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    Her songwriting is better than you'd think

    Houston brought into Lady Gaga's world — buckle up for the spectacle

    Michael D. Clark
    Jul 25, 2010 | 6:08 am
    • Lady Gaga brings her "Monster Ball Tour" to Houston on Sunday and Monday at theToyota Center.
    • It's Lady Gaga's world and Houston is living it for the next two nights.
      From the video "Telephone," directed by Jonas Aklerlund
    • The Lady is a natural-born performer.

    Lady Gaga ... Lady Gaga. .. the name rings a bell, but I just can't put my finger on it.

    Oh wait, isn't she the lady shaking her ridiculously fashioned money-maker on MTV, VH1, E, TMZ and a couple other television acronyms I can't immediately recall every time I flip through the channels? And isn't she the heavily-produced, reverb-drenched voice I hear every time I get into my car and turn on the radio?

    This Gaga-mania has gotten out of control, but it has made Houston the nexus of the pop culture world for the next couple days.

    Those looking to absorb a true rock n' roll icon, whose name and songs will live forever in annals of music history, headed down to the Cynthia Woods Mitchell Pavilion on Saturday to catch former Led Zeppelin frontman Robert Plant.

    But if you want to be part of the zeitgeist when the most popular, stylish, flamboyant and overtly-sexual diva of this millennium comes to Houston ... Gaga is your girl and this Sunday and Monday at the Toyota Center will be hotter and sassier than Hollywood and Miami Beach combined.

    Two years ago nobody knew what a Lady Gaga was. The little girl born Stefani Joanne Angelina Germanotta wasn't known far beyond the New York City club scene.

    (As a fellow Italian-American, I have to say that it's a crime that she dumped that beautiful, vowel-filled moniker in favor of a title consisting of baby speak. Somewhere in Manhattan her old school Italian-American father is crying in his cannoli about that choice).

    That all changed in August of 2008 when Gaga's debut album, The Fame, raced to the top of the charts around Europe, Canada and the United States (it actually peaked at No. 2 on Billboard 200 here in the U.S.) on the strength of electric pop singles "Just Dance" and "Poker Face."

    Her first national tour cemented her as Madonna 2.0.

    Gaga's mix of catchy singles, avant-garde fashion and penchant for straddling the line between provocative and pornographic in her videos and magazine shoots made her a tabloid sensation.

    More importantly, last year's follow-up album, The Fame Monster, demonstrated that Ms. Gaga has some musical and songwriting chops hidden underneath her selectively-placed feathers and sequins. Top-charting aerobic club-hops like "Bad Romance" are balanced with piano ballads like the strangely exotic and Latin-leaning "Alejandro."

    For the moment it seems that Gaga will draw a throng wherever she goes while every song she releases climbs over the back of her last single to get to No. 1.

    In other words, it's Gaga's world at the moment.

    But for two night's she's inviting us to visit it. It might be worth the price of admission just to catch the spectacle of it all.

     

     Sunday & Monday

     Lady Gaga, 8 p.m. at Toyota Center

    Tickets: $49.50-$175

     
     

    unspecified
    news/entertainment

    Movie Review

    New Superman movie forges into the future while honoring the past

    Alex Bentley
    Jul 11, 2025 | 3:30 pm
    David Corenswet in Superman
    Photo by Jessica Miglio
    David Corenswet in Superman.

    When the character of Superman was invented in 1938, it was perhaps easier to see the world in good and bad terms. Fascism was already on the rise in Germany under Adolf Hitler, and the idea of an all-powerful superhero who stood up for people in need was a welcome one. In the nearly 90 years since, though, the world and the character have undergone multiple evolutions, and the thought of someone who is purely good is often met with cynicism or worse.

    The new Superman, written and directed by James Gunn, puts the superhero (or metahuman, as the film calls him and similar creatures) squarely in the midst of the modern world, with geopolitical conflicts, mega-corporations, and social media all combining to make the altruism of Superman/Clark Kent (David Corenswet) questionable. That skepticism even extends to his coworker/girlfriend Lois Lane (Rachel Brosnahan), whose knowledge of his exploits puts her in a tricky position personally and professionally.

    Lex Luthor (Nicholas Hoult) is out to dominate the world and take down Superman, with his eponymous corporation and vast group of underlings dedicated to doing both. Superman is generally a one-man fighting crew, but he’s occasionally aided by a group calling themselves the Justice Gang, comprised of heroes many have never heard of like Guy Gardner (Nathan Fillion), a version of Green Lantern; Hawkgirl (Isabela Merced), a flying metahuman; and Mr. Terrific (Edi Gathegi), who knows all kinds of technology.

    One of the best things about this new version of Superman is that it mostly dispenses with introductions, putting the audience in a world where Superman is already a well-known quantity who’s adored by many and hated by some. Gunn has used his new position as co-CEO of DC Studios to honor the past of the hero and take him into the future. With the 1978 John Williams theme song echoing throughout and Corenswet giving off Christopher Reeve vibes, it’s clear Gunn wants audiences to feel nostalgia while still getting something new.

    He also appears to want viewers to fight against the negativity that the modern world can bring. The plot involves manipulation of the public, usually at the hands of Luthor, through bombastic talk shows, political theater, and social media, the latter of which — in a great joke — comes to involve hundreds of typing monkeys. The film could be read as a rebuttal of many real-world ills as, despite Luthor’s machinations, many choose to continue to believe in the goodness of Superman.

    There is a lot going on in the film, but somehow it never comes off as overly complicated. Superman’s relationship with Lois Lane and Luthor’s attempts at taking him down are given the most prominence, with everything else supporting those two main things. The Justice Gang is a fun addition, with Mr. Terrific becoming the breakout hero of the group. The addition of the (CGI) dog Krypto provides levity, poignant moments, and unexpectedly great action scenes. The only part that gets somewhat short shrift is the crew of The Daily Planet, with everyone besides Lois and Jimmy Olsen (Skyler Gisondo) getting little more than face time.

    Being the new Superman is a lot to live up to, but Corenswet is completely up to the job. He, like Reeve, plays the character as someone who is earnest but not naive, a quality that comes through even when he’s in the middle of fight scenes. Brosnahan is also fantastic, providing a nice balance to the relationship while also proving the character’s own worth. Hoult makes for a great new version of Luthor, and Gathegi nearly makes the case that Mr. Terrific should get a starring film of his own.

    Just as he did with the Guardians of the Galaxy trilogy, Gunn has shown that success can be found through making characters people want to see. Not everyone in this Superman will be familiar to viewers, but in the end a group of people working together toward a goal that serves the common good is one worth watching and cheering for.

    ---

    Superman is now playing in theaters.

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