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    dark day

    Day for Night festival co-founder Omar Afra ousted following assault accusations

    Johnston Farrow
    Johnston Farrow
    Aug 13, 2018 | 6:05 am

    The future of the internationally acclaimed Day for Night multimedia music festival is in serious jeopardy following claims of sexual assault and workplace harassment against co-founder and executive director, Omar Afra.

    Day for Night creditors removed him from the position on August 12 when posts by three women came to light via Facebook. Afra promptly responded to the allegations via his Facebook page, acknowledging he'd be stepping down from his duties with the festival as well as his publisher position with the online publication, Free Press Houston.

    The claims came to light late on August 9 in public social media posts by two women, Veronica Ramos and Phoenix Hamilton, both who described, in sometimes graphic language, accounts of sexual assault by Afra. The posts included screenshots of what appeared to be texts written by Afra as well as a sworn affidavit by Hamilton of the events that occurred.

    Hamilton and Ramos shared a link to a Google doc named Healing and Transformations are Possible for those who wish to share any similar experiences they may have had with Afra.

    Their accounts were followed by an allegation of workplace harassment by Amanda Hart, who formerly did work for Free Press Houston, on her Facebook account. “I have personally seen him cultivate a toxic work environment where people are manipulated, mistreated and abused emotionally,” she said.

    Afra has vowed to fight the allegations, claiming that they are “patently false.” He took to Facebook in response: “It would do no justice to anyone for me to capitulate to lies and fabrications. There is so much more to know about this coordinated attempt but this is clearly not the forum to do so. If I am to move forward on a path of true integrity I need to apologize for what were bad decisions but fight falsehoods tooth and nail.”

    The festival founder declined an interview, but supplied CultureMap with an additional statement.

    What these women are claiming is patently false. This will be proven with screenshots, video, and correspondence. We believe their affidavits were falsified and perjured and I believe we have supporting evidence. More importantly, HPD and DA’s office quickly disposed of these claims almost instantaneously. What they claimed was clearly not sexual assault and the rule of law very quickly made that judgement.

    Day for Night responded on August 12 in a short statement on its Facebook page, stating that creditors had foreclosed on Day for Night ownership, thereby removing Afra from his position with the festival. Marini van Smirren, who is listed as general manager of Day for Night on her LinkedIn page, offered this statement to CultureMap.

    “We at Day for Night find it inappropriate to discuss the future of the festival at this time. We want to give this space to those who are dealing with this traumatic event. Thank you.”

    Day for Night started in 2015 and received widespread praise for its expertly curated, varied line-up of music acts and cutting-edge visual artists. By attracting huge names such as Nine Inch Nails, Thom Yorke, Kendrick Lamar, New Order, Bjork, and more, it gained attention from international music press, including Rolling Stone, Pitchfork, and many others. Online music publication, Consequence of Sound, included Day for Night on its Top 100 Music Festival Lineups of All-Time earlier this year, a huge accolade for a Houston-based event seen as an fresh alternative to the country-and-western flavor of RodeoHouston.

    There is no indication of how Afra’s ouster will affect the future of the festival. No dates or lineup has been announced for 2018. Programming, planning, and booking artists often take place months before a festival date. There is no word on how long organizers and creditors knew about the allegations leveled against Afra.

    The fallout of the allegations has been swift in other ways in what are sure to be the first shockwaves throughout the Houston music community. On August 11, Girls Rock Camp Houston, a music non-profit dedicated to empowering girls and women through musical education, and beneficiary of monetary donations and event partnership with Afra, also cut all ties.

    “It probably is because we have had a relationship with Omar that even while we are sickened by what we have learned and wanting to see justice for these and all women, we also want him to get help,” the post on the group’s Facebook page said. “We want him to realize this behavior is wrong and change. We want all men to realize this behavior is wrong and change.”

    Co-founder Omar Afra has been removed as executive director of the Day for Night festival.

    Dutch Small Omar Afra Our Vodka
    Photo by Blair Truesdell
    Co-founder Omar Afra has been removed as executive director of the Day for Night festival.
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    Movie Review

    Five Nights at Freddy’s 2 doesn't match the first movie's enthusiasm

    Alex Bentley
    Dec 4, 2025 | 3:45 pm
    Five Nights at Freddy's 2
    Blumhouse
    Five Nights at Freddy's 2.

    Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films like M3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.

    Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).

    A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.

    Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.

    Unfortunately, more often than not they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.

    It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.

    Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.

    Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.

    ---

    Five Nights at Freddy's 2 opens in theaters on December 5.

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