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    Music Matters

    He's a great musician, but Jimmie Dale Gilmore may be best known for The BigLebowski

    Susan Darrow
    Sep 3, 2010 | 12:00 am
    • The bowling scene from "The Big Lebowski"
    • The Flatlanders with Joe Ely, from left, Jimmie Dale Gilmore and Butch Hancock
    • Jimmie Dale Gilmore in earlier days
    • Jimmie Dale Gilmore
    • Jimmie Dale Gilmore

    Texas singer-songwriter Jimmie Dale Gilmore has received widespread acclaim for his beautifully crafted recordings, including three Grammy nominations and twice being named “Country Artist of the Year” in the Rolling Stone Critics Poll. He’s been hailed as “the most poetic and lovely country singer in America.”

    Yet despite all the critical praise he’s earned for a lifetime of making music, Gilmore, who returns to the Houston area Saturday at the Mucky Duck with Butch Hancock, may be best known (at least in some circles) for a scene lasting less than three minutes in the cult classic movie The Big Lebowski.

    Lebowski fans (and there are many) know Gilmore for his small but pivotal role as Smokey, the pacifist bowler who may have made the mistake of stepping “over the line” in a league game against John Goodman’s Walter Sobchak and narrowly avoids entering “a world of pain.”

    In a previous interview, Gilmore discussed the fame that this brief acting role has brought to him. “I tell you, as far as just sheer numbers, I'm known by a lot more people for that than for being a musician. It's really true. It's just the strangest thing,” said Gilmore. “I love that movie and I loved all the people that worked on it. But it is a very strange, unexpected phenomenon.”

    Still, while there may be some fans of Smokey, Walter and the Dude at the Duck on Saturday night, odds are good that most people in attendance will be there to hear Gilmore partner with his compadre Hancock for his first Houston performance as part of a duo or solo act in more than six years.

    The Mucky Duck concert will be a reunion of sorts, re-creating the magic of a hard-to-get album featuring Hancock and Gilmore titled “Two Roads” that was recorded live in Australia in 1990.

    Gilmore’s most recent recordings have been with Hancock and longtime friend and collaborator Joe Ely as part of the Texas supergroup the Flatlanders, including their most recent release, Hills and Valleys.

    While Houston fans have had a few opportunities to see the Flatlanders in action with a full band, Saturday’s concert offers a rare chance to see Hancock and Gilmore trade songs as an acoustic duo in the intimate confines of the Mucky Duck.

    If you go, you might expect to hear favorites from Hancock’s extensive catalogue such as “West Texas Waltz,” “If You Were a Bluebird,” or “Boxcars,” as well as some of Gilmore’s most popular songs (“Dallas”, “Tonight I Think I’m Gonna Go Downtown.”)

    Just don’t expect to hear “Mark it 8, Dude." For that, you’ll have to pull out your Lebowski DVD.

    Jimmie Dale Gilmore and Butch Hancock will appear Saturday at the Mucky Duck, 2425 Norfolk, 713-528-5999. Show times are 7 and 9:30 pm.

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    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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