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    Guns N' Roses Review

    H-Town is Paradise City for Guns N' Roses, but the night belongs to Slash

    Eric Sandler
    Aug 6, 2016 | 5:50 am
    Slash and Axl Rose from Guns N' Roses
    In many ways, the night belonged to Slash, pictured here at left in file photo. The guitarist, sporting his signature top hat and sunglasses, dropped a number of impressive solos throughout the set.
    Photo courtesy of Guns N' Roses

    “Do you know where the fuck you are? You’re in the jungle, baby. And you’re gonna die!”

    A threatening statement to be sure, but one that was met with cheers from the almost sold-out crowd at the Houston stop of Guns N’ Roses Not In This Lifetime tour Friday night.

    Sure, the band played “Welcome to the Jungle” fourth in their 25-song, two-and-a-half hour set, but opening songs “It’s So Easy,” “Mr. Brownstone,” and “Chinese Democracy” didn’t engage the crowd in the same way as the familiar opening riff to “Jungle.”

    For those in the crowd — mostly 35 to 50 — songs like “Jungle,” “Sweet Child of Mine,” and set closer “Paradise City” provided part of the soundtrack of their collective adolescence. For those fans, Guns N’ Roses harkens back to a time when CDs came with parental warning stickers and a rock band from Los Angeles could seem legitimately dangerous.

    With the band's debut album Appetite for Destruction set to turn 30 next year, those days are gone, but the music still resonates.

    As promised by tour production manager Dale "Opie" Skjerseth during a media preview on Thursday, the stage had been designed to "present the band." Two giant video screens on either side of the stage spotlighted different performers throughout the night, and three center screens alternated between showing the band and a series of graphics matched to the song. And, yes, there was “a lot of pyro” boomed throughout the set.

    Overall, the band turned in an impressive, high energy performance that utilized the multi-level stage well. Lead singer Axl Rose, bassist Duff McKagan, and guitarist Slash moved from the center stage to two side stages and elevated platforms in the rear of the center stage. Maybe Rose and Slash didn’t stand very close to each other more than a couple of times, but they don’t have to be buddy-buddy to deliver the thunderous spectacle the crowd expected.

    Rose’s voice displayed power and range throughout the set as he held notes on tracks ranging from “Estranged” to “The Seeker.” Ever the showman, he even swapped T-shirts throughout the set, mixing in a few jackets (white alligator for “November Rain,” a weird, fringy western thing for “Knockin’ on Heaven’s Door”).

    In many ways, the night belonged to Slash. The guitarist, sporting his signature top hat and sunglasses (and the same shirt throughout, natch) dropped a number of impressive solos throughout the set. Highlights included long intro and outro solos for “Rocket Queen,” a solo performance of the Love Theme from The Godfather, and busting out a double-necked guitar for “Civil War.” The cameras provided numerous close-ups of the guitarist's hands as he wrung every note out of his instrument.

    McKagan got his own opportunity to shine when he took over lead vocals a cover of the Misfits’ song “Attitude” while wearing a shirt with the image of Motorhead frontman Lemmy Kilmister.

    The setlist followed the one played two nights before in Arlington pretty closely, but the band mixed in “Catcher in the Rye” and “Don’t Cry” into the encore. Shortly thereafter, the final notes of “Paradise City” mingled with the last explosions, and it was time to go home. Judging by the cheers echoing off NRG Stadium’s ramps as people headed to the parking lot, just about everybody had a great time.

    Setlist (via setlist.fm):

    It's So Easy
    Mr. Brownstone
    Chinese Democracy
    Welcome to the Jungle
    Double Talkin' Jive
    Estranged
    Live and Let Die (Wings cover)
    Rocket Queen
    You Could Be Mine
    Attitude (Misfits cover)
    This I Love
    Civil War
    Coma
    Love Theme from the Godfather
    Sweet Child O' Mine
    Better
    Out Ta Get Me
    Wish You Were Here (Pink Floyd cover)
    November Rain
    Knockin' on Heaven's Door (Bob Dylan cover)
    Nightrain

    Encore:
    Catcher in the Rye
    Don't Cry
    The Seeker (The Who cover)
    Paradise City

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    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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