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    Eyes for another

    Yes, Lauren Froderman won & Ellen stole spotlight, but what about that PashaKovalev on So You Think You Can Dance?

    Theodore Bale
    Aug 12, 2010 | 11:20 pm
    • Who could keep their eyes on the winner with Pasha Kovalev's impressive ...dance technique?
    • Lauren Froderman is the last dancer standing.
    • Ellen Degeneres (who has plenty of dance experience on her own show) did herbest to steal the spotlight on the So You Think You Can Dance finale.

    Thursday night, live from Hollywood, it was the eagerly anticipated season finale of So You Think You Can Dance, and I tried to fall in with all the excitement when Lauren Froderman was announced as America’s favorite dancer.

    But I couldn’t contemplate this disappointing forest for its tiniest of trees. “That last name is going to a problem,” I thought to myself as glitter and confetti poured around her and the cast of losers ran to offer hugs and kisses.

    Lauren Freedman? Lauren Frye? Lauren del Mar?

    Yes, I’ve probably watched too many Hollywood movie musicals. But there’s got to be a better stage name for the young woman who danced her way to the top. Otherwise she’s going to be confused with a Tolkien character.

    I suppose I was still fuming from Wednesday night’s episode, when the ever-fickle judge Mia Michaels said that she liked Lauren’s balance of masculine and feminine. The comment burned through me, because only a few weeks ago Nigel told the talented young Billy that America wasn’t going for his “androgynous style.”

    So why was it so much better coming from Lauren? Even more problematic, I don’t think it’s true. David Bowie was androgynous. Grace Jones was androgynous. I don’t find any evidence that Lauren Froderman is the least bit gender-bending.

    After Mia called Lauren “filthy” (a term of praise here), the wholesome Lauren said that all season long, the choreographers have wanted to portray her as a “man-eater.” And then Mia said that Lauren hasn’t done one bad dance yet, adding that if she were still dancing, “I would want to achieve to be that.”

    Oh, the hyperbole, Mia. I wish you would learn, as per your weekly mantra, “to own that.”

    The dance that seemed to put Lauren over the edge on Wednesday, the one that catapulted her into the god-realm of popular dance, was a smoky tango with all-star Pasha Kovalev. Judge Adam Shankman remarked that she understood every rhythm, every note, characterizing her interpretation as “exhibition-style perfect.”

    And now is the time I must admit that as a dance critic and a gay man, I can’t take my eyes off of Pasha. Yes, I confess that during this routine, Lauren was relegated to my periphery. Please don’t get me wrong — I don’t have anything against Lauren— but I adore Pasha. And I am just not seeing the emperor’s new clothes when Lauren takes the stage.

    The only female dancer who can put Pasha in the palm of her hand is the brilliant all-star Anya Garnis. When Anya is on stage with Pasha, I no longer play moth to his flame, but it will take Lauren years to get to Anya’s level.

    Only the coldest heart wouldn’t wish Lauren well as her career is certain to sky-rocket. Lauren, I salute you. You are sweet, confident, versatile and strong. But artistry will take more time, and you’re going to be sidetracked with other things over the coming months, like endorsing Gatorade. Lauren’s first trophy after the news broke was a bit of a letdown: A plastic bottle filled with energy drink, bearing her likeness on the label.

    Stay on track, Lauren, and find a good massage therapist.

    And despite my mixed feelings at the outcome, the finale was thrilling in so many other ways. Each of the seven judges picked a favorite number, which was performed as a live encore for the enthusiastic audience. There were plenty of montages centered on the laughter and the tears. Black Gold showed up to sing Shine in person. A 7-year-old named Luke tapped his little heart out, and the stunning Quest Crew demonstrated their awe-inspiring skills at dancing and ensemble choreography.

    Ellen Degeneres made a cameo appearance in a hip hop number with the glorious Twitch, filling in for a post-surgery Alex Wong. It seemed cute until it became evident that Ellen was acting with a twist, stealing some thunder from the proceedings to promote her own career, no doubt.

    By this point everyone knows that Degeneres has declined to return to American Idol. Is she trying to horn her way onto So You Think You Can Dance?

    unspecified
    news/entertainment

    Movie Review

    Timothée Chalamet cements star status in new movie Marty Supreme

    Alex Bentley
    Dec 23, 2025 | 4:30 pm
    Timothée Chalamet
    Courtesy
    Timothée Chalamet

    In a time when true movie stars seem to be going extinct, Timothée Chalamet has emerged as an exception to the rule. Since 2021 he has headlined blockbusters like the two Dune movies and Wonka, and also earned an Oscar nomination for playing Bob Dylan in A Complete Unknown (his second nomination following 2018’s Call Me By Your Name). Now, he’s almost assured to get his third nomination for the stellar new film, Marty Supreme.

    Chalamet plays Marty Mauser, a world-class table tennis player living in New York. But reducing Marty to his best skill doesn’t do him justice, as he’s also a motormouth schemer who will do almost anything to achieve his dreams. He doesn’t have any qualms about wooing married women like neighbor Rachel (Odessa A’zion) or actress Kay Stone (Gwyneth Paltrow), or hiding his true ping pong skills to win money in scams with friends like Wally (Tyler the Creator).

    Marty is seemingly on the go the entire movie, whether it’s trying to convince Kay’s millionaire husband Milton Rockwell (Kevin O’Leary) to fund his table tennis ambitions; or trying to track down the dog of Ezra (Abel Ferrara), a man he accidentally injures; or trying to avoid the ire of the boss at the shoe store where he works. Just when you think he might slow down, he’s off to the races on another plan or adventure.

    Directed by Josh Safdie and written by Safdie and frequent co-writer Ronald Bronstein, the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives, and yet the throughline of Marty keeps everything tightly connected. His particular type of brash behavior turns much of the film into a comedy as he does and says things that are both shocking and thrilling.

    Another thing that makes the movie sing is the fantastic characterization by Safdie and Bronstein. Almost every person who is given a speaking line in the film has a moment where they pop, which speaks to airtight dialogue that the writers have created. Characters will be introduced and then disappear for long stretches of time, and yet because they make such an impression the first time they’re on screen, it’s easy to pick up their thread right away.

    Safdie, as he’s done previously with brother Bennie (Uncut Gems), calls on a host of well-known non-actors or people with interesting faces/vibes to inhabit supporting roles, and to a person they are crucial to the film’s success. O’Leary (of Shark Tank fame), rapper Tyler the Creator, director Ferrara, magician Penn Jillette, and fashion designer Isaac Mizrahi each deliver knockout performances. The relative unknowns who play smaller roles are just as impressive, making each beat of the film feel naturalistic.

    Leading the way is the powerhouse performance by Chalamet. For one person to believably play both the famously reserved Dylan and also a firecracker like Marty is astonishing, and this role cements Chalamet’s status as his generation’s movie star. A’zion is a rising star who gets great moments as Marty’s on-again/off-again love interest. Paltrow pops in and out of the film, lighting up the screen every time she appears. Fran Drescher as Marty’s mom and Sandra Bernhard as a neighbor also pay dividends in small roles.

    Josh Safdie’s first solo directorial effort is unlike any other movie this year, or maybe even this century. Thanks to its breakneck storytelling, a magnificent performance by Chalamet, and countless intangibles that Safdie employs expertly, the film smacks viewers in the face repeatedly and demands that they come back for more.

    ---

    Marty Supreme opens in theaters on December 25.

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