's been nothing here (before) is perfectly ridiculous. Instead of people asking why are there two fairs, they should be asking why aren't there 10?"

    Much has been made about the odd timing of two big art fairs coming to Houston within a month, but Fishko brushes aside questions of whether there are enough art aficionados to support both events. "The fact that there's been nothing here (before) is perfectly ridiculous. Instead of people asking why are there two fairs, they should be asking why aren't there 10?"

    As the name suggests, the Texas Contemporary Art Fair will focus on modern works of art, with 60 gallery dealers from New York, San Francisco, Los Angeles, Miami, Seattle, Chicago, Tokyo and Buenos Aires who will set up shop at the George R. Brown. Participating Houston galleries include Texas Gallery, Inman Gallery, Wade Wilson Art, Moody Gallery and Sicardi Gallery, as well as San Antonio's David Shelton Gallery and Austin's Champion Gallery.

    To tie in closely with the Houston contemporary art community, the duo has enlisted such entities as Art League Houston, DiverseWorks, Project Row Houses, Skydive, The Guadalupe Cultural Arts Center, The Orange Show, Spring Street Studios and Winter Street Studios as cultural partners. The preview party on Oct. 20 will benefit the Contemporary Arts Museum Houston.

    Wainhause and Fishko, whose artMRKT Productions organizes annual art fairs in San Francisco and the Hamptons, believe the Texas Contemporary Art Fair will be distinctive because it will feature a lot of new contemporary work, including promising regional art. "You cannot go to New York, Miami or LA to see this art. We have a collection of dealers who are really unique," Fishko said.

    And, in a salute to Houston's status as the nation's energy capital, energy-themed art projects like Mexico City-based artist Edgar Orlaineta's Solar Nothing, a mixed media work inspired by Charles Eames' Solar Do-Nothing Toy, will be highlighted at the fair.

    The duo believes that the Texas Contemporary Art Fair can draw 10,000 art lovers and the art curious to Houston, which is, coincidentally, the same figure organizers of the Houston Fine Art Fair are using. Whether upwards of 20,000 will attend the two fairs remains to be seen, but Wainhause and Fishko are convinced that Houston can support both fairs and would like to make the Texas Contemporary an annual event.

    "It helps bring more people to Houston and creates cultural tourism. But it doesn't happen overnight. You need to do that for several years," Wainhause said.

    Texas Contemporary Art Fair will take place Oct. 21-23 at the George R. Brown Convention Center, with benefit preview party for Contemporary Arts Museum Houston and VIP preview party Oct. 20. One-day ticket $20, three-day ticket $40, three-day ticket plus CAMH and VIP preview parties $100. Click here for information.

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    Movie Review

    Offbeat drama Pillion features command performance by Alexander Skarsgård

    Alex Bentley
    Feb 20, 2026 | 4:30 pm
    Alexander Skarsgård and Harry Melling in Pillion
    Photo courtesy of A24
    Alexander Skarsgård and Harry Melling in Pillion.

    Describing the new movie Pillion is almost an act of futility. It contains a variety of seemingly disparate parts that coalesce into a whole to make it utterly fascinating. Few other recent films have been able to walk the line between filthy and wholesome in quite the way this one does, and that’s only because few other filmmakers would actually dare to try.

    It centers on Colin (Harry Melling), a meek man in his mid-thirties who still lives at home with his parents, Pete (Douglas Hodge) and Peggy (Lesley Sharp), while working a dead-end job giving out parking tickets. While performing in a barbershop quartet at his local pub, Colin catches the eye of biker Ray (Alexander Skarsgård), who summons him for a clandestine hook-up the following day (which just so happens to be Christmas Day).

    With barely a word exchanged between them, Ray establishes a dominance over Colin that quickly leads to them starting a relationship in which Colin does anything Ray asks. And that means more than just sex: Colin, whether desperate for any kind of affection or unlocking a side of himself he hadn’t known, readily agrees to cook, clean, shop, and basically do whatever else Ray wants him to do.

    Written and directed by first-time feature filmmaker Harry Lighton, the film is astonishing in the way it’s able to mine humor from Colin and Ray’s atypical bond. To call Ray “unfeeling” might not be totally accurate, but the way he treats Colin borders on cruel. However, the way Lighton structures the film, it’s easy to understand why someone like Colin would be willing to go along with the situation. It’s both hilarious and heartbreaking to see Colin debase himself in a variety of ways.

    On the flip side is Colin’s heartfelt arc with his parents. It’s established right away that Peggy, who is sick with cancer, is a bit too involved with Colin’s love life, with the opening scene featuring her setting him up on a blind date. But their easy acceptance of his queerness and desire to see him find love is as heartwarming as it gets. The juxtaposition between the wholesomeness of their family and Colin’s new life is also the source of a good amount of comedy.

    Lighton does not shy away from the sexual side of Colin and Ray’s relationship, and the scenes he depicts are as graphic as you are likely to see in an R-rated film. Some go up to and a little past what might be expected in a mainstream movie (including the use of a certain fake appendage). Other times they play out in a comical way to illustrate just how far Colin has progressed from the person he was when the film started.

    Skarsgård, who stole the show in the Charli XCX movie The Moment, is the attraction in more ways than one in this film. The part calls for someone who’s not only impossibly handsome, but also a person who can stop dissent with just a glance, and he lives up to both qualities equally well. Melling, best known for playing Neville Longbottom in the Harry Potter movies, also embodies his role perfectly. He plays Colin as weak enough to be run roughshod over by Ray, but not so hopeless as to not be worth rooting for.

    Pillion (which is the name of the secondary seat on a motorcycle on which Colin rides multiple times in the film) operates at a storytelling level that is difficult to achieve. Many people will not fully understand the film’s central relationship, but the way it is showcased by Lighton makes it compelling, gut-wrenching, and sexy.

    ---

    Pillion is now playing in theaters.

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