The Big Bang Theory contract fight has ended in out-of-this-world new contracts for the show's biggest stars, including Houston's own Jim Parsons.
Kaley Cuoco, Johnny Galecki and Parsons each landed close to the $1 million per episode they sought, according to Hollywood sources — a substantial raise from their previous $350,000 per episode deals. Simon Helberg and Kunal Nayyar also requested significant raises for starring in the half-hour show, but are still in negotiations.
A similar situation occurred more than 12 years ago when the cast of Friends threatened to quit before the ninth season if their salary demands were unmet. Ultimately, the Friends cast secured the salaries they requested: A cool million per episode, just like the stars of The Big Bang Theory.
With The Big Bang Theory generating an estimated $2 billion each year and approximately 20 million viewers a week, it's no surprise that Parsons, Galecki and Cuoco's demands have been met as CBS couldn't afford to lose the biggest stars on television's No. 1 comedy series, no matter how steep their requested salaries.
The show has officially been renewed through Season 10 and production on Season Eight will likely resume Wednesday following a one-week delay due to the contract impasse.
A substantially higher salary is a great thing for hometown favorite Parsons who dropped $6.375 million for Robert Pattinson's lavish former digs in Los Feliz earlier this summer.
Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.
That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.
Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.
Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.
The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.
The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.
Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.
Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.
