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    Music to our ears

    Another myth shot to hell: Houston offers a lot of jazz and classical musicoptions

    Sarah Duck Loudermilk
    Aug 17, 2010 | 9:32 am
    • Da Camera will present the Houston premiere of artistic director SarahRothenberg’s latest multi-media production “The Blue Rider: Kandinsky and Music"January 29, 2011.
    • Shepherd School of Music's Pierre Jalbert has been tapped to write his StringQuartet #5 for the esteemed Emerson String Quartet (shown here). The premierescheduled for April 28, 2011.
    • The rolodex of organizations goes from Aperio (chamber music of the Americas)and Ars Lyrica (early music) to Virtuosi (youth chamber orchestra) and YoungAudiences (presenting music and more in our schools). Pictured here, ArsLyrica's Matthew Dirst.
    • Also on Da Camera's schedule: West African jazz guitarist Lionel Loueke willperform Feb. 5, 2011.
    • Israeli jazz clarinetist Anat Cohen plans a Dec. 4 appearance
    • Red Jazz cafe
      Greater Houston Convention and Visitors Bureau

    We’ve all heard the rumors and seen the numerous articles about the death of classical music—and more recently, the reported demise of jazz. The National Endowment for the Arts doesn’t offer encouraging news, either, noting a general decline in public participation in the arts. While these may be trends on the national level, luckily Texas is “like a whole other country.”

    Houston’s flourishing arts scene challenges these skeptics on a daily basis. We have an especially vibrant chamber music and jazz community that continues to be infused by visionary musicians and civic/philanthropic leaders. The rolodex of organizations goes from Aperio (chamber music of the Americas) and Ars Lyrica (early music) to Virtuosi (youth chamber orchestra) and Young Audiences (presenting music and more in our schools). Chamber music and jazz can be found in our neighborhoods, schools, clubs, museums, galleries and major performance halls—anywhere a small ensemble can unpack their instruments and attract an audience.

    So what is the state of the art scene in Houston? Let’s take a look at what a few of our friends are up to…

    • In chamber music this year, our colleagues at the Houston Friends of Chamber Music are celebrating their 50th year with the premiere of a new work commissioned for the occasion.
    • Shepherd School of Music’s Pierre Jalbert has been tapped to write his String Quartet #5 for the esteemed Emerson String Quartet, with the premiere scheduled for April 28, 2011.
    • New music is the name of the game at Musiqa, a relative newcomer to the scene with five seasons under its belt. The artistic board, made up of composers on the faculty at the Shepherd and Moores schools of music, have slated a world premiere from composer Stewart Wallace on Oct. 16. Taken from his San Francisco Opera work The Bonesetter’s Daughter based on the book by Amy Tan, who also did the libretto for the opera, this work is entitled She Told Me This… And, as a nice lead-in don’t miss Amy Tan’s appearance on Inprint’s Margarett Root Brown reading series on Sept. 20.
    • While August is the official jazz appreciation month here in Houston--thanks to our friends at Jazz Education Inc who produce the annual Houston International Jazz Festival presented earlier this month at Discovery Green—in truth every month is jazz appreciation month in Houston! Local clubs, restaurants and bars feature sets from the many jazz luminaries who call Houston home. Artists like Horace Alexander Young, Andre Hayward, Kyle Turner, Bob Henschen, Woody Witt, Mickey Mosely, Horace Grigsby, Kelly Dean, Jose Miguel Yamal, Pamela York are just a handful of the many standouts that can be heard regularly at hotspots like Cezanne, The Red Cat, Truluck’s, Brasil, King Biscuit, Café 4212.
    • Here at Da Camera of Houston, chamber music and jazz are alive and well in the concert hall and in our community. Our season features chamber and jazz musicians from Houston and from around the globe. A few standouts include early music superstar Jordi Savall and soprano Montserrat Figuerras, French string quartet Ebene Quartet, New York’s International Contemporary Ensemble, American pianist Jeremy Denk, Israeli jazz clarinetist Anat Cohen and West African jazz guitarist Lionel Loueke. We also present the Houston premiere of artistic director Sarah Rothenberg’s latest multi-media production “The Blue Rider: Kandinsky and Music,” which received accolades for its New York debut in The New York Times and The Wall Street Journal last fall.

    All of these wonderful music organizations, as well as our colleagues in theater, dance, visual art and literature, commit resources to building audiences of the future by bringing our art forms into area schools and neighborhoods. If you’re not familiar with what’s happening in the Theater or Museum Districts, odds are that your children are up-to-date.

    On any given day, you can find amazing performances, exhibitions, readings and art happenings right here in Houston. And it is all made possible by the generous support of our community—the individual audience members, the dedicated foundations, government entities and culture-conscious corporations.

    Yes the economic downturn has affected us all. We may be leaner, but the artistic quality of what is on our stages, in our galleries and permeating our every day lives has never been richer. This season, take advantage of this cultural bounty that we have right here in our hometown. Become an engaged audience member. Get to know our artists, musicians, composers, writers—and tell your friends around the globe about all that we have to offer right here in Houston.

    Sarah Duck Loudermilk is executive director of Da Camera of Houston.

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    Movie Review

    Timothée Chalamet cements star status in new movie Marty Supreme

    Alex Bentley
    Dec 23, 2025 | 4:30 pm
    Timothée Chalamet
    Courtesy
    Timothée Chalamet

    In a time when true movie stars seem to be going extinct, Timothée Chalamet has emerged as an exception to the rule. Since 2021 he has headlined blockbusters like the two Dune movies and Wonka, and also earned an Oscar nomination for playing Bob Dylan in A Complete Unknown (his second nomination following 2018’s Call Me By Your Name). Now, he’s almost assured to get his third nomination for the stellar new film, Marty Supreme.

    Chalamet plays Marty Mauser, a world-class table tennis player living in New York. But reducing Marty to his best skill doesn’t do him justice, as he’s also a motormouth schemer who will do almost anything to achieve his dreams. He doesn’t have any qualms about wooing married women like neighbor Rachel (Odessa A’zion) or actress Kay Stone (Gwyneth Paltrow), or hiding his true ping pong skills to win money in scams with friends like Wally (Tyler the Creator).

    Marty is seemingly on the go the entire movie, whether it’s trying to convince Kay’s millionaire husband Milton Rockwell (Kevin O’Leary) to fund his table tennis ambitions; or trying to track down the dog of Ezra (Abel Ferrara), a man he accidentally injures; or trying to avoid the ire of the boss at the shoe store where he works. Just when you think he might slow down, he’s off to the races on another plan or adventure.

    Directed by Josh Safdie and written by Safdie and frequent co-writer Ronald Bronstein, the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives, and yet the throughline of Marty keeps everything tightly connected. His particular type of brash behavior turns much of the film into a comedy as he does and says things that are both shocking and thrilling.

    Another thing that makes the movie sing is the fantastic characterization by Safdie and Bronstein. Almost every person who is given a speaking line in the film has a moment where they pop, which speaks to airtight dialogue that the writers have created. Characters will be introduced and then disappear for long stretches of time, and yet because they make such an impression the first time they’re on screen, it’s easy to pick up their thread right away.

    Safdie, as he’s done previously with brother Bennie (Uncut Gems), calls on a host of well-known non-actors or people with interesting faces/vibes to inhabit supporting roles, and to a person they are crucial to the film’s success. O’Leary (of Shark Tank fame), rapper Tyler the Creator, director Ferrara, magician Penn Jillette, and fashion designer Isaac Mizrahi each deliver knockout performances. The relative unknowns who play smaller roles are just as impressive, making each beat of the film feel naturalistic.

    Leading the way is the powerhouse performance by Chalamet. For one person to believably play both the famously reserved Dylan and also a firecracker like Marty is astonishing, and this role cements Chalamet’s status as his generation’s movie star. A’zion is a rising star who gets great moments as Marty’s on-again/off-again love interest. Paltrow pops in and out of the film, lighting up the screen every time she appears. Fran Drescher as Marty’s mom and Sandra Bernhard as a neighbor also pay dividends in small roles.

    Josh Safdie’s first solo directorial effort is unlike any other movie this year, or maybe even this century. Thanks to its breakneck storytelling, a magnificent performance by Chalamet, and countless intangibles that Safdie employs expertly, the film smacks viewers in the face repeatedly and demands that they come back for more.

    ---

    Marty Supreme opens in theaters on December 25.

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