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    Skeletons in the closet

    Tango-dancing Houston maestro prepares for a family reunion concert

    Joel Luks
    Aug 30, 2013 | 12:53 pm

    You may know Antoine Plante as the curly haired brunette who waves his arms in front of Mercury - The Orchestra Redefined. You may know him for his charming Québécois brogue that tickles his Texanisms. You may even know him as a party guy who isn't shy to impersonate movie characters to entertain his guests.

    But most likely you don't know the maestro as a tango bailarin.

    Tango was all the rage when classically trained Plante lived in Canada. In the late 1990s, he and his brother, Denis, would frequent an Argentinean bar in which the sassy dance was part of the daily charm. Musicians jammed, couples put on the moves and wine flowed. The Plante compadres were so infected by the lively rhythms that they both took up tango dancing, they traveled to Buenos Aires to purchase bandoneóns (accordions essential in tango music) and became part of the scene in Argentina and at home.

    In tango speak, you can call the siblings milongueros.

    "I'll come clean," Antoine Plante tells CultureMap. "We really started doing the tango because we wanted to meet girls."

    Dancing tango, Plante says, is how he wooed his wife, Lori Muratta.

    "I'll come clean. We really started doing the tango because we wanted to meet girls."

    Denis Plante went on to master the bandoneón, a switch from his earlier focus on jazz guitar. Today, the composer-cum-performer is recognized as an international virtuoso. He performs regularly with symphony orchestras and chamber groups, and has recorded albums with the Astorias, Quartango and Bataclan ensembles. Denis Plante's debut solo CD, Cantos de Bandoneón, is a collection of original compositions, some of which are narrative in nature. Take his three-movement work "Noche de Tango." It tells the story of a man who upon returning to his hometown encounters a much different world — and struggles to fit in.

    Antoine Plante, who studied at Conservatoire de Musique de Montréal and at Rice University, was content on the viola de gamba and as a conductor, later establishing one of the most successful period instrument chamber orchestras in Houston and in the country. Mercury - The Orchestra Redefined hits all the right notes with Houston audiences. But his bandoneón, sadly, lives silently somewhere in a dark closet.

    The brothers will reunite for a performance at Miller Outdoor Theatre, set for Saturday at 8 p.m. The program, titled "8 Seasons," includes Astor Piazzolla's Estaciones Porteñas (Four Seasons) and Antonio Vivaldi's Le quattro stagioni (The Four Seasons). Do the math.

    "It's unclear if Piazzolla meant for a musical connection to exist between his composition and Vivaldi's," Antoine Plante explains. "Piazzolla is more abstract than Vivaldi. Piazzolla describes a mood but doesn't paint a picture."

    Still, there's an undeniable link in the overarching theme, especially bearing in mind that Vivaldi's seasonal sketches rank high in popularity, perhaps even in the top five classical music compositions of all time. Vivaldi's Four Seasons has been used for commercial purposes extensively. It's over recorded. It's heard in elevators, hospitals, hotels, weddings, restaurants . . . brunch and mimosas, anyone?

    But, as Antoine Plante points out, the concerti aren't often performed live in their entirety.

    "When listeners experience the piece as a whole, they are surprised," he says. "They are even amazed to learn that the music is accompanied by poetry, which we plan to project above the orchestra so everyone can follow along."

    Although audiences may be familiar with the lovely birds, flowing streams and bucolic dances evoked by the colorful oeuvre, there are other allusions that are, shall we say, less well-mannered. Like a barking dog and a bunch of drunks that pass out because of their indulgence.

    As for the concert, Antoine Plante confides that he's thinking about dusting off his concertina to perform alongside his brother in an impromptu encore selection, taking a nostalgic trip down memory lane to when the single dudes were on prowl for the ladies. He'll be forgiven if he isn't up to the task, but here's something else to ponder.

    What if he were to delight us with a dance demonstration? Wouldn't that be lovely.

    ___

    Mercury - The Orchestra Redefined presents "8 Seasons" Saturday, 8 p.m., at Miller Outdoor Theatre. Admission is free; tickets are available for covered seating.

    Antoine Plante dances the tango with his wife, Lori Muratta.

    unspecified
    news/entertainment

    Movie Review

    New thriller Crime 101 majors in cool with Hemsworth at the wheel

    Alex Bentley
    Feb 13, 2026 | 4:15 pm
    Chris Hemsworth in Crime 101
    Photo courtesy of Amazon Content Services
    Chris Hemsworth in Crime 101.

    The career of actor Chris Hemsworth is a curious one, as it feels like he’s a huge star (mostly from playing Thor in Marvel movies) and not at the same time, with most of the non-MCU movies featuring him in a lead role failing to become big successes. But he still has a certain presence about him, which is why he’s being given another chance to prove his star power in the new thriller, Crime 101.

    Hemsworth plays Davis, a talented thief who knows how to get what he wants without resorting to violence. When a job early in the movie turns slightly sideways, it makes him think twice about working with his handler (Nick Nolte), who seems to prefer someone with a stronger touch, like the up-and-coming Ormon (Barry Keoghan).

    Davis is the main character, but two others who come into his orbit get their own subplots. Lou (Mark Ruffalo) is a slightly schlubby LAPD detective who’s convinced he knows the pattern of an unknown thief that likes to hit places close to Highway 101. Sharon (Halle Berry) works for a high-end insurance agency known for working with ultra-wealthy clients, the types who might be a great target for a thief like Davis.

    Written and directed by Bart Layton, the film has a decent propulsion to it that comes with most crime thrillers. Davis and Ormon represent the yin and the yang of criminal approaches, and and it’s interesting to see the juxtaposition between the two as their simmering rivalry heats up over the course of the film. When the film commits to actually showing its crimes, it has an excitement that’s worth watching.

    Unfortunately, Layton displays a real lack of focus, taking the audience into subplots with each of the three main characters that prove unnecessarily distracting. Lou’s marriage problems may explain his disheveled appearance, but there’s no need to see him deal with them with wife Angie (Jennifer Jason Leigh). Sharon’s troubles with her male-dominated company prove slightly pivotal, but still don’t merit the time put into exploring them.

    The most baffling subplot is Davis pursuing a relationship with Maya (Monica Barbaro), a woman he randomly meets. At different points in the movie, including many of his interactions with Maya, Davis seems like the most uncomfortable, antisocial person in the world. And yet he somehow morphs into a suave smooth-talker who’s able to convince anyone to do what he wants at other key points, making it unclear exactly what kind of person he really is.

    Hemsworth does relatively well in the lead role, but he’s still missing that certain something to make his character, and therefore the movie, truly compelling. The rest of the cast is fine, too, but each of them seem to be putting in just the minimal amount of effort to make the film watchable. Ruffalo and Barbaro come off the best, but with the talent in the cast (11 Oscar nominations and one win), they could have been used better.

    Crime 101 has most of the ingredients to be another great entry in the genre, and it succeeds when it actually decides to deliver on its promise. But too much of the film is spent on things that have no real bearing on plot or character development, leaving the movie in the middle of the pack.

    ---

    Crime 101 is now playing in the theaters.

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