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    Summin' Up the Cup

    Bitter with the sweet: Revelations of an unforgettable World Cup

    Tarif Abboushi
    Jul 14, 2010 | 7:08 am
    • Francesc Fabregas and Xavi Hernandez of Spain celebrate the first — and only —goal during the 2010 FIFA World Cup final match between Netherlands and Spain.
      (Photo by Jamie McDonald/Getty Images for Sony
    • Uruguay's Diego Forlan was the tournament's most valuable player.
    • Nelson Mandela's appearance at the final match drew a rapturous response. Hecanceled an appearance at the opening game after his granddaughter was killed inan automobile accident.
    • Uruguay celebrates a controversial win over Ghana.
    • South Africa drew high marks for a well-run, spirited World Cup.

    One month and 64 matches later, the South African vuvuzelas that gave us the signature bee-swarm blare of the 19th FIFA World Cup have fallen silent. The stadia are empty, the crowds gone. But long after the face paint that emblazoned hues of 32 nations’ flags on cheeks old and young has been scrubbed off, after the matching wigs have been discarded and the patriotic costumes packed, this aficionado of the world’s most popular sporting event is left with a bittersweet aftertaste.

    Sweet: It was gratifying that the bookend matches were played in Soweto to a home crowd as passionate about its national team as it was colorblind. Nelson Mandela graced both occasions, the first in spirit only, the last in person.

    Sweet: The exuberance of the hosts. South Africa’s team sang and danced their way to all of their matches, exhibiting a refreshing immunity to the nerves afflicting most other squads from the get-go. There was unbridled joy when Siphiwe Tshabalala opened the scoring with an exquisitely struck volley, the first World Cup goal on African soil of a quality befitting the occasion.

    Sweet: The personal triumph of Uruguayan talisman Diego Forlan, winner of the Golden Ball award for the tournament’s best player. Forlan’s inspiration is his sister Alejandra, left paralyzed at the age of 17 by a car accident. As she lay in a hospital bed, the 12-year-old Diego promised her he would succeed as a soccer player so he could get her the best doctors in the world.

    Sweet: Plucky New Zealand. Minnows in the world of international soccer, they outperformed defending champions Italy and went home unbeaten.

    Sweet: The way all of Africa pulled together behind Ghana, the continent’s sole representative in the quarterfinals. Seeking to become the first African country to reach a World Cup semifinal, Ghana deployed its youthful vigor against Uruguay, leading to one of the most dramatic climaxes to any World Cup quarterfinal ever, to be remembered for …

    Bitter: Uruguay striker Luis Suarez’s instinctive goal-line handball to prevent a certain match-winning Ghanaian goal in the last minute of extra time raises an interesting question: Can an instinctive reaction also be deemed an intentional one? If so, the subsequent vilification of Suarez by the African fans and press is justified. If not, his red card and the awarding of a penalty to Ghana was a misapplication of the rules, because a handball is only punishable if it is intentional.

    Regardless, the outcome of the match demonstrated that for some infractions, the rules more effectively punish the offender than compensate the victim. No such provision exists in the laws of the game, but under the circumstances, awarding a penalty goal to Ghana would not have been a miscarriage of justice.

    Bitter: The integrity of the game is diminished when fairness is compromised. The laws of the game are not set by international governing body FIFA (French acronym for the International Federation of Association Football), but IFAB, the International Football Association Board, comprised of eight members, one representing each of the United Kingdom’s four pioneering football associations and four representatives from FIFA.

    Rules changes require approval by at least six votes, so while FIFA approval is necessary, FIFA alone cannot change the laws of the game.

    The octet has its work cut out for it at its next meeting. Several high-profile incidents cast a spotlight on either the rules themselves or the way they are (and sometimes aren’t) enforced. Much acrimony was directed at the referees, but the blame lies on the lapels of the suits around the IFAB board table.

    The referees are human and, like the rest of us, can make an incorrect call when watching fast-paced action in real time, particularly as it relates to whether the entirety of the ball has crossed the goal line and whether or not a strike should be disallowed for an infringement. The USA, England and Mexico all suffered infuriating injustices. Technology, in the form of instant replay, can address this deficiency. The IFAB can learn from the NFL.

    Bitter: The fake histrionics of some players when they are fouled.

    Bitter: The bone-crunching over-aggression that some players — some teams — used as the foundation of their game. In the final, the sport’s quadrennial showpiece, Dutch midfielder Nigel De Jong executed a studs-up stomp on the sternum of his Spanish counterpart Xavi Alonso. Referee Howard Webb should have sent De Jong off, but didn’t want to deprive the global audience of an 11-a-side contest so early in the match, a classic damned-if-you-do-damned-if-you-don’t decision.

    Bittersweet: FIFA’s "Say No to Racism" campaign is well-meaning but meaningless unless the federation puts its teeth where its mouth is and rescinds the membership of countries who practice legal or institutional discrimination.

    Sweetest of all: The best team won. Spain became the first nation to win the championship after losing its first match by sticking to their mellifluous passing game.

    The party may be over, but Spaniards will dance on. Four years hence, the eyes of the world will turn to Rio and the anticipated resurgence of Brazil’s Samba Soccer. Until then, in the hope that FIFA acts appropriately, here’s tipping a Stetson to the rightful reign of Spain’s Flamenco Football.

    Tarif Abboushi is a professional engineer whose religion is soccer.

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    Movie Review

    Star-filled pickleball comedy The Dink aces on Apple TV+

    Alex Bentley
    Jul 27, 2026 | 9:15 am
    Mary Steenburgen and Jake Johnson in The Dink
    Photo courtesy of Apple TV+
    Mary Steenburgen and Jake Johnson in The Dink.

    While the sport of pickleball was invented way back in the 1960s, it has exploded in popularity in the 2020s. It was only a matter of time before someone figured out a way to make a movie about the craze, and a comedy like the new Apple TV film The Dink provides the best way to honor and make fun of the divisive sport at the same time.

    Dusty Boyd (Jake Johnson), aka The Hammer, is a former tennis phenom who’s now working as an instructor at a club owned by his dad, Chuck (Ed Harris). While the two don’t always see eye-to-eye, they have a mutual hatred for pickleball, which they have begrudgingly allowed on the property by giving it the worst court.

    Dusty is hoping to stop all future pickleball expansion by winning a one-on-one grudge match, but when he injures his wrist, he’s given a prescription of pickleball as a form of rehab. Older women like Candace (Mary Steenburgen) are the only people he can find to play with, and despite his disdain for the sport, he soon falls prey to its low-key charms.

    Directed by Josh Greenbaum (Will & Harper) and written by Sean Clements, the film is probably the best advertisement pickleball will ever have. Dusty’s introduction to the sport serves as a lighthearted tutorial for the uninitiated while still getting in some nice digs at its expense. The other players — Candace, Gail (Cleo King), and Judy (Lynn Marie Stewart) — are equally welcoming and critical of Dusty, who initially has trouble adjusting to the game’s different rules.

    The film’s approach to the story is silly but never stupid. Dusty is a blowhard, but he’s also able to admit when he’s wrong, especially when Candace introduces him to multiple things he had never considered before. A long-standing feud between Dusty and Andy Roddick provides more than just a goofy cameo for the real-life tennis star. The film also pushes right to the edge of being over-the-top before pulling back, allowing it to keep a semblance of reality to it.

    Clements’ story follows a tried-and-true formula, making the film very predictable but enjoyably so. Where it earns its comedy credentials is in its finer details, like Dusty’s love for his 1999 Buick LeSabre with under 200,000 miles on it, his trunk full of old VHS tapes, or his interactions with his assistant PJ (Aaron Chen), who manages to be the comic relief in an already funny film.

    Johnson, probably best known for starring in the sitcom New Girl in the 2010s, has the right amount of smarm and niceness to pull off the role, letting viewers laugh at and root for him at the same time. The film is full of comedy all-stars in small roles like Oswalt, Chris Parnell, and Ben Stiller, but Harris steals everyone’s thunder. The line readings by the four-time Oscar nominee give an extra punch to his character’s jokes, especially one that hints at the sordid history of the tennis club.

    It’s a shame that The Dink is only playing on a streaming service as there’s a dearth of good comedies like this in movie theaters. With a solid joke-telling approach, a respect for its subject matter, and a cast who all play off each other well, this is a film that deserves to be seen by more than just those with an Apple TV subscription.

    ---

    The Dink is now streaming on Apple TV.

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