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    dark day

    Day for Night festival co-founder Omar Afra ousted following assault accusations

    Johnston Farrow
    Johnston Farrow
    Aug 13, 2018 | 6:05 am

    The future of the internationally acclaimed Day for Night multimedia music festival is in serious jeopardy following claims of sexual assault and workplace harassment against co-founder and executive director, Omar Afra.

    Day for Night creditors removed him from the position on August 12 when posts by three women came to light via Facebook. Afra promptly responded to the allegations via his Facebook page, acknowledging he'd be stepping down from his duties with the festival as well as his publisher position with the online publication, Free Press Houston.

    The claims came to light late on August 9 in public social media posts by two women, Veronica Ramos and Phoenix Hamilton, both who described, in sometimes graphic language, accounts of sexual assault by Afra. The posts included screenshots of what appeared to be texts written by Afra as well as a sworn affidavit by Hamilton of the events that occurred.

    Hamilton and Ramos shared a link to a Google doc named Healing and Transformations are Possible for those who wish to share any similar experiences they may have had with Afra.

    Their accounts were followed by an allegation of workplace harassment by Amanda Hart, who formerly did work for Free Press Houston, on her Facebook account. “I have personally seen him cultivate a toxic work environment where people are manipulated, mistreated and abused emotionally,” she said.

    Afra has vowed to fight the allegations, claiming that they are “patently false.” He took to Facebook in response: “It would do no justice to anyone for me to capitulate to lies and fabrications. There is so much more to know about this coordinated attempt but this is clearly not the forum to do so. If I am to move forward on a path of true integrity I need to apologize for what were bad decisions but fight falsehoods tooth and nail.”

    The festival founder declined an interview, but supplied CultureMap with an additional statement.

    What these women are claiming is patently false. This will be proven with screenshots, video, and correspondence. We believe their affidavits were falsified and perjured and I believe we have supporting evidence. More importantly, HPD and DA’s office quickly disposed of these claims almost instantaneously. What they claimed was clearly not sexual assault and the rule of law very quickly made that judgement.

    Day for Night responded on August 12 in a short statement on its Facebook page, stating that creditors had foreclosed on Day for Night ownership, thereby removing Afra from his position with the festival. Marini van Smirren, who is listed as general manager of Day for Night on her LinkedIn page, offered this statement to CultureMap.

    “We at Day for Night find it inappropriate to discuss the future of the festival at this time. We want to give this space to those who are dealing with this traumatic event. Thank you.”

    Day for Night started in 2015 and received widespread praise for its expertly curated, varied line-up of music acts and cutting-edge visual artists. By attracting huge names such as Nine Inch Nails, Thom Yorke, Kendrick Lamar, New Order, Bjork, and more, it gained attention from international music press, including Rolling Stone, Pitchfork, and many others. Online music publication, Consequence of Sound, included Day for Night on its Top 100 Music Festival Lineups of All-Time earlier this year, a huge accolade for a Houston-based event seen as an fresh alternative to the country-and-western flavor of RodeoHouston.

    There is no indication of how Afra’s ouster will affect the future of the festival. No dates or lineup has been announced for 2018. Programming, planning, and booking artists often take place months before a festival date. There is no word on how long organizers and creditors knew about the allegations leveled against Afra.

    The fallout of the allegations has been swift in other ways in what are sure to be the first shockwaves throughout the Houston music community. On August 11, Girls Rock Camp Houston, a music non-profit dedicated to empowering girls and women through musical education, and beneficiary of monetary donations and event partnership with Afra, also cut all ties.

    “It probably is because we have had a relationship with Omar that even while we are sickened by what we have learned and wanting to see justice for these and all women, we also want him to get help,” the post on the group’s Facebook page said. “We want him to realize this behavior is wrong and change. We want all men to realize this behavior is wrong and change.”

    Co-founder Omar Afra has been removed as executive director of the Day for Night festival.

    Dutch Small Omar Afra Our Vodka
    Photo by Blair Truesdell
    Co-founder Omar Afra has been removed as executive director of the Day for Night festival.
    concertsmusicreportsfestivals
    news/entertainment

    Movie Review

    New horror movie Faces of Death puts a modern twist on cult classic

    Alex Bentley
    Apr 10, 2026 | 4:00 pm
    Dacre Montgomery in Faces of Death
    Photo courtesy of of IFC Films
    Dacre Montgomery in Faces of Death.

    True horror fans will likely be familiar with the 1978 cult film Faces of Death, which purported to be a documentary showing real-life killings in gory detail. It didn’t, of course, but that didn’t stop rumors from continuing to spread for decades. Now, almost 50 years and multiple sequels later, comes a new version of Faces of Death, an actual movie that pays homage to the original in interesting ways.

    Margot (Barbie Ferreira) works at a YouTube-like company called Kino as a content moderator, flagging videos that violate the company’s policies. This means her job often involves seeing some truly despicable things from all manner of depraved people. One day, though, she comes across a video that seems a little too real, and after seeing more similar videos, she starts to believe they’re genuine murders.

    Going against her company NDA, she starts to investigate the videos on her own, which puts her on the radar of Arthur (Dacre Montgomery), who is actually kidnapping people and killing them on camera through methods seen in the original Faces of Death film. It’s not long before Arthur tracks her down, with a plan to make her one of his next victims.

    Written and directed by Daniel Goldhaber (How to Blow Up a Pipeline) and co-written by Isa Mazzei, the film is not so much scary as it is creepy, with the occasional gross-out sequence. The idea of having someone emulate the killings in the cult film is a good idea, and pairing it with the modern-day attention economy — in which content creators go to increasing lengths for clicks — is a clever twist on a concept that other films have done.

    The film as a whole is a commentary on how social media and video sharing sites have often decided to prioritize profits over the well-being of their users. Margot is shown allowing videos involving violence and sexual assault to stay on the site while nixing ones depicting how to use Narcan or demonstrating putting on a condom on a banana. Josh (Jermaine Fowler), Margot’s boss, is even explicit in the company mandate that outrageous videos drive views.

    While Arthur has the makings of a good villain, there are few attempts to make him seem truly diabolical. His kidnappings often seem more spur-of-the-moment than calculated, and even though he has a well thought-out dungeon at home, the house’s location in the suburbs seems to make him vulnerable to easy discovery. Goldhaber and Mazzei leave more than a few unanswered questions along the way that take away from the intensity of the story.

    Ferreira is yet another actor from Euphoria who’s capitalizing on her exposure from that show. She plays Margot’s increasing anxiety well, and when the action ratchets up in the final act, she meets the moment in a satisfying way. Montgomery returns to the vibe he had while playing the evil Billy on Stranger Things, and even though his character doesn’t fully live up to his potential, Montgomery sells his evil for all it’s worth.

    The new Faces of Death may not be what some are expecting given the reputation of the previous films, but it’s a solid horror/thriller that uses the brand as a launching pad into something different. It doesn’t make much of a dent in the scare department, but it does give its violence and gore a degree of relevance in today’s often desensitized world.

    ---

    Faces of Death is now playing in theaters.

    moviesfilm
    news/entertainment

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