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    Snapshot

    The Photobooth on Montrose opens as a come-as-you-are art space in the heart ofthe 'Trose

    Marcy de Luna
    Sep 6, 2011 | 2:20 pm
    • The Photobooth on Montrose
      Photo via Photobooth/Facebook
    • Photographer Simon Gentry
      Photo by Amy Vogel

    When I met Simon Gentry for a coffee early the other morning, the people behind the counter at the Starbuck’s on Hawthorne knew his name and drink order. Gentry’s new studio, The Photobooth on Montrose, is located a few short blocks away, and the caffeine has been a necessity as he's worked night and day to get the space ready for its early September opening.

    Gentry has had a camera in hand since the age of 7, when, for lack of participants, the family cat often served as his model. Now an established photographer, he has shot locally for Jane Weiner of Hope Stone, PaperCity, the Houston Symphony and more.

    Though he might be something of an expert, Gentry does have advice for novice photographers, and says that a used Nikon F1 makes an ideal starter camera. If you're the type who would rather leave the photo taking to the experts, however, you're in luck — that's Gentry's first intention for his studio.

    Gentry wants the same feeling to permeate his studio – upon entering, please feel free to be who you want to be.

    Aside from serving as a work space for Gentry, The Photobooth will offer the arts community an alternative place to show their work. With a key location in the heart of Montrose, The Photobooth aims to be a low-cost option for non-profit arts organizations to present performing artists, poets, dancers and other artists with a new locale to display their talents. The stark white walls will act as a blank canvas, and props and treated floating walls will enhance, but not outshine, the performances.

    The studio takes its name from a childhood memory of Gentry's. Growing up in London, he had easy access to flash photo booths, including at the local supermarket. His affection for the idea of stepping into a photo booth, leaving the real world behind and cutting loose remains with him to this day, and he wants the same feeling to permeate his studio – upon entering, please feel free to be who you want to be.

    The fish bowl-like windows in the front will allow passersby a full view of the action inside; it’s guaranteed to catch your attention, just as the auspicious “space for lease” sign on the same corner caught Gentry’s eye as the site for his new playplace. It was kitchy kismet from the start. Celebrate The Photobooth on Montrose's grand opening Tuesday night from 6 to 8 p.m.

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    Movie Review

    Billie Eilish takes fans behind the scenes in immersive 3D tour film

    Alex Bentley
    May 7, 2026 | 3:30 pm
    Billie Eilish in Billie Eilish: Hit Me Hard and Soft - The Tour Live in 3D
    Photo by Henry Hwu/courtesy of Paramount Pictures
    Billie Eilish in Billie Eilish: Hit Me Hard and Soft - The Tour Live in 3D.

    In 2021, at the tender age of 19, singer Billie Eilish was already the subject of a documentary, The World’s a Little Blurry. At that point, she had only released one album, so the film threatened to feel too early for such treatment. The ensuing five years have only made her a bigger star, though, so in many ways that movie now feels prescient for the person on display in the new concert documentary with the unwieldy title of Billie Eilish: Hit Me Hard and Soft - The Tour Live in 3D.

    Directed by Eilish and blockbuster filmmaker James Cameron, the film takes viewers inside Eilish’s 2024-2025 tour in support of her latest album, 2023’s Hit Me Hard and Soft. Filmed mostly at her series of shows in Manchester, England, the movie is a showcase for Eilish’s music, but it also serves as a smaller exploration of the type of person she is, as well as the impact she has had on her legion of fans.

    The draw of the film is the use of Cameron’s beloved 3D technology, which he has employed in each of the three Avatar films. Unlike in those films, where the 3D has the odd effect of making the visuals too realistic for their own good, the technique brings an intimacy to the large-scale show that underscores the unique bond the singer has with her supporters.

    Eilish and Cameron go back and forth between performances at the concert to behind-the-scenes sequences, detailing the enormous effort it takes to put on a show like that and how Eilish spends her time getting ready for it. As in The World’s a Little Blurry, this film continues to portray the singer as down-to-Earth, someone who yearns to maintain the connection to her fans that she’s had since she released her first single, “Ocean Eyes,” 10 years ago.

    And as the many emotional songs in Eilish’s concert playlist prove, the feeling from the crowd is mutual. While Eilish has multiple bangers like “Bad Guy,” “Therefore I Am,” and the Charli XCX collaboration “Guess,” it’s the sad songs like “Everything I Wanted,” “Happier Than Ever,” and the Oscar-winning Barbie anthem, “What Was I Made For?” that hit the hardest. The depth of feeling emanating from her many sobbing fans singing along to crushing songs cannot be understated.

    For audiences of the film, though, it’s the breadth of camera angles and shot choices that make it truly dynamic. There are cameras everywhere, including in the crowd, inside a cube at the center of the stage that rises and descends, following Eilish as she traipses every inch of the long, rectangular stage, and even a small one Eilish uses to bring an extra personal touch to the in-arena screen. Combined, they capture the complete energy of the concert, something that is not always the case in a film of this type.

    Eilish has almost as many movies — two — as she does albums — three — which borders on overkill for a singer of her age. But both her music and the movies show her to be a person who knows the responsibility of being a celebrity, someone who understands that her fans are the reason she’s famous at all. Her career may go up or down from here, but it’s clear she’s already made a huge impact on those who love her most.

    ---

    Billie Eilish: Hit Me Hard and Soft - The Tour Live in 3D opens in theaters on May 8.

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