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    Returns to the Mucky Duck

    True Texas legend Butch Hancock does it all — singer/artist/homebuilder/white-water rafting guide

    Susan Darrow
    Jul 22, 2010 | 10:26 am
    • Butch Hancock
    • Butch Hancock, "Visitor to the Revolutionary Rainbow...Kiev, Ukraine," 1987

    Texas singer/songwriter Butch Hancock returns to McGonigel's Mucky Duck for his first solo appearance in Houston in more than four years tonight.

    While the legendary artist has been away from our town for a while, he’s hardly been resting on his laurels. Since he last visited the Mucky Duck, he’s toured nationally and internationally, launched his first New York art exhibition and built a futuristic home in the historic ghost town of Terlingua. And that’s just for starters.

    The prolific songwriter, whose work has been covered by Emmylou Harris, Jerry Jeff Walker, the Sir Douglas Quintet and the Texas Tornados, has been touring for the past year and a half with his longtime friends and collaborators Joe Ely and Jimmie Dale Gilmore, who, with Hancock, are together known as The Flatlanders.

    The Flatlanders’ latest release, Hills and Valleys, garnered widespread praise from critics as well as two nominations in last year’s Americana Music Awards, including one for Song of the Year. Rolling Stone lauded their nominated song, a reverse-migration Dust Bowl ballad called “Homeland Refugee”, as one of the “best recession tunes” and part of the “soundtrack for hard times.”

    Since the Hills and Valleys release last spring, Hancock, Gilmore and Ely have performed in more than 60 cities, including the first-ever Flatlanders tour of Australia.

    Then, there’s Hancock’s work as a visual artist. Hancock received critical acclaim for his first exhibition in New York, featuring his futuristic, elaborate ballpoint pen drawings and photographs.

    Award-winning artist and songwriter Terry Allen, a close friend of Hancock’s, curated the New York show at the CUE Art Foundation. Of Hancock’s exhibition, Allen says, “He’s made his life completely about the making of amazing things. Other than music, only a small group of friends and family really know about this other work ... photographs, film, video, outlandish architectural propositions, elaborate ballpoint drawings, handmade journals filled with writings, sketches and scrawls, etc ... and always, the songs.”

    Meanwhile, back in the desert flats of Terlingua near Big Bend National Park, Hancock has been designing and almost single-handedly building his own wild, expansive, solar-powered residence. In his spare time, he moonlights as a white-water rafting guide, leading river tours that feature nightly concerts. He moved to Terlingua in the late 1990s with his family to live, and as Hancock says, “to find better parking places.”

    This month, Hancock has been celebrating another beloved folk icon. Last week, he held his annual Woody Guthrie Birthday Tribute at the legendary Cactus Café on the University of Texas campus in Austin, then headed out with his family for Guthrie’s hometown, Okemah, Oklahoma, to perform at the 13th-annual Woody Guthrie Folk Festival.

    Speaking of the Cactus Cafe, one of the highlights of Hancock’s multi-faceted career is the No Two Alike series, a collection of 14 tapes capturing more than 140 of his songs over a six-night stand in 1990 at the Cactus, where he's joined by a multitude of guests and never repeats a tune.

    Recently, the University of Texas announced controversial plans to close the Cactus Café, then, in response to public outcry, said the Cactus would remain open in joint management with the university’s public radio station KUT and the Student Union. Many fans of the venue are concerned that it’s still unclear how the “new” Cactus will evolve under this new KUT management structure.

    Hancock, who has been a fixture at the club for many years, will celebrate the venue’s 30-year history and close out “the Original Cactus Cafe” next month by reprising his No Two Alike performances and playing five nights, August 10-14 .... without repeating a single song.

    Hancock’s appearance at the Mucky Duck on Thursday will cover only one night, not five, but it promises to be filled with plenty of songs and stories. After all, after a four-year absence, we’ve got some catching up to do.

    Butch Hancock appears at 7:30 p.m. on Thursday at McGonigel’s Mucky Duck, 2425 Norfolk, 713-528-5999.

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    news/entertainment

    Movie Review

    Star TV producer James L. Brooks stumbles with meandering movie Ella McCay

    Alex Bentley
    Dec 12, 2025 | 2:30 pm
    Emma Mackey in Ella McCay
    Photo courtesy of 20th Century Studios
    Emma Mackey in Ella McCay.

    The impact that writer/director/producer James L. Brooks has made on Hollywood cannot be understated. The 85-year-old created The Mary Tyler Moore Show, personally won three Oscars for Terms of Endearment, and was one of the driving forces behind The Simpsons, among many other credits. Now, 15 years after his last movie, he’s back in the directing chair with Ella McCay.

    The similarly-named Emma Mackey plays Ella, a 34-year-old lieutenant governor of an unnamed state in 2008 who’s on the verge of becoming governor when Governor Bill (Albert Brooks) gets picked to be a member of the president’s Cabinet. What should be a happy time is sullied by her needy husband, Ryan (Jack Lowden), her agoraphobic brother, Casey (Spike Fearn), and her perpetually-cheating father, Eddie (Woody Harrelson).

    Despite the trio of men competing to bring her down, Ella remains an unapologetic optimist, an attitude bolstered by her aunt Helen (Jamie Lee Curtis), her assistant Estelle (Julie Kavner), and her police escort, Trooper Nash (Kumail Nanjiani). The film follows her over a few days as she navigates the perils of governing, the distractions her family brings, and the expectations being thrust upon her by many different people.

    Brooks, who wrote and directed the film, is all over the place with his storytelling. What at first seems to be a straightforward story about Ella and her various issues soon starts meandering into areas that, while related to Ella, don’t make the film better. Prime among them are her brother and father, who are given a relatively small amount of screentime in comparison to the importance they have in her life. This is compounded by a confounding subplot in which Casey tries to win back his girlfriend, Susan (Ayo Edebiri).

    Then there’s the whole political side of the story, which never finds its focus and is stuck in the past. Though it’s never stated explicitly, Ella and Governor Bill appear to be Democrats, especially given a signature program Ella pushes to help mothers in need. But if Brooks was trying to provide an antidote to the current real world politics, he doesn’t succeed, as Ella’s full goals are never clear. He also inexplicably shows her boring her fellow lawmakers to tears, a strange trait to give the person for whom the audience is supposed to be rooting.

    What saves the movie from being an all-out train wreck is the performances of Mackey and Curtis. Mackey, best known for the Netflix show Sex Education, has an assured confidence to her that keeps the character interesting and likable even when the story goes downhill. Curtis, who has tended to go over-the-top with her roles in recent years, tones it down, offering a warm place of comfort for Ella to turn to when she needs it. The two complement each other very well and are the best parts of the movie by far.

    Brooks puts much more effort into his female actors, including Kavner, who, even though she serves as an unnecessary narrator, gets most of the best laugh lines in the film. Harrelson is capable of playing a great cad, but his character here isn’t fleshed out enough. Fearn is super annoying in his role, and Lowden isn’t much better, although that could be mostly due to what his character is called to do. Were it not for the always-great Brooks and Nanjiani, the movie might be devoid of good male performances.

    Brooks has made many great TV shows and movies in his 60+ year career, but Ella McCay is a far cry from his best. The only positive that comes out of it is the boosting of Mackey, who proves herself capable of not only leading a film, but also elevating one that would otherwise be a slog to get through.

    ---

    Ella McCay opens in theaters on December 12.

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