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    Music to our ears

    Another myth shot to hell: Houston offers a lot of jazz and classical musicoptions

    Sarah Duck Loudermilk
    Aug 17, 2010 | 9:32 am
    • Da Camera will present the Houston premiere of artistic director SarahRothenberg’s latest multi-media production “The Blue Rider: Kandinsky and Music"January 29, 2011.
    • Shepherd School of Music's Pierre Jalbert has been tapped to write his StringQuartet #5 for the esteemed Emerson String Quartet (shown here). The premierescheduled for April 28, 2011.
    • The rolodex of organizations goes from Aperio (chamber music of the Americas)and Ars Lyrica (early music) to Virtuosi (youth chamber orchestra) and YoungAudiences (presenting music and more in our schools). Pictured here, ArsLyrica's Matthew Dirst.
    • Also on Da Camera's schedule: West African jazz guitarist Lionel Loueke willperform Feb. 5, 2011.
    • Israeli jazz clarinetist Anat Cohen plans a Dec. 4 appearance
    • Red Jazz cafe
      Greater Houston Convention and Visitors Bureau

    We’ve all heard the rumors and seen the numerous articles about the death of classical music—and more recently, the reported demise of jazz. The National Endowment for the Arts doesn’t offer encouraging news, either, noting a general decline in public participation in the arts. While these may be trends on the national level, luckily Texas is “like a whole other country.”

    Houston’s flourishing arts scene challenges these skeptics on a daily basis. We have an especially vibrant chamber music and jazz community that continues to be infused by visionary musicians and civic/philanthropic leaders. The rolodex of organizations goes from Aperio (chamber music of the Americas) and Ars Lyrica (early music) to Virtuosi (youth chamber orchestra) and Young Audiences (presenting music and more in our schools). Chamber music and jazz can be found in our neighborhoods, schools, clubs, museums, galleries and major performance halls—anywhere a small ensemble can unpack their instruments and attract an audience.

    So what is the state of the art scene in Houston? Let’s take a look at what a few of our friends are up to…

    • In chamber music this year, our colleagues at the Houston Friends of Chamber Music are celebrating their 50th year with the premiere of a new work commissioned for the occasion.
    • Shepherd School of Music’s Pierre Jalbert has been tapped to write his String Quartet #5 for the esteemed Emerson String Quartet, with the premiere scheduled for April 28, 2011.
    • New music is the name of the game at Musiqa, a relative newcomer to the scene with five seasons under its belt. The artistic board, made up of composers on the faculty at the Shepherd and Moores schools of music, have slated a world premiere from composer Stewart Wallace on Oct. 16. Taken from his San Francisco Opera work The Bonesetter’s Daughter based on the book by Amy Tan, who also did the libretto for the opera, this work is entitled She Told Me This… And, as a nice lead-in don’t miss Amy Tan’s appearance on Inprint’s Margarett Root Brown reading series on Sept. 20.
    • While August is the official jazz appreciation month here in Houston--thanks to our friends at Jazz Education Inc who produce the annual Houston International Jazz Festival presented earlier this month at Discovery Green—in truth every month is jazz appreciation month in Houston! Local clubs, restaurants and bars feature sets from the many jazz luminaries who call Houston home. Artists like Horace Alexander Young, Andre Hayward, Kyle Turner, Bob Henschen, Woody Witt, Mickey Mosely, Horace Grigsby, Kelly Dean, Jose Miguel Yamal, Pamela York are just a handful of the many standouts that can be heard regularly at hotspots like Cezanne, The Red Cat, Truluck’s, Brasil, King Biscuit, Café 4212.
    • Here at Da Camera of Houston, chamber music and jazz are alive and well in the concert hall and in our community. Our season features chamber and jazz musicians from Houston and from around the globe. A few standouts include early music superstar Jordi Savall and soprano Montserrat Figuerras, French string quartet Ebene Quartet, New York’s International Contemporary Ensemble, American pianist Jeremy Denk, Israeli jazz clarinetist Anat Cohen and West African jazz guitarist Lionel Loueke. We also present the Houston premiere of artistic director Sarah Rothenberg’s latest multi-media production “The Blue Rider: Kandinsky and Music,” which received accolades for its New York debut in The New York Times and The Wall Street Journal last fall.

    All of these wonderful music organizations, as well as our colleagues in theater, dance, visual art and literature, commit resources to building audiences of the future by bringing our art forms into area schools and neighborhoods. If you’re not familiar with what’s happening in the Theater or Museum Districts, odds are that your children are up-to-date.

    On any given day, you can find amazing performances, exhibitions, readings and art happenings right here in Houston. And it is all made possible by the generous support of our community—the individual audience members, the dedicated foundations, government entities and culture-conscious corporations.

    Yes the economic downturn has affected us all. We may be leaner, but the artistic quality of what is on our stages, in our galleries and permeating our every day lives has never been richer. This season, take advantage of this cultural bounty that we have right here in our hometown. Become an engaged audience member. Get to know our artists, musicians, composers, writers—and tell your friends around the globe about all that we have to offer right here in Houston.

    Sarah Duck Loudermilk is executive director of Da Camera of Houston.

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    Movie Review

    Reminders of Him taps into grief, grace, and the power of moving on

    Alex Bentley
    Mar 13, 2026 | 10:30 am
    Maika Monroe and Tyriq Withers in Reminders of HIm
    Photo by Michelle Faye / Universal Pictures
    Maika Monroe and Tyriq Withers in Reminders of HIm.

    Texas author Colleen Hoover has gone from being a popular writer to a full-on celebrity in the 2020s. The new film Reminders of Him marks the third adaptation of her books in just 19 months (a fourth, Verity, is scheduled for release in October 2026). All of her books that have been adapted so far — most notably It Ends With Us — are female-led stories that feature elements of romance and trauma, catnip for studios looking to appeal to the underserved demographic of women.

    Leading the way in this film is Kenna Rowan (Maika Monroe), who returns to her hometown of Laramie, Wyoming after spending years in prison for killing her boyfriend, Scotty (Rudy Pankow), in a car accident. That relationship resulted in a daughter, Diem (Zoe Kosovic), whom Kenna gave birth to while imprisoned and is now being raised by her grandparents, Patrick (Bradley Whitford) and Grace (Lauren Graham).

    Yearning to be a part of Diem’s life, Kenna tries to reconnect with Patrick and Grace, only to be rebuffed by Scotty’s best friend, Ledger (Tyriq Withers), a former NFL player who now owns a local bar. In running interference, Ledger starts to become closer to Kenna, discovering that her tragic mistake shouldn’t be the only thing that defines her.

    Directed by Vanessa Caswill and written by Lauren Levine, the film features mostly surface level examinations of its themes and average performances, yet it winds up being effective thanks to a willingness not to rush through its storytelling beats. The filmmakers take the slow and steady approach toward the coupling of Kenna and Ledger, setting up their bond through a series of heart-to-heart conversations that makes any romance feel earned.

    The majority of the focus is on Kenna reclaiming her place in the world, and on Ledger coming to terms with the fact that the person who killed his best friend is not inherently a bad person. The film definitely could have gone deeper in its explorations of grief and anger, but the sheer amount of time it takes in addressing the characters’ doubts and fears turns out to be sufficient for a film that’s not aiming to be considered a dramatic masterpiece.

    It also helps that Caswill and Levine do a solid job of establishing the variety of characters that inhabit the film. Kenna and Ledger don’t always feel like fully-formed people, but they become so through their interactions with each other and the other townspeople. Lady Diana (Monika Myers), a girl with Down syndrome who lives in Kenna’s apartment complex, and Roman (Nicholas Duvernay), Ledger’s co-worker at his bar, help to broaden the appeal of the two leads.

    Monroe has, to this point, been best known for starring roles in horror films like It Follows and Longlegs. While she does somewhat well in this role, her delivery is often more flat than you’d expect for a character going through what she does. Withers thankfully doesn’t remind viewers of his recent bomb Him, demonstrating a crossover appeal that should serve him well in the future. Whitford and Graham don’t get to do much, but their combined experience gives their roles exactly what is needed.

    It may sound like damning with faint praise, but Reminders of Him is a competently made film that knows how to serve its core audience without insulting anyone who may not automatically be all-in for such a story. The filmmakers don’t try to force any of the key moments down the audience’s throat, and that stands out in a genre that’s not always known for its subtlety.

    ---

    Reminders of Him opens in theaters on March 13.

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