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    Letter From LA

    Houston's Internet comedy trio lampoons TMZ & Lost: Meet Team Tiger Awesome(you'll laugh)

    Ellie Knaus
    Aug 24, 2010 | 6:04 am
    • The Houston-area raised comedy trio of Nick Mundy, Clint Gage, Michael Truly aremaking plenty of web waves.
    • The guys in cartoon form. From left to right, Michael Truly, Clint Gage, andNick Mundy.
    • Team Tiger Awesome has lampooned everything from TMZ ...
    • the Lost finale.

    Editor's Note: Former Houstonian and High School for the Performing and Visual Arts grad Ellie Knaus is now an actress and writer in Los Angeles. She will file periodic reports about the entertainment industry and life in LA for CultureMap.

    Were you one of the millions of people who caught: “L*O*S*T — The Last 10 Seconds of Lost”? I’m not talking about the season finale on ABC.

    I’m referring to Team Tiger Awesome’s series of online comedy sketches that created fever pitch buzz in the weeks leading up to the primetime finale. It garnered the attention of The Huffington Post, Entertainment Weekly, Deadline Hollywood, and TV Guide. It has drawn more than THREE MILLION hits thus far.

    Who are the men behind the new media magic?

    Team Tiger Awesome is a three-guy comedy group that writes, produces, shoots, performs in, and edits its own material. And yes, moms and dads, they are actually making a living doing it.

    Meet Clint Gage, the level-headed dude next door: Michael Truly, the artistic swashbuckler (No, seriously. He lives on a boat); and Nick Mundy, the wrecking ball of fun. They have hundreds of followers on Facebook, Twitter, and the blogging site Tumblr. They tackle all formats: Web series, comedy shorts, television, and film. I’ve even seen them perform a radio play.

    How did this Los Angeles based comedy team form? They met by way of Texas.

    Let’s flashback to 1992. Nick Mundy, age 11, and Clint Gage, age 10, live on the same block in Spring. They aren’t friends. Mundy invites Gage to participate in a neighborhood game of football. Gage, sensible even at the age of 10, politely declines; tackle football on cement doesn’t interest him. Eventually, after weeks of Mundy’s badgering, Gage caves in and agrees to play.

    The game ends when a kid gets tackled into a mailbox and breaks his collarbone. As a result, Gage spends his wonder years terrified of Mundy. In the summer of 2001, Gage walks into CompUSA as a printer representative and reconnects with Mundy, who happens to work there. The guys bond over a common interest: Filmmaking. Mundy graduates from University of St. Thomas. Gage studies at Texas Christian University where he collaborates with Michael Truly on his senior film project. Mundy parties with the guys at TCU on the weekends.

    The Texas stars align and you have Team Tiger Awesome.

    Well, not exactly. Mundy moved to New York for a year, and when the three finally reconfigured in Los Angeles, they hung out and drank a lot of beer. It wasn’t until the winter of 2006 that their collaborative juices started flowing and they shot a trailer for an upcoming party. They posted it online, and by lunch the next day, the trailer had more than 500 hits.

    “So, that got us thinking,” says Mundy, “maybe we should do something, you know, actually worthwhile.”

    It’s been a very big year for Team Tiger Awesome. In addition to the success of “L*O*S*T,” they were invited to host an episode of AtomTV on Comedy Central. Their latest comedy sketch "Lil' TMZ" premieres this week on Cracked.com.

    I’ve worked with the guys a half dozen times and I’m always impressed by their laser beam focus. They are 100 percent invested in their work 100 percent of the time. Plus, they have the imagination and skill to stretch their budget. We shot the James Cameron spoof “Avatar’d” in their living room. It has racked up over 225,000 hits on Comedy Central’s Internet portal Atom.com. I’m excited to see what they’ll do with a feature film budget.

    And while TeamTigerAwesome is based in Los Angeles, Gage and Mundy are Houston boys at heart. Clint daydreams about the original Ninfa’s Restaurant on Navigation, just south of downtown.

    “Get the fajitas with chicken a la Berry,” he insists. “It’s floating in butter and every kind of hot ass pepper you can imagine. Spectacular.” And don’t get them started on their beloved Astros. They spend the baseball season cursing their TV set, Miller Lite cans strewn at their feet.

    Watch Clint Gage as a contestant on Wipeout Tuesday at 7 p.m. on ABC 13. Follow Ellie Knaus' blog at myprincipality.com and twitter @EllieInLa. Check out her work with TeamTigerAwesome at ellieknaus.com.

    See Team Tiger Awesome's latest comedy sketch "Lil TMZ':


    It's the Lil' TMZ Playset! -- powered by Cracked.com
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    Movie Review

    Avatar: Fire and Ash returns to Pandora with big action and bold visuals

    Alex Bentley
    Dec 18, 2025 | 5:00 pm
    Oona Chaplin in Avatar: Fire and Ash
    Photo courtesy of 20th Century Studios
    Oona Chaplin in Avatar: Fire and Ash.

    For a series whose first two films made over $5 billion combined worldwide, Avatar has a curious lack of widespread cultural impact. The films seem to exist in a sort of vacuum, popping up for their run in theaters and then almost as quickly disappearing from the larger movie landscape. The third of five planned movies, Avatar: Fire and Ash, is finally being released three years after its predecessor, Avatar: The Way of Water.

    The new film finds the main duo, human-turned-Na’vi Jake Sully (Sam Worthington) and his native Na’vi wife, Neytiri (Zoë Saldaña), still living with the water-loving Metkayina clan led by Ronal (Kate Winslet) and Tonowari (Cliff Curtis). While Jake and Neytiri still play a big part, the focus shifts significantly to their two surviving children, Lo’ak (Britain Dalton) and Tuk (Trinity Jo-Li Bliss), as well as two they’ve essentially adopted, Kiri (Sigourney Weaver) and Spider (Jack Champion).

    Miles Quaritch (Stephen Lang), who lives on in a fabricated Na’vi body, is still looking for revenge on Jake, and he finds help in the form of the Mangkwan Clan (aka the Ash People), led by Varang (Oona Chaplin). Quaritch’s access to human weapons and the Mangkwan’s desire for more power on the moon known as Pandora make them a nice match, and they team up to try to dominate the other tribes.

    Aside from the story, the main point of making the films for writer/director James Cameron is showing off his considerable technical filmmaking prowess, and that is on full display right from the start. The characters zoom around both the air and sea on various creatures with which they’ve bonded, providing Cameron and his team with plenty of opportunities to put the audience right there with them. Cameron’s preferred viewing method of 3D makes the experience even more immersive, even if the high frame rate he uses makes some scenes look too realistic for their own good.

    The story, as it has been in the first two films, is a mixed bag. Cameron and co-writers Rick Jaffa and Amanda Silver start off well, having Jake, Neytiri, and their kids continue mourning the death of Neteyam (Jamie Flatters) in the previous film. The struggle for power provides an interesting setup, but Cameron and his team seem to drag out the conflict for much too long. This is the longest Avatar film yet, and you really start to feel it in the back half as the filmmakers add on a bunch of unnecessary elements.

    Worse than the elongated story, though, is the hackneyed dialogue that Cameron, Jaffa, and Silver have come up with. Almost every main character is forced to spout lines that diminish the importance of the events around them. The writers seemingly couldn’t resist trying to throw in jokes despite them clashing with the tone of the scenes in which they’re said. Combined with the somewhat goofy nature of the Na’vi themselves (not to mention talking whales), the eye-rolling words detract from any excitement or emotion the story builds up.

    A pre-movie behind-the-scenes short film shows how the actors act out every scene in performance capture suits, lending an authenticity to their performances. Still, some performers are better than others, with Saldaña, Worthington, and Lang standing out. It’s more than a little weird having Weaver play a 14-year-old girl, but it works relatively well. Those who actually get to show their real faces are collectively fine, but none of them elevate the film overall.

    There are undoubtedly some Avatar superfans for which Fire and Ash will move the larger story forward in significant ways. For anyone else, though, the film is a demonstration of both the good and bad sides of Cameron. As he’s proven for 40 years, his visuals are (almost) beyond reproach, but the lack of a story that sticks with you long after you’ve left the theater keeps the film from being truly memorable.

    ---

    Avatar: Fire and Ash opens in theaters on December 19.

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