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    the stones return

    The Rolling Stones rock Houston with unforgettable, satisfaction-filled show

    Johnston Farrow
    Johnston Farrow
    Jul 28, 2019 | 3:00 am

    The question of the night loomed over the proceedings with well over 50,000 packed into NRG Stadium: Can a band — all members over the age of 70 — still rock a huge crowd?

    The answer: yes.

    The Rolling Stones are well past their expiration date and defiantly so. They have been a going concern for over 50 years, the former rivals to The (freaking) Beatles and have assuredly turned their many hits into becoming the biggest band in the world, no questions asked. At this point, they are only on the road to prove they can outdo any young band that might think they can take on their mantle.

    Lead singer Mick Jagger recently had heart valve replacement surgery, and he even acknowledged the postponement of the show that was supposed to be months ago, apologizing, in saying that he “f*cked everyone’s plans.” Drummer Charlie Watts is 78 years old, Ronnie Wood looks way better than he should, and Keith Richards, well, he is still walking.

    Jokes aside, the Stones almost thrive on these thoughts to make converts anew, something they've been doing for decades. This was one helluva show and one that the Bayou City won't soon forget.

    After a set by Bishop Gunn that would have made Black Crowes fans happy, the Stones came out to "Jumpin' Jack Flash," the 1968 hit that still had the resonant, exciting charge as the day it was released. A huge bank of video screens mostly focused on the big four — Jagger, Richards, (Ronnie) Wood, and Watts — and showed that they still had the goods. Any concerns that Mick would be able to give his nimble best were destroyed as he pranced across the huge stage, his iconic moves still as vibrant as ever.

    Between songs, Jagger alluded to their history at NRG Stadium, noting that they were the first band to ever play the venue after it opened in 2002. Later, he pointed out it had been 55 years since they had first played Houston, a mind-boggling fact to anyone born years after their start.

    Fans of all ages showed their approval for their biggest songs — “Let’s Spend the Night Together,” a killer “Sympathy for the Devil,” and “Paint It Black” was everything and more that a fan could expect.

    Significantly changing the setlist up from earlier in the tour made a statement and kept the audience on their toes. The early ’80s hit, "Start Me Up," that launched the modern Stones was a welcome addition. “Brown Sugar” and its extended jam closed out a killer first set.

    The Stones pulled off the perfect one-two shot encore with the mind-blowing “Gimme Shelter,” back-up singer Sasha Allen stealing the spotlight. “(I Can’t Get No) Satisfaction” had the entire stadium up and dancing, proving that good songs can never die, that people will continue to pay to see one of the most legendary acts to ever take the stage.

    Setlist
    "Jumpin' Jack Flash"
    "Let's Spend The Night Together"
    "Tumbling Dice"
    "Out of Control"
    "Doo Doo Doo Doo Doo (Heartbreaker)"
    "You Can't Always Get What You Want"
    "Sweet Virginia"
    "Dead Flowers"
    "Sympathy For The Devil"
    "Honky Tonk Women"
    "Slipping Away"
    "Before They Make Me Run"
    "Miss You"
    "Midnight Rambler"
    "Paint It Black"
    "Start Me Up"
    "Brown Sugar"

    Encore:
    "Gimme Shelter"
    "(I Can't Get No) Satisfaction"

    The Rolling Stones tore through tunes like "Street Fighting Man."

    Rolling Stones Houston concert 2019 NRG Stadium
    Photo by Jacob Power
    The Rolling Stones tore through tunes like "Street Fighting Man."
    concertsmusicreviewsnightlife
    news/entertainment

    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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