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    Music Matters

    He's a great musician, but Jimmie Dale Gilmore may be best known for The BigLebowski

    Susan Darrow
    Sep 3, 2010 | 12:00 am
    • The bowling scene from "The Big Lebowski"
    • The Flatlanders with Joe Ely, from left, Jimmie Dale Gilmore and Butch Hancock
    • Jimmie Dale Gilmore in earlier days
    • Jimmie Dale Gilmore
    • Jimmie Dale Gilmore

    Texas singer-songwriter Jimmie Dale Gilmore has received widespread acclaim for his beautifully crafted recordings, including three Grammy nominations and twice being named “Country Artist of the Year” in the Rolling Stone Critics Poll. He’s been hailed as “the most poetic and lovely country singer in America.”

    Yet despite all the critical praise he’s earned for a lifetime of making music, Gilmore, who returns to the Houston area Saturday at the Mucky Duck with Butch Hancock, may be best known (at least in some circles) for a scene lasting less than three minutes in the cult classic movie The Big Lebowski.

    Lebowski fans (and there are many) know Gilmore for his small but pivotal role as Smokey, the pacifist bowler who may have made the mistake of stepping “over the line” in a league game against John Goodman’s Walter Sobchak and narrowly avoids entering “a world of pain.”

    In a previous interview, Gilmore discussed the fame that this brief acting role has brought to him. “I tell you, as far as just sheer numbers, I'm known by a lot more people for that than for being a musician. It's really true. It's just the strangest thing,” said Gilmore. “I love that movie and I loved all the people that worked on it. But it is a very strange, unexpected phenomenon.”

    Still, while there may be some fans of Smokey, Walter and the Dude at the Duck on Saturday night, odds are good that most people in attendance will be there to hear Gilmore partner with his compadre Hancock for his first Houston performance as part of a duo or solo act in more than six years.

    The Mucky Duck concert will be a reunion of sorts, re-creating the magic of a hard-to-get album featuring Hancock and Gilmore titled “Two Roads” that was recorded live in Australia in 1990.

    Gilmore’s most recent recordings have been with Hancock and longtime friend and collaborator Joe Ely as part of the Texas supergroup the Flatlanders, including their most recent release, Hills and Valleys.

    While Houston fans have had a few opportunities to see the Flatlanders in action with a full band, Saturday’s concert offers a rare chance to see Hancock and Gilmore trade songs as an acoustic duo in the intimate confines of the Mucky Duck.

    If you go, you might expect to hear favorites from Hancock’s extensive catalogue such as “West Texas Waltz,” “If You Were a Bluebird,” or “Boxcars,” as well as some of Gilmore’s most popular songs (“Dallas”, “Tonight I Think I’m Gonna Go Downtown.”)

    Just don’t expect to hear “Mark it 8, Dude." For that, you’ll have to pull out your Lebowski DVD.

    Jimmie Dale Gilmore and Butch Hancock will appear Saturday at the Mucky Duck, 2425 Norfolk, 713-528-5999. Show times are 7 and 9:30 pm.

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    hoop it up

    Houston festival hosts dramatic reading of basketball-inspired TV show

    Craig D. Lindsey
    Nov 6, 2025 | 5:00 pm
    cinema arts festival hoopztown reading
    Photo by Trent Wittenbach
    Hoopzdreams tells the story of a gifted, multiracial athelete.

    This year’s Houston Cinema Arts Festival (HCAF), which starts this Thursday, November 6, offers plenty of film screenings – both feature-length films and shorts – as well as panel discussions, Q&As, workshops, etc. But the fest will also have a staged reading of the TV pilot Hoopztown, this Saturday at 2 pm at Six Foot Studios.

    Hoopztown centers around Maya Hernandez, a gifted, multiracial athlete on track to be considered for the inaugural WNBA in 1996. She moves back to her hometown of Houston, where it’s revealed that her mother, a janitor at Houston Medical Center, is diagnosed with cancer.

    The project is created and written by Fleurette S. Fernando, an educator, director, choreographer, arts administrator, and founding director of the M.A. in Arts Leadership Program at University of Houston, where she serves as an associate professor. “I wrote this story for the women in my life; my mother, my sisters, my teachers, my colleagues, my girlfriends, my students and particularly for my daughter,” says Fernando. “Her journey as a student athlete and the relationships she built with the girls on her various teams through the turbulent and magical years of her youth was an inspiration.”

    hoopztown Fleurette S. Fernando Elizabeth Sosa Bailey Collaborators Elizabeth Sosa Bailey and Fleurette S. Fernando.Courtesy of Elizabeth Sosa Bailey

    Hoopztown has gone through multiple iterations. During the 2015 ATX TV Festival Pitch Competition, Fernando was a finalist for her concept of the project. From there, the pilot (originally titled Hoopz) and loglines for a 10-episode run were put into motion. That first episode, titled “Rebound,” focuses on Maya’s first day at her new job, coaching a girls’ basketball team at a racially and socioeconomically diverse high school.

    “Hoopztown is an ode to a woman’s journey through the lens of many races, ages and circumstances,” she says. “It’s a tribute to the underdog and a homage to a woman’s perilous path through a man’s world. Nowhere is this struggle more acutely demonstrated, mentally, emotionally, physically and economically, than in the arena of competitive sports in America.”

    Since Fernando and her creative partner, Elizabeth Sosa Bailey, are both active members of

    the Houston Cinema Arts Society (HCAS) board, they knew they had to do a reading during this year’s fest.

    “There is so much of myself that I see in this story, as someone who left a career to return home when my father was diagnosed with cancer and as a mixed race Latina understanding the duality of identity,” says Sosa Bailey. “Even the high school that Hoopztown is set in is much like my own. I attended Lamar High School, making me about a decade younger than the characters in the story. There are all of these wonderful little coincidences in Hoopztown.”

    The project is a beneficiary of its second Houston Arts Alliance grant made possible through the

    City of Houston Mayors Office of Cultural Affairs (MOCA). The reading cast includes over 20 actors, with Eva Marie Thomas playing the main role. Open to the public with a Pay What You Can ticket structure, the event invites the audience to experience the first run-through of what is slated to be the first episode, filmed in Houston using local cast and crew. The audience can also provide feedback and contribute to the project’s fundraising initiative to get to the next stage of filming.

    For tickets, go to the Houston Cinema Arts Festival website.

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