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    hawke rocks

    Ethan Hawke blazes into Houston with new film dedicated to Lone Star music legend

    Craig Lindsey
    Aug 20, 2018 | 5:07 pm
    Ben Dickey Ethan Hawke Blaze movie
    Ben Dickey and Ethan Hawke will be in Houston Friday, August 24 to screen the Texas music biopic, Blaze.
    Photo courtesy of IFC Films

    Recently, Ethan Hawke quietly popped up at the iconic Heights music venue Rockefeller’s to entertain a small crowd with anecdotes and music. The musical part of the evening came courtesy of a couple of friends of his: Southern singer-songwriters Jack Ingram (Texas’ own) and Ben Dickey (from Arkansas).

    They were also there to promote Hawke’s latest movie Blaze, which he co-wrote and directed. It’s a biopic on the life and career of Blaze Foley, a struggling Texas musician played by Dickey, in his feature-film debut. Both Hawke and Dickey have been making stops all over Texas to promote the movie, which has already played this year’s SXSW and WorldFest — Houston festivals.

    Good news for fans: Hawke and Dickey will be back in Houston on Friday, August 24 for a Q&A and introductions for three Blaze screenings at the River Oaks Theatre, where it will start its run in Houston on August 25.

    “I guess it’s tipping our hat to the South,” says the Austin-born Hawke, 47, about the musical/movie press tour. “In a lot of ways, the movie represents a kind of Southern bohemia you don’t see very often. You hear a lot, in the news, that the South is one thing, or people think they know the South, or they think they know. And one of the things I love about country music and roots music or the blues is it’s shot from the heart, and it’s got a personal feel to it and a personal touch. And we try to do that with the movie.”

    The movie is mainly about the doomed romance between Foley and actress/ex-wife Sybil Rosen (played by Alia Shawkat) and how their idyllic love affair was destroyed by Foley’s erratic behavior, behavior that eventually cost him his life when he was shot and killed by a man in 1989. “There’s an underlying thrum throughout our movie, which is that Blaze is not well and he’s suffering in a way,” says Dickey, 41, who won a special jury award for acting when it premiered at Sundance earlier this year.

    “And I have people in my life, who are now gone, that maybe if someone would’ve helped out a little bit earlier, they might’ve been able to figure it out for them. But a lot of artists and a lot of creative people — and some that aren’t — struggle, and I think that love and music and art often intertwine when it comes to people who struggle.”

    Hawke says he and Dickey has had the idea to do a Blaze Foley biopic almost as long as they’ve known each other. The two has had a strong friendship, thanks mostly to their wives, who have been friends since the third grade. (Dickey’s wife was an art director on the movie, while Hawke’s wife served as a producer.) When they met, they instantly found that they had a lot in common.

    “I’m a huge Steve Martin fan. And, on one of his records, he’s got these little, like, lightning-fast jokes and he says, ‘Grandpa — bought a rubber!’ And I was just walking — we had just met. We were having breakfast, and I was walking to his car and I said to myself, ‘Grandpa —’ And he said, ‘Bought a rubber!’ And I was like, ‘Oh yeah!’”

    Blaze is yet another high point in the great year Hawke is currently having. He has already received universal praise for his performance as a conflicted priest in First Reformed and will also star in the upcoming romantic comedy Juliet, Naked. In that movie, Hawke stars as a washed-up rocker, yet one of the many musicians Hawke has played throughout his film career. Between this movie and Blaze, it makes you wonder how much does music play a role in Hawke’s life.

    “It’s really everything to me,” he says. He recalls the time he saw Bill Clinton bring a very divisive crowd together during a Willie Nelson concert. “And Bill Clinton — the newly former President Clinton — came onstage to introduce Willie. And people booed him so severely and cheered him so severely, that fights were erupting all over the Beacon Theatre.

    And Clinton said, ‘Whoa, I see some of you support me and some of you hate me, but all of you love Willie Nelson.’ And the place just erupted. And there’s this meeting ground, and that’s this place where music lives, where it’s beyond language. It’s an empathy generator, you know, and we can hear each other’s souls. And I love it so much.”

    ---

    Ethan Hawke and Ben Dickey will introduce Blaze Friday, August 24 at Landmark River Oaks, 2009 West Gray St. Showtimes are 3:55 pm, 7 pm, and 9:55 pm. Tickets are $11 ($8 children and seniors).

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    Movie Review

    Cookie Queens goes behind the scenes of Girl Scout Cookie season

    Alex Bentley
    Aug 7, 2026 | 4:30 pm
    Cookie Queens
    Photo courtesy of Roadside Attractions
    Girl Scouts in Cookie Queens.

    Few people are strong enough to resist the lure of Girl Scout cookie season every year, with the cookies’ limited availability and unique flavors a strong incentive to indulge. But only the girls and their families who have sold the cookies know the joys and stresses of trying to get people to buy them, a process that is detailed in the new documentary, Cookie Queens.

    The film by documentarian Alysa Nahmias uses the stories of four different girls to represent the nationwide ritual for the Girl Scouts. They include 12-year-old Olive in Charlotte, North Carolina, a longtime top seller; 8-year-old Shannon Elizabeth in El Paso, Texas, who wants to earn the reward of going to camp; 5-year-old Ara in San Diego, California, whose goal is modest compared to most other girls; and 9-year-old Nikki in Chino, California, who has to compete with her older sisters in the cookie-selling bonanza.

    The girls represent a cross-section of both ages and backgrounds, with some girls coming from wealthy families and some girls dealing with more limited means. And how much money your family has makes a big difference, as not only does someone richer have more freedom with their time and supplies, but all scouts are required to reimburse the organization for every box they take in, regardless of whether they’re able to sell it or not.

    That caveat makes the journeys of the four featured girls feel wildly different. It’s clear from the start that Olive and Nikki’s families don’t give a second thought to the personal economics of selling cookies, with each girl taking in thousands of boxes at the beginning of the six-week selling season. With both Olive and Nikki rightfully confident that they’ll have no problem offloading their supply, their stories turn to how selling is personally affecting them, with each trying to reconcile the fun of doing it with the pressure they feel from their family members.

    Shannon Elizabeth’s story is more harrowing, as her parents feel a strong desire to help her accomplish her lofty goal, but worry that the cost might literally be too high for the family as a whole. More than once, the parents are shown fretting that they won’t have the money to pay back what they owe should they fall significantly short in their sales. Their selling approach, which includes walking through an empty swap meet and standing outside a chain restaurant at night, only adds to their stress.

    The most fun story to watch is that of Ara, whose innocence is matched by her confidence. Her parents teach her how much money they’ll owe with her small goal of 55 boxes, but right away she takes on more responsibility than expected. She’s shown making sales pitches and tallying the total number of boxes she’s sold with little-to-no help from either her mom or dad. With her high voice, glasses, and a monitor on her arm to manage her diabetes, she becomes the cute and sympathetic part of the film.

    There are times that the film starts to feel more than a little manipulative, however. While many of the moments documented come off as organic, some of them seem like Nahmias is actively guiding the participants in order to get a better story. This is especially evident with Shannon Elizabeth and her family, whose early struggles turn into a miraculous feel-good story by the end, a turnaround that seems implausible at best. Everything with them might have been aboveboard, but Nahmias and her team edit the family’s journey in a way that pushes a bit too hard for emotion.

    Cookie Queens, which was produced by a company owned by Prince Harry and Meghan Markle, helps to give insight into the business of selling Girl Scout cookies for those who’ve only been on the purchasing end of the transaction. The dedication of each girl toward selling their allotted supply proves fun and interesting, even if the filmmaker tries to gild the lily on occasion.

    ---

    Cookie Queens is now playing in theaters,

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