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    Skeletons in the closet

    Tango-dancing Houston maestro prepares for a family reunion concert

    Joel Luks
    Aug 30, 2013 | 12:53 pm

    You may know Antoine Plante as the curly haired brunette who waves his arms in front of Mercury - The Orchestra Redefined. You may know him for his charming Québécois brogue that tickles his Texanisms. You may even know him as a party guy who isn't shy to impersonate movie characters to entertain his guests.

    But most likely you don't know the maestro as a tango bailarin.

    Tango was all the rage when classically trained Plante lived in Canada. In the late 1990s, he and his brother, Denis, would frequent an Argentinean bar in which the sassy dance was part of the daily charm. Musicians jammed, couples put on the moves and wine flowed. The Plante compadres were so infected by the lively rhythms that they both took up tango dancing, they traveled to Buenos Aires to purchase bandoneóns (accordions essential in tango music) and became part of the scene in Argentina and at home.

    In tango speak, you can call the siblings milongueros.

    "I'll come clean," Antoine Plante tells CultureMap. "We really started doing the tango because we wanted to meet girls."

    Dancing tango, Plante says, is how he wooed his wife, Lori Muratta.

    "I'll come clean. We really started doing the tango because we wanted to meet girls."

    Denis Plante went on to master the bandoneón, a switch from his earlier focus on jazz guitar. Today, the composer-cum-performer is recognized as an international virtuoso. He performs regularly with symphony orchestras and chamber groups, and has recorded albums with the Astorias, Quartango and Bataclan ensembles. Denis Plante's debut solo CD, Cantos de Bandoneón, is a collection of original compositions, some of which are narrative in nature. Take his three-movement work "Noche de Tango." It tells the story of a man who upon returning to his hometown encounters a much different world — and struggles to fit in.

    Antoine Plante, who studied at Conservatoire de Musique de Montréal and at Rice University, was content on the viola de gamba and as a conductor, later establishing one of the most successful period instrument chamber orchestras in Houston and in the country. Mercury - The Orchestra Redefined hits all the right notes with Houston audiences. But his bandoneón, sadly, lives silently somewhere in a dark closet.

    The brothers will reunite for a performance at Miller Outdoor Theatre, set for Saturday at 8 p.m. The program, titled "8 Seasons," includes Astor Piazzolla's Estaciones Porteñas (Four Seasons) and Antonio Vivaldi's Le quattro stagioni (The Four Seasons). Do the math.

    "It's unclear if Piazzolla meant for a musical connection to exist between his composition and Vivaldi's," Antoine Plante explains. "Piazzolla is more abstract than Vivaldi. Piazzolla describes a mood but doesn't paint a picture."

    Still, there's an undeniable link in the overarching theme, especially bearing in mind that Vivaldi's seasonal sketches rank high in popularity, perhaps even in the top five classical music compositions of all time. Vivaldi's Four Seasons has been used for commercial purposes extensively. It's over recorded. It's heard in elevators, hospitals, hotels, weddings, restaurants . . . brunch and mimosas, anyone?

    But, as Antoine Plante points out, the concerti aren't often performed live in their entirety.

    "When listeners experience the piece as a whole, they are surprised," he says. "They are even amazed to learn that the music is accompanied by poetry, which we plan to project above the orchestra so everyone can follow along."

    Although audiences may be familiar with the lovely birds, flowing streams and bucolic dances evoked by the colorful oeuvre, there are other allusions that are, shall we say, less well-mannered. Like a barking dog and a bunch of drunks that pass out because of their indulgence.

    As for the concert, Antoine Plante confides that he's thinking about dusting off his concertina to perform alongside his brother in an impromptu encore selection, taking a nostalgic trip down memory lane to when the single dudes were on prowl for the ladies. He'll be forgiven if he isn't up to the task, but here's something else to ponder.

    What if he were to delight us with a dance demonstration? Wouldn't that be lovely.

    ___

    Mercury - The Orchestra Redefined presents "8 Seasons" Saturday, 8 p.m., at Miller Outdoor Theatre. Admission is free; tickets are available for covered seating.

    Antoine Plante dances the tango with his wife, Lori Muratta.

    unspecified
    news/entertainment

    Movie Review

    Rachel McAdams goes feral in Sam Raimi's gory new comedy Send Help

    Alex Bentley
    Jan 29, 2026 | 2:30 pm
    Rachel McAdams in Send Help
    Photo by Brook Rushton
    Rachel McAdams in Send Help.

    Director Sam Raimi has gone through different phases as a filmmaker, including leading the first Spider-Man trilogy and joining the MCU with Doctor Strange in the Multiverse of Madness. But he first gained notice with the gory and funny Evil Dead movies, a sensibility he’s returning to with his latest film, Send Help.

    Linda Liddle (Rachel McAdams) is a meek and eccentric middle manager at a financial firm that’s just named Bradley Preston (Dylan O’Brien) as its new nepo CEO. Bradley’s dad had promised Linda a promotion to vice president, but she gets passed over in favor of one of Bradley’s frat buddies, sending her into a mild rage. Still, she gets invited along on a planned business trip to Thailand, during which she hopes to prove her worth.

    Unfortunately for most of the passengers on the private plane, it crashes into the ocean, leaving only Linda and Bradley alive on a deserted island. Linda, who has privately developed survival skills, adapts quickly to the forbidding environment, while Bradley tries to revert to bossing her around. But Linda quickly understands the power dynamic has shifted, and she uses this knowledge to try to keep Bradley in line, turning their stranding into a battle of wills.

    Directed by Raimi and written by Damian Shannon and Mark Swift, the film is the classic “so bad it’s good” kind of experience. McAdams, inarguably an attractive and charming person, is given stringy hair, an antisocial personality, and quirks like eating tuna fish at her desk to make her as off-putting as possible. Bradley, along with almost everyone else at her office, is stereotyped just as hard in order to set up the twist of fate.

    When the action shifts to the island, things get even more over the top. The audience has already been primed for Linda to demonstrate her survival expertise, but the film does way more than just show her making fire. Whether it’s flawlessly building a shelter or hunting a wild boar, everything Linda does is portrayed in a slightly off-kilter manner. Then they turn everything up to 11, indulging in gore that is so unnecessary that you can’t help but laugh.

    The filmmakers prove they’re in on the joke the rest of the way, including a variety of preposterous but hilarious scenarios that would cause massive eyerolls if they were actually trying to take the film seriously. While they do a great job of showing Linda’s ability to handle herself in the wild, they also show that she is somehow the only person in the world who could get a glow up after a plane crash and weeks living in nature.

    McAdams, an Oscar-nominated actor for Spotlight, is way too high class for a movie like this, which makes her presence here all the more interesting. She is all-in on whatever Raimi wants her to do, and she’s at her most fun when she goes the animalistic route. O’Brien, who was great in the recent Twinless, doesn’t get as much of an opportunity to show his range, but he still proves to be an interesting foil for her.

    Were it released in any other month, Send Help might be looked at as bottom of the barrel material. But with the movie year just getting started, it’s easier to forgive its outrageous plot twists and just have fun, especially since Raimi and his team put the rest of the film together so well.

    ---

    Send Help opens in theaters on January 30.

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