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the secret's out

Fierce 'Fight Club for street artists' tour draws up high-energy Houston showdown

Craig Lindsey
Aug 30, 2022 | 3:30 pm
Ghoul Shack Houston
Ghoul Shack's out-of-the-box work.
GhoulShack Instagram

With the arts community adversely affected during the pandemic, Los Angeles-based live arts entertainment brand Secret Walls is on a 30-plus city tour to bring its high-energy physical illustration and design battles —and to shine a spotlight on local talent — across the US and Canada.

Art fans can check out the Support Your Local Artist (SYLA) Tour when it hits Houston Wednesday, August 31 with a free show at Karbach Brewing Company. The free, all-ages event, which was originally slated to run at House of Blues, kicks off at 7 pm.

Coined by the Wall Street Journal as “a fight club for street artists,” Secret Walls is an energetic art battle fueled by crowd reaction. Artists are divided randomly into teams and equipped with markers, paint brushes, spray paint, and paint rollers. Nothing is revealed to the artists prior to the start of the competition.

They artists then have exactly 90 minutes on the clock to ideate and create their artwork. A team of judges, plus a decibel meter measuring the audience’s cheers, determine the winner of each showdown.

The Houston stop will feature local artists Alex Arzú, Nicky Davis, Ghoul Shack, and Tarbox. The event will also include food and drinks, music by DJ Mad Sounds, and limited-edition merchandise for sale.

For the Houston stop, Secret Walls has partnered with UP Art Studio to host a special Secret Walls Academy NFT Workshop and Kid’s Team Battle for students at Hogg Middle School. This artist-led youth workshop provides a crash course in NFTs and digital art while building confidence in the next generation of freestyle street artists, according to a press release.

Since Secret Walls debuted in 2006 with a mission to support local artists, the contest and tours have produced more than 2,000 battles in more than 50 countries and, ays founder Terry Guy, has grown to become the world’s premier live paint and pixel battle platform.

“The Houston community has been so supportive of Secret Walls in the past and we wanted to do something special in return,” Guy notes in a statement. “Thanks to all our fans, we were able to pull some strings to make the event free and accessible to more supporters. We look forward to seeing everyone at the show.”

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Secret Walls takes place at 7 pm Wednesday, August 31 at Karbach Brewing Company, 2032 Karbach St. Event is free and open to all ages. For more information, visit the official site.

Ghoul Shack's out-of-the-box work.

Ghoul Shack Houston
GhoulShack/Instagram [https://www.instagram.com/ghoulshack/]
Ghoul Shack's out-of-the-box work.
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Movie Review

Reminders of Him taps into grief, grace, and the power of moving on

Alex Bentley
Mar 13, 2026 | 10:30 am
Maika Monroe and Tyriq Withers in Reminders of HIm
Photo by Michelle Faye / Universal Pictures
Maika Monroe and Tyriq Withers in Reminders of HIm.

Texas author Colleen Hoover has gone from being a popular writer to a full-on celebrity in the 2020s. The new film Reminders of Him marks the third adaptation of her books in just 19 months (a fourth, Verity, is scheduled for release in October 2026). All of her books that have been adapted so far — most notably It Ends With Us — are female-led stories that feature elements of romance and trauma, catnip for studios looking to appeal to the underserved demographic of women.

Leading the way in this film is Kenna Rowan (Maika Monroe), who returns to her hometown of Laramie, Wyoming after spending years in prison for killing her boyfriend, Scotty (Rudy Pankow), in a car accident. That relationship resulted in a daughter, Diem (Zoe Kosovic), whom Kenna gave birth to while imprisoned and is now being raised by her grandparents, Patrick (Bradley Whitford) and Grace (Lauren Graham).

Yearning to be a part of Diem’s life, Kenna tries to reconnect with Patrick and Grace, only to be rebuffed by Scotty’s best friend, Ledger (Tyriq Withers), a former NFL player who now owns a local bar. In running interference, Ledger starts to become closer to Kenna, discovering that her tragic mistake shouldn’t be the only thing that defines her.

Directed by Vanessa Caswill and written by Lauren Levine, the film features mostly surface level examinations of its themes and average performances, yet it winds up being effective thanks to a willingness not to rush through its storytelling beats. The filmmakers take the slow and steady approach toward the coupling of Kenna and Ledger, setting up their bond through a series of heart-to-heart conversations that makes any romance feel earned.

The majority of the focus is on Kenna reclaiming her place in the world, and on Ledger coming to terms with the fact that the person who killed his best friend is not inherently a bad person. The film definitely could have gone deeper in its explorations of grief and anger, but the sheer amount of time it takes in addressing the characters’ doubts and fears turns out to be sufficient for a film that’s not aiming to be considered a dramatic masterpiece.

It also helps that Caswill and Levine do a solid job of establishing the variety of characters that inhabit the film. Kenna and Ledger don’t always feel like fully-formed people, but they become so through their interactions with each other and the other townspeople. Lady Diana (Monika Myers), a girl with Down syndrome who lives in Kenna’s apartment complex, and Roman (Nicholas Duvernay), Ledger’s co-worker at his bar, help to broaden the appeal of the two leads.

Monroe has, to this point, been best known for starring roles in horror films like It Follows and Longlegs. While she does somewhat well in this role, her delivery is often more flat than you’d expect for a character going through what she does. Withers thankfully doesn’t remind viewers of his recent bomb Him, demonstrating a crossover appeal that should serve him well in the future. Whitford and Graham don’t get to do much, but their combined experience gives their roles exactly what is needed.

It may sound like damning with faint praise, but Reminders of Him is a competently made film that knows how to serve its core audience without insulting anyone who may not automatically be all-in for such a story. The filmmakers don’t try to force any of the key moments down the audience’s throat, and that stands out in a genre that’s not always known for its subtlety.

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Reminders of Him opens in theaters on March 13.

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