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    save the queen

    Back away from Beyoncé: Why the 'thievery' accusation against Houston's queen is totally unfair

    Craig Lindsey
    Jul 29, 2022 | 6:12 pm
    The Queen, on horseback.
    The Queen, on horseback.
    Beyoncé Instagram

    It seems Kelis hates Beyoncé so much right now.

    The R&B/pop singer, best known for the early-aughts hits “Caught Out There” and “Milkshake,” has beef with the one-and-only Queen Bey. On Thursday, July 28, she went on social media to voice her displeasure with not being notified that her song “Milkshake” (from her 2003 album Tasty) was sampled on “Energy,” a song off Beyoncé's latest and wildly anticipated new album Renaissance.

    Queen Bey's album dropped on Friday, July 29 — complete with a tsunami of fan challenges on an TikTok and a custom and official Twitter emoji.

    Kelis was notified of the usage on a fan's Instagram page, eventually commenting on the “level of disrespect and utter ignorance of all 3 parties involved” — referring to Beyoncé and the song's writers/producers, Pharrell Williams and Chad Hugo (aka The Neptunes).

    She later dropped a couple of Instagram videos where she expounded even further. “It’s not a collaboration,” she said. “It’s called thievery because the definition of collaboration means we are working together. There’s no working together if you are not checking in to see if everything’s cool.”

    Here’s what’s important: While it is debatable whether or not Beyoncé should've given Kelis a heads-up about the sample, Sasha Fierce isn’t legally required to do it. Hugo and Williams are the only credited songwriters on “Milkshake,” which makes them the only people who should be notified and credited on “Energy.”

    Seemingly, this has more to do with Kelis's beef with Williams and Hugo than with her issue withd Beyoncé. A couple of years ago, Kelis did an interview with The Guardian where she stated how much the superstar beatmakers, who produced all of her first two albums and some songs on Tasty, and their management lied to her during those days.

    “I was told we were going to split the whole thing 33/33/33, which we didn’t do,” she said, also mentioning that she made no money off her first two albums. “Their argument is: ‘Well, you signed it.’ I’m like: ‘Yeah, I signed what I was told, and I was too young and too stupid to double-check it.’”

    Kelis isn't the only Black singer to be surprised that one of her hits has been recently sampled by Beyoncé. Robin S. found out from her son that her 1990 dance hit “Show Me Love” was sampled on “Break My Soul.”

    However, unlike Kelis, Robin (who didn't write or produce the song) wasn't offended by the lack of notification. In fact, she was pleased that Beyoncé, well, showed her love. “Thank you so much for giving me my flowers while I’m still alive,” she said in an interview.

    Sure, Kelis has every right to be upset with collaborators who screwed her over in the past. But, she shouldn't be mad at another artist — namely The Queen — for sampling one of her songs and properly crediting the writers and producers, so all of this won't legally blow up in her face.

    Besides, Kelis really doesn't want any smoke with the BeyHive. (Does someone need to remind her of Keri Hilson?)

    Beyoncé is being accused of not crediting an artist on her new album.

    Beyonc\u00e9 Renaissance album cover
    Beyoncé/Instagram
    Beyoncé is being accused of not crediting an artist on her new album.
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    Movie Review

    The Only Living Pickpocket in New York lifts big rewards from small stakes

    Alex Bentley
    Oct 30, 2026 | 10:30 am
    John Turturro in The Only Living Pickpocket in New York
    Photo courtesy of Sony Pictures Classics
    John Turturro in The Only Living Pickpocket in New York.

    John Turturro is one of those people who embodies the term “character actor” the best. With over 120 credits in his nearly 50-year career, Turturro has rarely been the star of any of his projects. Instead, filmmakers have mostly used his unique face, New York accent, and inimitable acting style to help support the lead actors, a role for which Turturro seems well-suited.

    Now 69, Turturro is taking the reins in The Only Living Pickpocket in New York, playing Harry, a long-in-the-tooth thief who still has skills but not as many opportunities. The plucking of wallets isn’t as lucrative in the mostly-cashless modern society, and Harry has little use for smartphones since he doesn’t know how to use them. However, a rare opportunity presents itself when he happens upon Dylan (Will Price), a young man who seems to be as oblivious as he is rich.

    After a clever robbery of Dylan’s vintage car, though, Harry discovers he might be in over his head, especially when he finds a card-shaped USB drive. It's the contents of the drive that soon puts Harry and anyone around him in danger, including his wife, Rosie (Karina Arroyave), who’s suffering from unresponsive wakefulness syndrome; Ben (Steve Buscemi), who helps Harry sell stolen items; and even his estranged daughter Kelly (Tatiana Maslany).

    Written and directed by Noah Segan, the film is a low-key thriller made to emulate the tempo of Harry’s life. While one of the plot points puts a degree of urgency into his actions, for the most part Harry is someone for whom slow and steady always wins the race. He is someone who has developed relationships over decades, including with NYPD Detective Warren (Giancarlo Esposito), and it’s those bonds that help him make it through each day.

    Even though Harry is a criminal, the film treats him as an overall good guy, especially through the way he takes care of Rosie and the generosity he displays with his (stolen) money. Almost no one has a bad thing to say about him, and so Segan comes up with a couple of ways to give him more depth. His one scene with Kelly does the trick, providing a glimpse into a lesser man who clearly existed at one time.

    One of the pleasures of the film for longtime movie fans are the reunions Turturro has with Buscemi (his co-star in The Big Lebowski) and Esposito (his co-star in Do the Right Thing). All three could be all-stars on a team of character actors, with each having made big impressions in all sorts of roles over the past 40 years. Seeing them back together again as very different characters from when they last collaborated underscores the level of talent each of them has.

    Turturro ably carries the load in the lead role, but given his acting style and the type of role he’s called to play, his performance is far from showy. The same goes for Buscemi and Esposito, who are there to give great support to the classic supporting actor. When someone does go over-the-top, as Price does in most of his scenes, it stands out in a bad way. Maslany scores a lot of points in her brief appearance.

    The Only Living Pickpocket in New York is a quiet film with big rewards despite its small ambitions. The beauty of the story lies in its small details, both character-related and not. Turturro rarely disappoints when he’s not the lead actor, and he demonstrates that he’s equally capable of making a movie great when he’s out front.

    ---

    The Only Living Pickpocket in New York opens in theaters on October 30.

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