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    Music to our ears

    Another myth shot to hell: Houston offers a lot of jazz and classical musicoptions

    Sarah Duck Loudermilk
    Aug 17, 2010 | 9:32 am
    • Da Camera will present the Houston premiere of artistic director SarahRothenberg’s latest multi-media production “The Blue Rider: Kandinsky and Music"January 29, 2011.
    • Shepherd School of Music's Pierre Jalbert has been tapped to write his StringQuartet #5 for the esteemed Emerson String Quartet (shown here). The premierescheduled for April 28, 2011.
    • The rolodex of organizations goes from Aperio (chamber music of the Americas)and Ars Lyrica (early music) to Virtuosi (youth chamber orchestra) and YoungAudiences (presenting music and more in our schools). Pictured here, ArsLyrica's Matthew Dirst.
    • Also on Da Camera's schedule: West African jazz guitarist Lionel Loueke willperform Feb. 5, 2011.
    • Israeli jazz clarinetist Anat Cohen plans a Dec. 4 appearance
    • Red Jazz cafe
      Greater Houston Convention and Visitors Bureau

    We’ve all heard the rumors and seen the numerous articles about the death of classical music—and more recently, the reported demise of jazz. The National Endowment for the Arts doesn’t offer encouraging news, either, noting a general decline in public participation in the arts. While these may be trends on the national level, luckily Texas is “like a whole other country.”

    Houston’s flourishing arts scene challenges these skeptics on a daily basis. We have an especially vibrant chamber music and jazz community that continues to be infused by visionary musicians and civic/philanthropic leaders. The rolodex of organizations goes from Aperio (chamber music of the Americas) and Ars Lyrica (early music) to Virtuosi (youth chamber orchestra) and Young Audiences (presenting music and more in our schools). Chamber music and jazz can be found in our neighborhoods, schools, clubs, museums, galleries and major performance halls—anywhere a small ensemble can unpack their instruments and attract an audience.

    So what is the state of the art scene in Houston? Let’s take a look at what a few of our friends are up to…

    • In chamber music this year, our colleagues at the Houston Friends of Chamber Music are celebrating their 50th year with the premiere of a new work commissioned for the occasion.
    • Shepherd School of Music’s Pierre Jalbert has been tapped to write his String Quartet #5 for the esteemed Emerson String Quartet, with the premiere scheduled for April 28, 2011.
    • New music is the name of the game at Musiqa, a relative newcomer to the scene with five seasons under its belt. The artistic board, made up of composers on the faculty at the Shepherd and Moores schools of music, have slated a world premiere from composer Stewart Wallace on Oct. 16. Taken from his San Francisco Opera work The Bonesetter’s Daughter based on the book by Amy Tan, who also did the libretto for the opera, this work is entitled She Told Me This… And, as a nice lead-in don’t miss Amy Tan’s appearance on Inprint’s Margarett Root Brown reading series on Sept. 20.
    • While August is the official jazz appreciation month here in Houston--thanks to our friends at Jazz Education Inc who produce the annual Houston International Jazz Festival presented earlier this month at Discovery Green—in truth every month is jazz appreciation month in Houston! Local clubs, restaurants and bars feature sets from the many jazz luminaries who call Houston home. Artists like Horace Alexander Young, Andre Hayward, Kyle Turner, Bob Henschen, Woody Witt, Mickey Mosely, Horace Grigsby, Kelly Dean, Jose Miguel Yamal, Pamela York are just a handful of the many standouts that can be heard regularly at hotspots like Cezanne, The Red Cat, Truluck’s, Brasil, King Biscuit, Café 4212.
    • Here at Da Camera of Houston, chamber music and jazz are alive and well in the concert hall and in our community. Our season features chamber and jazz musicians from Houston and from around the globe. A few standouts include early music superstar Jordi Savall and soprano Montserrat Figuerras, French string quartet Ebene Quartet, New York’s International Contemporary Ensemble, American pianist Jeremy Denk, Israeli jazz clarinetist Anat Cohen and West African jazz guitarist Lionel Loueke. We also present the Houston premiere of artistic director Sarah Rothenberg’s latest multi-media production “The Blue Rider: Kandinsky and Music,” which received accolades for its New York debut in The New York Times and The Wall Street Journal last fall.

    All of these wonderful music organizations, as well as our colleagues in theater, dance, visual art and literature, commit resources to building audiences of the future by bringing our art forms into area schools and neighborhoods. If you’re not familiar with what’s happening in the Theater or Museum Districts, odds are that your children are up-to-date.

    On any given day, you can find amazing performances, exhibitions, readings and art happenings right here in Houston. And it is all made possible by the generous support of our community—the individual audience members, the dedicated foundations, government entities and culture-conscious corporations.

    Yes the economic downturn has affected us all. We may be leaner, but the artistic quality of what is on our stages, in our galleries and permeating our every day lives has never been richer. This season, take advantage of this cultural bounty that we have right here in our hometown. Become an engaged audience member. Get to know our artists, musicians, composers, writers—and tell your friends around the globe about all that we have to offer right here in Houston.

    Sarah Duck Loudermilk is executive director of Da Camera of Houston.

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    news/entertainment

    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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