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    Eyes for another

    Yes, Lauren Froderman won & Ellen stole spotlight, but what about that PashaKovalev on So You Think You Can Dance?

    Theodore Bale
    Aug 12, 2010 | 11:20 pm
    • Who could keep their eyes on the winner with Pasha Kovalev's impressive ...dance technique?
    • Lauren Froderman is the last dancer standing.
    • Ellen Degeneres (who has plenty of dance experience on her own show) did herbest to steal the spotlight on the So You Think You Can Dance finale.

    Thursday night, live from Hollywood, it was the eagerly anticipated season finale of So You Think You Can Dance, and I tried to fall in with all the excitement when Lauren Froderman was announced as America’s favorite dancer.

    But I couldn’t contemplate this disappointing forest for its tiniest of trees. “That last name is going to a problem,” I thought to myself as glitter and confetti poured around her and the cast of losers ran to offer hugs and kisses.

    Lauren Freedman? Lauren Frye? Lauren del Mar?

    Yes, I’ve probably watched too many Hollywood movie musicals. But there’s got to be a better stage name for the young woman who danced her way to the top. Otherwise she’s going to be confused with a Tolkien character.

    I suppose I was still fuming from Wednesday night’s episode, when the ever-fickle judge Mia Michaels said that she liked Lauren’s balance of masculine and feminine. The comment burned through me, because only a few weeks ago Nigel told the talented young Billy that America wasn’t going for his “androgynous style.”

    So why was it so much better coming from Lauren? Even more problematic, I don’t think it’s true. David Bowie was androgynous. Grace Jones was androgynous. I don’t find any evidence that Lauren Froderman is the least bit gender-bending.

    After Mia called Lauren “filthy” (a term of praise here), the wholesome Lauren said that all season long, the choreographers have wanted to portray her as a “man-eater.” And then Mia said that Lauren hasn’t done one bad dance yet, adding that if she were still dancing, “I would want to achieve to be that.”

    Oh, the hyperbole, Mia. I wish you would learn, as per your weekly mantra, “to own that.”

    The dance that seemed to put Lauren over the edge on Wednesday, the one that catapulted her into the god-realm of popular dance, was a smoky tango with all-star Pasha Kovalev. Judge Adam Shankman remarked that she understood every rhythm, every note, characterizing her interpretation as “exhibition-style perfect.”

    And now is the time I must admit that as a dance critic and a gay man, I can’t take my eyes off of Pasha. Yes, I confess that during this routine, Lauren was relegated to my periphery. Please don’t get me wrong — I don’t have anything against Lauren— but I adore Pasha. And I am just not seeing the emperor’s new clothes when Lauren takes the stage.

    The only female dancer who can put Pasha in the palm of her hand is the brilliant all-star Anya Garnis. When Anya is on stage with Pasha, I no longer play moth to his flame, but it will take Lauren years to get to Anya’s level.

    Only the coldest heart wouldn’t wish Lauren well as her career is certain to sky-rocket. Lauren, I salute you. You are sweet, confident, versatile and strong. But artistry will take more time, and you’re going to be sidetracked with other things over the coming months, like endorsing Gatorade. Lauren’s first trophy after the news broke was a bit of a letdown: A plastic bottle filled with energy drink, bearing her likeness on the label.

    Stay on track, Lauren, and find a good massage therapist.

    And despite my mixed feelings at the outcome, the finale was thrilling in so many other ways. Each of the seven judges picked a favorite number, which was performed as a live encore for the enthusiastic audience. There were plenty of montages centered on the laughter and the tears. Black Gold showed up to sing Shine in person. A 7-year-old named Luke tapped his little heart out, and the stunning Quest Crew demonstrated their awe-inspiring skills at dancing and ensemble choreography.

    Ellen Degeneres made a cameo appearance in a hip hop number with the glorious Twitch, filling in for a post-surgery Alex Wong. It seemed cute until it became evident that Ellen was acting with a twist, stealing some thunder from the proceedings to promote her own career, no doubt.

    By this point everyone knows that Degeneres has declined to return to American Idol. Is she trying to horn her way onto So You Think You Can Dance?

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    Movie Review

    Billie Eilish takes fans behind the scenes in immersive 3D tour film

    Alex Bentley
    May 7, 2026 | 3:30 pm
    Billie Eilish in Billie Eilish: Hit Me Hard and Soft - The Tour Live in 3D
    Photo by Henry Hwu/courtesy of Paramount Pictures
    Billie Eilish in Billie Eilish: Hit Me Hard and Soft - The Tour Live in 3D.

    In 2021, at the tender age of 19, singer Billie Eilish was already the subject of a documentary, The World’s a Little Blurry. At that point, she had only released one album, so the film threatened to feel too early for such treatment. The ensuing five years have only made her a bigger star, though, so in many ways that movie now feels prescient for the person on display in the new concert documentary with the unwieldy title of Billie Eilish: Hit Me Hard and Soft - The Tour Live in 3D.

    Directed by Eilish and blockbuster filmmaker James Cameron, the film takes viewers inside Eilish’s 2024-2025 tour in support of her latest album, 2023’s Hit Me Hard and Soft. Filmed mostly at her series of shows in Manchester, England, the movie is a showcase for Eilish’s music, but it also serves as a smaller exploration of the type of person she is, as well as the impact she has had on her legion of fans.

    The draw of the film is the use of Cameron’s beloved 3D technology, which he has employed in each of the three Avatar films. Unlike in those films, where the 3D has the odd effect of making the visuals too realistic for their own good, the technique brings an intimacy to the large-scale show that underscores the unique bond the singer has with her supporters.

    Eilish and Cameron go back and forth between performances at the concert to behind-the-scenes sequences, detailing the enormous effort it takes to put on a show like that and how Eilish spends her time getting ready for it. As in The World’s a Little Blurry, this film continues to portray the singer as down-to-Earth, someone who yearns to maintain the connection to her fans that she’s had since she released her first single, “Ocean Eyes,” 10 years ago.

    And as the many emotional songs in Eilish’s concert playlist prove, the feeling from the crowd is mutual. While Eilish has multiple bangers like “Bad Guy,” “Therefore I Am,” and the Charli XCX collaboration “Guess,” it’s the sad songs like “Everything I Wanted,” “Happier Than Ever,” and the Oscar-winning Barbie anthem, “What Was I Made For?” that hit the hardest. The depth of feeling emanating from her many sobbing fans singing along to crushing songs cannot be understated.

    For audiences of the film, though, it’s the breadth of camera angles and shot choices that make it truly dynamic. There are cameras everywhere, including in the crowd, inside a cube at the center of the stage that rises and descends, following Eilish as she traipses every inch of the long, rectangular stage, and even a small one Eilish uses to bring an extra personal touch to the in-arena screen. Combined, they capture the complete energy of the concert, something that is not always the case in a film of this type.

    Eilish has almost as many movies — two — as she does albums — three — which borders on overkill for a singer of her age. But both her music and the movies show her to be a person who knows the responsibility of being a celebrity, someone who understands that her fans are the reason she’s famous at all. Her career may go up or down from here, but it’s clear she’s already made a huge impact on those who love her most.

    ---

    Billie Eilish: Hit Me Hard and Soft - The Tour Live in 3D opens in theaters on May 8.

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