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    save the queen

    Back away from Beyoncé: Why the 'thievery' accusation against Houston's queen is totally unfair

    Craig Lindsey
    Jul 29, 2022 | 6:12 pm
    The Queen, on horseback.
    The Queen, on horseback.
    Beyoncé Instagram

    It seems Kelis hates Beyoncé so much right now.

    The R&B/pop singer, best known for the early-aughts hits “Caught Out There” and “Milkshake,” has beef with the one-and-only Queen Bey. On Thursday, July 28, she went on social media to voice her displeasure with not being notified that her song “Milkshake” (from her 2003 album Tasty) was sampled on “Energy,” a song off Beyoncé's latest and wildly anticipated new album Renaissance.

    Queen Bey's album dropped on Friday, July 29 — complete with a tsunami of fan challenges on an TikTok and a custom and official Twitter emoji.

    Kelis was notified of the usage on a fan's Instagram page, eventually commenting on the “level of disrespect and utter ignorance of all 3 parties involved” — referring to Beyoncé and the song's writers/producers, Pharrell Williams and Chad Hugo (aka The Neptunes).

    She later dropped a couple of Instagram videos where she expounded even further. “It’s not a collaboration,” she said. “It’s called thievery because the definition of collaboration means we are working together. There’s no working together if you are not checking in to see if everything’s cool.”

    Here’s what’s important: While it is debatable whether or not Beyoncé should've given Kelis a heads-up about the sample, Sasha Fierce isn’t legally required to do it. Hugo and Williams are the only credited songwriters on “Milkshake,” which makes them the only people who should be notified and credited on “Energy.”

    Seemingly, this has more to do with Kelis's beef with Williams and Hugo than with her issue withd Beyoncé. A couple of years ago, Kelis did an interview with The Guardian where she stated how much the superstar beatmakers, who produced all of her first two albums and some songs on Tasty, and their management lied to her during those days.

    “I was told we were going to split the whole thing 33/33/33, which we didn’t do,” she said, also mentioning that she made no money off her first two albums. “Their argument is: ‘Well, you signed it.’ I’m like: ‘Yeah, I signed what I was told, and I was too young and too stupid to double-check it.’”

    Kelis isn't the only Black singer to be surprised that one of her hits has been recently sampled by Beyoncé. Robin S. found out from her son that her 1990 dance hit “Show Me Love” was sampled on “Break My Soul.”

    However, unlike Kelis, Robin (who didn't write or produce the song) wasn't offended by the lack of notification. In fact, she was pleased that Beyoncé, well, showed her love. “Thank you so much for giving me my flowers while I’m still alive,” she said in an interview.

    Sure, Kelis has every right to be upset with collaborators who screwed her over in the past. But, she shouldn't be mad at another artist — namely The Queen — for sampling one of her songs and properly crediting the writers and producers, so all of this won't legally blow up in her face.

    Besides, Kelis really doesn't want any smoke with the BeyHive. (Does someone need to remind her of Keri Hilson?)

    Beyoncé is being accused of not crediting an artist on her new album.

    Beyonc\u00e9 Renaissance album cover
    Beyoncé/Instagram
    Beyoncé is being accused of not crediting an artist on her new album.
    musiccelebrities
    news/entertainment

    a sort of homecoming

    Houston director Wes Anderson headlines fundraiser for historic theater

    Craig D. Lindsey
    Jun 22, 2026 | 3:30 pm
    Wes Anderson Oscar Academy Awards
    Photo by Lars Niki/Getty Images for The Academy of Motion Picture Arts & Sciences
    undefined

    Acclaimed Houston-born filmmaker Wes Anderson may call Paris his home these days, but he’s always ready and willing to come back home to support a worthy cause.

    The Oscar-winning auteur will attend an evening celebrating his 30-year career in filmmaking, presented by Arthouse Houston. Titled “Wes Anderson Homecoming Soiree,” the event takes place at the Hobby Center for the Performing Arts’ Zilkha Hall on Friday, July 17. It will also benefit the preservation of the historic Garden Oaks Theater and founding of a new Arts & Film Center.

    The evening will include a “Founders Experience,” followed by a reception with food and drinks, live music by the Kelly Doyle Trio, and a silent auction. After that, Anderson will introduce a quintet of his short films he selected for the occasion. These shorts include Bottle Rocket (which he later expanded into his 1996 feature-film debut), and The Swan, one of the shorts from The Wonderful Story of Henry Sugar and Three More, his only-on-Netflix collection of mini-Roald Dahl adaptations.

    Donors at the Founders level will be treated to a meet-and-greet and Q&A with Anderson and friends prior to the show, including a celebratory toast, and a signed show poster. Top-tier donors (starting at $100,000) will have naming rights within the new Arts & Film Center and four complimentary tickets to the event. Proceeds will directly help the effort to preserve one of the city’s few remaining historic cinemas, as well as create a new cultural hub where cinema, live performance, production, and education converge.

    Houston won’t be Anderson’s only American stop next month. From Friday, July 10, to Sunday, July 12, he’ll be in Los Angeles for the Hollywood Bowl’s “Music from the Films of Wes Anderson” concert series, featuring performances from Beck, Jackson Browne, Devo, Bill Murray, and others.

    For tickets and more info on the event, go here.

    wes andersonhoustonfundraiserspreservation
    news/entertainment
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